{"id":2478,"date":"2019-07-04T20:59:40","date_gmt":"2019-07-04T20:59:40","guid":{"rendered":"https:\/\/opentextbc.ca\/englishliterature\/?post_type=back-matter&#038;p=2478"},"modified":"2019-08-06T21:47:52","modified_gmt":"2019-08-06T21:47:52","slug":"list-of-links-for-print-users-by-chapters","status":"publish","type":"back-matter","link":"https:\/\/opentextbc.ca\/englishliterature\/back-matter\/list-of-links-for-print-users-by-chapters\/","title":{"raw":"List of Links for Print Users by Part","rendered":"List of Links for Print Users by Part"},"content":{"raw":"<h1>Front Matter<\/h1>\r\n<h2>Accessibility Statement<\/h2>\r\n<ul>\r\n \t<li>Contact us: https:\/\/open.bccampus.ca\/contact-us\/<\/li>\r\n \t<li>Download this book in another file format<\/li>\r\n \t<li>Report an Open Textbook Error: https:\/\/open.bccampus.ca\/use-open-textbooks\/reporting-an-open-textbook-error\/<\/li>\r\n \t<li>Web version of Basic Kitchen and Food Service Management: https:\/\/opentextbc.ca\/basickitchenandfoodservicemanagement\/<\/li>\r\n<\/ul>\r\n<h2>About BCcampus Open Education<\/h2>\r\n<ul>\r\n \t<li>Adoption of an Open Textbook: https:\/\/open.bccampus.ca\/use-open-textbooks\/tell-us-youre-using-an-open-textbook\/<\/li>\r\n \t<li>BCcampus: https:\/\/bccampus.ca\/<\/li>\r\n \t<li>BCcampus Open Education: https:\/\/open.bccampus.ca\/<\/li>\r\n \t<li>British Columbia Ministry of Advanced Education, Skills &amp; Training: https:\/\/www2.gov.bc.ca\/gov\/content\/governments\/organizational-structure\/ministries-organizations\/ministries\/advanced-education-skills-training<\/li>\r\n \t<li>Creative Commons licence: https:\/\/creativecommons.org\/licenses\/<\/li>\r\n \t<li>Hewlett Foundation: http:\/\/www.hewlett.org\/<\/li>\r\n<\/ul>\r\n<h1>I.\u00a0The Victorian Era 1832\u20131901<\/h1>\r\n<ul>\r\n \t<li>Archaeology and Imperialism: http:\/\/www.bbc.co.uk\/programmes\/p003k9gt<\/li>\r\n \t<li>British Empire: http:\/\/www.nationalarchives.gov.uk\/education\/empire\/<\/li>\r\n \t<li>Child Labor:\u00a0http:\/\/www.victorianweb.org\/victorian\/history\/1851\/index.html<\/li>\r\n \t<li>Dover Beach:\u00a0http:\/\/www.victorianweb.org\/authors\/arnold\/writings\/doverbeach.html<\/li>\r\n \t<li>Gender Ideology &amp; Separate Spheres: http:\/\/www.vam.ac.uk\/content\/articles\/g\/gender-ideology-and-separate-spheres-19th-century\/<\/li>\r\n \t<li>Gender Matters: http:\/\/www.victorianweb.org\/gender\/<\/li>\r\n \t<li>Great Exhibition:\u00a0http:\/\/www.bl.uk\/learning\/histcitizen\/victorians\/exhibition\/greatexhibition.html<\/li>\r\n \t<li>Industrialism: https:\/\/www.wwnorton.com\/college\/english\/nael\/victorian\/topic_1\/welcome.htm<\/li>\r\n \t<li>Kipling\u2019s Imperialism: http:\/\/www.victorianweb.org\/authors\/kipling\/rkimperialism.html<\/li>\r\n \t<li>Norton Topics: \u201cVictorian Imperialism\u201d: https:\/\/www.wwnorton.com\/college\/english\/nael\/victorian\/topic_4\/welcome.htm<\/li>\r\n \t<li>Saylor.org English 410 Resources Page:\u00a0http:\/\/www.saylor.org\/courses\/engl410\/?ismissing=0&amp;resourcetype=1<\/li>\r\n \t<li>Social Darwinism:\u00a0http:\/\/rationalwiki.org\/wiki\/Social_Darwinism<\/li>\r\n \t<li>Suffragists: http:\/\/www.bl.uk\/learning\/histcitizen\/21cc\/struggle\/struggle.html<\/li>\r\n \t<li>The British Empire: http:\/\/www.victorianweb.org\/history\/empire\/Empire.html<\/li>\r\n \t<li>The Crystal Palace, or The Great Exhibition of 1851: An Overview\":\u00a0http:\/\/www.victorianweb.org\/victorian\/history\/1851\/index.html<\/li>\r\n \t<li>The Life of the Industrial Worker in Nineteenth-Century England:\u00a0http:\/\/www.victorianweb.org\/history\/workers2.html<\/li>\r\n \t<li>The National Union of Women\u2019s Suffrage Societies: http:\/\/www.victorianweb.org\/gender\/wojtczak\/nuwss.html<\/li>\r\n \t<li>The Nature of Women: https:\/\/www.wwnorton.com\/college\/english\/nael\/victorian\/topic_2\/nature.htm<\/li>\r\n \t<li>\u2018The Personal is Political\u2019: Gender in Private &amp; Public Life: http:\/\/www.vam.ac.uk\/content\/articles\/p\/the-personal-is-political-gender-in-private-and-public-life\/<\/li>\r\n \t<li>The Reform Acts:\u00a0http:\/\/www.victorianweb.org\/history\/hist2.html<\/li>\r\n \t<li>The Woman Question: https:\/\/www.wwnorton.com\/college\/english\/nael\/victorian\/topic_2\/welcome.htm<\/li>\r\n \t<li>The 1833 Reform Act:\u00a0http:\/\/www.victorianweb.org\/history\/factact.html<\/li>\r\n \t<li>The 1870 Education Act: http:\/\/www.parliament.uk\/about\/living-heritage\/transformingsociety\/livinglearning\/school\/overview\/1870educationact\/<\/li>\r\n \t<li>Uberindustrialism:\u00a0http:\/\/ubervictorianindustrialism.tumblr.com\/<\/li>\r\n \t<li>\"Victorian Britain: A Divided Nation?\": http:\/\/www.nationalarchives.gov.uk\/education\/victorianbritain\/divided\/<\/li>\r\n \t<li>Victorian Geology: http:\/\/www.victorianweb.org\/science\/geology.htm<\/li>\r\n \t<li>Victorian Science &amp; Religion.: http:\/\/www.victorianweb.org\/science\/science&amp;religion.html<\/li>\r\n \t<li>Victorian Technology:\u00a0http:\/\/www.victorianweb.org\/technology\/index.html<\/li>\r\n \t<li>1832 Reform Act: http:\/\/www.bl.uk\/onlinegallery\/takingliberties\/staritems\/111832reformact.html<\/li>\r\n<\/ul>\r\n<h1>II. Elizabeth Barrett Browning (1806\u20131861)<\/h1>\r\n<ul>\r\n \t<li>Academy of American Poets:\u00a0http:\/\/www.poets.org.<\/li>\r\n \t<li>Amoretti:\u00a0http:\/\/darkwing.uoregon.edu\/~rbear\/amoretti.html#1<\/li>\r\n \t<li>Astrophil and Stella:\u00a0http:\/\/darkwing.uoregon.edu\/~rbear\/stella.html<\/li>\r\n \t<li>Shakespeare Sonnet 1:\u00a0http:\/\/www.opensourceshakespeare.org\/views\/sonnets\/sonnet_view.php?Sonnet=1<\/li>\r\n \t<li>Study Questions for \"Cry of the Children\" and \"The Runaway Slave\":\u00a0http:\/\/myweb.uiowa.edu\/fsboos\/questions\/ebbrunawayweb.htm<\/li>\r\n \t<li>Testimony Gathered by Ashley\u2019s Mines Commission: http:\/\/www.victorianweb.org\/history\/ashley.html<\/li>\r\n \t<li>The Chimney Sweeper:\u00a0http:\/\/en.wikipedia.org\/wiki\/The_Chimney_Sweeper<\/li>\r\n<\/ul>\r\n<h1>III. Robert Browning (1812\u20131889)<\/h1>\r\n<ul>\r\n \t<li>About the poems of Robert Browning:\u00a0http:\/\/www.bl.uk\/learning\/langlit\/poetryperformance\/browning\/josephinehart\/aboutbrowning.html<\/li>\r\n \t<li>Browning's Porphyria's Lover: https:\/\/archive.is\/20121130020324\/http:\/\/www.cswnet.com\/~erin\/rb6.htm<\/li>\r\n \t<li>The Canonization:\u00a0http:\/\/www.luminarium.org\/sevenlit\/donne\/canonization.php<\/li>\r\n \t<li>The Flea:\u00a0http:\/\/www.luminarium.org\/sevenlit\/donne\/flea.php<\/li>\r\n<\/ul>\r\n<h1>IV. Alfred, Lord Tennyson (1809\u20131892)<\/h1>\r\n<ul>\r\n \t<li><em>Alfred Lord Tennyson: A Memoir,<\/em> I, 305: https:\/\/archive.org\/stream\/alfredlordtennys01tennuoft#page\/300\/mode\/2up.<\/li>\r\n \t<li>A Key to Lord Tennyson's 'In Memoriam' by Alfred Gatty:\u00a0http:\/\/www.gutenberg.org\/ebooks\/36637<\/li>\r\n \t<li>BBC Radio In Our Time \u201cIn Memoriam\u201d: http:\/\/www.bbc.co.uk\/programmes\/b0124pnq<\/li>\r\n \t<li>BBC Radio In Our Time \"Charge of the Light Brigade\" http:\/\/www.bbc.co.uk\/programmes\/b008md8x<\/li>\r\n \t<li>Florence Boos' notes on\u00a0<em>In Memoriam<\/em>:\u00a0http:\/\/www.uiowa.edu\/~boosf\/questions\/tennyinmem.htm<\/li>\r\n \t<li>In Memoriam:\u00a0https:\/\/archive.org\/details\/inmemoriambyalfr00tennuoft<\/li>\r\n \t<li>Musical Adaption of \"The Lady of Shalott\" by Loreena McKennitt: https:\/\/www.youtube.com\/watch?v=80-kp6RDl94<\/li>\r\n \t<li>Numerous articles from Victorian Web on In Memoriam:\u00a0http:\/\/www.victorianweb.org\/authors\/tennyson\/im\/lq.html<\/li>\r\n \t<li>Princess Ida - from Tennyson to Gilbert: http:\/\/archive.is\/ZgnpR<\/li>\r\n \t<li>The Defense of Lucknow:\u00a0http:\/\/www.bartleby.com\/297\/629.html<\/li>\r\n \t<li>The Lady of Shalott (1833 &amp; 1842 Versions):\u00a0http:\/\/d.lib.rochester.edu\/camelot\/text\/tennyson-shalott-comparison<\/li>\r\n \t<li>The Man Behind the Lady:\u00a0http:\/\/www.nines.org\/exhibits\/The_Man_Behind_The_Lady_?page=1<\/li>\r\n \t<li>The Times\/1854\/News\/The Charge of the Light Brigade: https:\/\/en.wikisource.org\/wiki\/The_Times\/1854\/News\/The_Charge_of_the_Light_Brigade<\/li>\r\n<\/ul>\r\n<h1>V. Charles Dickens (1812\u20131870)<\/h1>\r\n<ul>\r\n \t<li>A Walk in a Workhouse:\u00a0http:\/\/www.victorianweb.org\/authors\/dickens\/poorlaw.html<\/li>\r\n \t<li>Biography written by Gregor Brdnik:\u00a0http:\/\/www.dickens-online.info\/charles-dickens-biography.htm<\/li>\r\n \t<li>Dickens in Context: http:\/\/www.bl.uk\/learning\/langlit\/dickens\/dickenshome.html<\/li>\r\n \t<li>Film Adaptation of\u00a0<em>A Christmas Carol<\/em>:\u00a0http:\/\/charlesdickenspage.com\/dickens_on_film.html#carol<\/li>\r\n \t<li>George Landow's article on Sabbatarianism:\u00a0http:\/\/www.victorianweb.org\/religion\/sabbatarianism.html<\/li>\r\n \t<li>The origins of A Christmas Carol<\/li>\r\n \t<li>The Story of the Goblin Who Stole a Sexton:\u00a0http:\/\/www.gutenberg.org\/files\/580\/580-h\/580-h.htm#link2HCH0029<\/li>\r\n \t<li>\"The Story of the Goblin Who Stole a Sexton\" audio adaption:\u00a0http:\/\/hwcdn.libsyn.com\/p\/2\/4\/4\/244de6d298a9930c\/Episode_42_-_Christmas_bonus_-_The_goblins_who_stole_a_sexton.mp3?c_id=8096089&amp;expiration=1423608543&amp;hwt=e764686b69626625867eed7a866589cd<\/li>\r\n<\/ul>\r\n<h1>VI. Christina Rossetti (1830\u20131894)<\/h1>\r\n<ul>\r\n \t<li>\"Adulterations Detected\": Food and Fraud in Christina Rossetti's Goblin Market. By: Rebecca F. Stern: http:\/\/www.18thconnect.org\/exhibits\/Rebecca_Stern_Adulterations<\/li>\r\n \t<li>BBC \"In Our Time\" podcast on Christina Rossetti:\u00a0http:\/\/www.bbc.co.uk\/programmes\/b017mvwy<\/li>\r\n \t<li>In the Bleak Mid-Winter:\u00a0https:\/\/www.youtube.com\/watch?v=xRobryliBLQ<\/li>\r\n \t<li>Katja Brandt's 2006 Ph.D dissertation: http:\/\/www.doria.fi\/bitstream\/handle\/10024\/4103\/TMP.objres.67.pdf?sequence<\/li>\r\n \t<li>Overview of Christina Rossetti's \"Goblin Market\": http:\/\/www.victorianweb.org\/authors\/crossetti\/marketov.html<\/li>\r\n \t<li>Painting of Christina Rossetti by her brother Dante Gabriel Rossetti: http:\/\/www.rossettiarchive.org\/docs\/s420.raw.html<\/li>\r\n \t<li>The Eve of St. Agnes:\u00a0https:\/\/www.bartleby.com\/126\/39.html<\/li>\r\n<\/ul>\r\n<h1>VII. Henry James (1843-1916)<\/h1>\r\n<ul>\r\n \t<li>Henry James Biography:\u00a0http:\/\/modernistcommons.ca\/islandora\/object\/yale:166<\/li>\r\n<\/ul>\r\n<h1>VIII. Oscar Wilde (1854\u20131900)<\/h1>\r\n<ul>\r\n \t<li>\"If You're Anxious for to Shine:\u00a0https:\/\/www.youtube.com\/watch?v=eu_Xk_Vl6fk<\/li>\r\n \t<li>Internet Definition of Dandy: http:\/\/en.wikipedia.org\/wiki\/Dandy<\/li>\r\n \t<li>Photo of Reading Gaol:\u00a0http:\/\/www.victorianweb.org\/authors\/wilde\/pva94.html<\/li>\r\n \t<li>Study Guide to the play:\u00a0http:\/\/www.penguin.com\/static\/pdf\/teachersguides\/the_importance_of_being_earnest.pdf<\/li>\r\n \t<li>The Importance of Being Earnest (1952 Film): https:\/\/www.youtube.com\/watch?v=V-mKJpxIo7c<\/li>\r\n<\/ul>\r\n<h1>IX. Rudyard Kipling (1865\u20131936)<\/h1>\r\n<ul>\r\n \t<li>Florence Boos' Study Questions:\u00a0http:\/\/myweb.uiowa.edu\/fsboos\/questions\/kiplingpoems.htm<\/li>\r\n \t<li>McClure's Magazine:\u00a0http:\/\/en.wikipedia.org\/wiki\/McClure%27s<\/li>\r\n \t<li>Original Publication of\u00a0<em>The White Man's Burden:\u00a0http:\/\/www.unz.org\/Pub\/McClures-1899feb-00290<\/em><\/li>\r\n \t<li><em>The Black Man's Burden<\/em>:\u00a0http:\/\/historymatters.gmu.edu\/d\/5476\/<\/li>\r\n \t<li><em>The<\/em>\u00a0<em>Poor Man's Burden<\/em>:\u00a0http:\/\/historymatters.gmu.edu\/d\/5475\/<\/li>\r\n<\/ul>\r\n<h1>X. Thomas Hardy (1840\u20131928)<\/h1>\r\n<ul>\r\n \t<li>Sample Student Essay on \"Hap\":\u00a0http:\/\/blue.utb.edu\/gibson\/Hap.htm<\/li>\r\n<\/ul>\r\n<h1>XI. George Bernard Shaw (1856\u20131950)<\/h1>\r\n<ul>\r\n \t<li><em>Bernard Shaw: A brief Biography<\/em>:\u00a0http:\/\/www.english.upenn.edu\/~cmazer\/mis1.html<\/li>\r\n \t<li><i>British and Irish Drama: 1890-1950<\/i>. A very good overview of <i>Major Barbara<\/i>:\u00a0http:\/\/www.rfd2.net\/britishdrama3.htm#Barbara<\/li>\r\n \t<li><em>Major Barbara<\/em> Study Guide:\u00a0http:\/\/opentextbc.ca\/englishliterature\/wp-content\/uploads\/sites\/27\/2014\/08\/Major-Barbara-Study-Guide.pdf<\/li>\r\n \t<li>Preface to <em>Major Barbara<\/em>:\u00a0http:\/\/ebooks.adelaide.edu.au\/s\/shaw\/george_bernard\/major_barbara\/preface.html<\/li>\r\n \t<li><em>The Grand Inquisitor<\/em>:\u00a0http:\/\/en.wikipedia.org\/wiki\/The_Grand_Inquisitor<\/li>\r\n<\/ul>\r\n<h1>XIV. A.E. Housman (1859\u20131936)<\/h1>\r\n<ul>\r\n \t<li><em>A Shropshire Lad<\/em> eBook: http:\/\/ebooks.adelaide.edu.au\/h\/housman\/ae\/h84s<\/li>\r\n \t<li><em>A Shropshire Lad<\/em> XXXI (\u201cOn Wenlock Edge\u201d): http:\/\/en.wikisource.org\/wiki\/A_Shropshire_Lad\/XXXI<\/li>\r\n \t<li>Small pamphlet by Peter Cash<em>\u00a0A Shropshire Lad<\/em>:\u00a0https:\/\/www2.le.ac.uk\/offices\/english-association\/publications\/bookmarks\/longer-poems-bookmarks\/LP5.pdf<\/li>\r\n \t<li>Unpublished correspondences between A. E. Housman and Moses Jackman:\u00a0http:\/\/www.sothebys.com\/fr\/auctions\/ecatalogue\/lot.pdf.N08646.html\/f\/41\/N08646-41.pdf<\/li>\r\n \t<li><em>Wenlock Edge<\/em> by Alice Munro: http:\/\/www.newyorker.com\/archive\/2005\/12\/05\/051205fi_fiction?currentPage=all<\/li>\r\n<\/ul>\r\n<h1>XV. Hector Hugh Munro (Saki) (1870\u20131916)<\/h1>\r\n<ul>\r\n \t<li>The Open Doors:\u00a0https:\/\/www.youtube.com\/watch?v=pBXb-8YoR0E<\/li>\r\n \t<li>The Schartz- Metterklume Method: https:\/\/www.youtube.com\/watch?v=e2G0U0VUI9g<\/li>\r\n<\/ul>\r\n<h1>XVI. World War I Poetry<\/h1>\r\n<ul>\r\n \t<li>BBC World War One:\u00a0https:\/\/www.bbc.co.uk\/programmes\/p01nb93y<\/li>\r\n \t<li>Draft version of \"The General\":\u00a0http:\/\/movehimintothesun.wordpress.com\/2011\/04\/08\/the-general-siegfried-sassoon\/<\/li>\r\n \t<li>First World War.com - Women and WW1:\u00a0http:\/\/www.firstworldwar.com\/features\/womenww1_seven.htm<\/li>\r\n \t<li>Oxford University's online tutorial on major poets of World War One:\u00a0https:\/\/www.oucs.ox.ac.uk\/ww1lit\/education\/tutorials\/intro<\/li>\r\n \t<li>\"Perhaps\" by Vera Brittain:\u00a0http:\/\/www.oucs.ox.ac.uk\/ww1lit\/collections\/document\/3084\/2738<\/li>\r\n \t<li>Seminar Introduction, \u201cWhat is War Poetry?\u201d https:\/\/www.oucs.ox.ac.uk\/ww1lit\/education\/tutorials\/intro\/intro.html<\/li>\r\n \t<li>Seminar Map:\u00a0https:\/\/www.oucs.ox.ac.uk\/ww1lit\/education\/tutorials\/intro\/map.html<\/li>\r\n \t<li>The Twentieth Century: Topics - Representing the Great War: Overview:\u00a0https:\/\/www.wwnorton.com\/college\/english\/nael\/20century\/topic_1_05\/welcome.htm<\/li>\r\n \t<li>Trailer for the 2015 film <em>Testament of Youth<\/em>:\u00a0https:\/\/www.youtube.com\/watch?v=e3e2nNNJ7-4<\/li>\r\n \t<li>Women's Poetry and Verse:\u00a0https:\/\/www.oucs.ox.ac.uk\/ww1lit\/education\/tutorials\/intro\/women<\/li>\r\n \t<li>World War I Wikipedia:\u00a0http:\/\/en.wikipedia.org\/wiki\/World_War_I<\/li>\r\n<\/ul>\r\n<h1>XVII. Wilfred Owen (1893\u20131918)<\/h1>\r\n<ul>\r\n \t<li>Definition and discussion of acronyms:\u00a0http:\/\/en.wikipedia.org\/wiki\/Acronym<\/li>\r\n \t<li>Dr. Stuart Lee\u2019s Background to \u201cDulce et Decorum Est.\u201d https:\/\/www.oucs.ox.ac.uk\/ww1lit\/education\/tutorials\/manuscript\/owen\/backgrnd.html#note.<\/li>\r\n \t<li><em>Exposure:<\/em> http:\/\/rpo.library.utoronto.ca\/poems\/exposure<\/li>\r\n \t<li>First World War Digital Archive:\u00a0http:\/\/www.oucs.ox.ac.uk\/ww1lit\/db\/results.php?CISOOP1=exact&amp;CISOFIELD1=CISOSEARCHALL&amp;CISOROOT=\/ww1&amp;CISOBOX1=Anthem+for+Doomed+Youth<\/li>\r\n \t<li>Ian Brinton's Booklet on Wilfred Owen:\u00a0https:\/\/www2.le.ac.uk\/offices\/english-association\/publications\/bookmarks\/66.pdf<\/li>\r\n \t<li><em>Insensibility:<\/em> http:\/\/europeanhistory.about.com\/library\/weekly\/bloweninsensibility.htm<\/li>\r\n \t<li>The Modernism Lab site at Yale University on \u201cDulce et Decorum Est\u201d: http:\/\/modernism.research.yale.edu\/wiki\/index.php\/Dulce_et_Decorum_est<\/li>\r\n \t<li>Oxford Tutorial Dulce et Decorum Est:\u00a0https:\/\/www.oucs.ox.ac.uk\/ww1lit\/education\/tutorials\/manuscript\/owen<\/li>\r\n \t<li>Oxford Tutorial Wilfred Owen:\u00a0https:\/\/www.oucs.ox.ac.uk\/ww1lit\/education\/tutorials\/intro\/owen<\/li>\r\n \t<li><em>Regeneration\u00a0<\/em>(1977 Film):\u00a0http:\/\/rpo.library.utoronto.ca\/poems\/exposure<\/li>\r\n \t<li><em>Strange Meeting:<\/em> http:\/\/rpo.library.utoronto.ca\/poems\/strange-meeting<\/li>\r\n \t<li>The Send-Off: http:\/\/www.englishverse.com\/poems\/the_sendoff<\/li>\r\n \t<li>WW1 Recruitment Poster \"Will they never come?\":\u00a0https:\/\/www.pinterest.ca\/pin\/476607573048180005\/?lp=true<\/li>\r\n<\/ul>\r\n<h1>XVIII. Siegfried Sassoon (1886\u20131967)<\/h1>\r\n<ul>\r\n \t<li><em>Absolution:<\/em>\u00a0http:\/\/www.ppu.org.uk\/learn\/infodocs\/people\/pst_sassoon.html<\/li>\r\n \t<li><em>Base Detail:<\/em>\u00a0http:\/\/www.bartleby.com\/136\/11.html<\/li>\r\n \t<li>BBC In Our Time podcast on Siegfried Sassoon: http:\/\/www.bbc.co.uk\/programmes\/b007mvl9<\/li>\r\n \t<li>BBC UK World War One Recruitment Posters:\u00a0https:\/\/www.bbc.co.uk\/history\/trail\/wars_conflict\/art\/art_frontline_01.shtml<\/li>\r\n \t<li>Counter-Attack and Other Poems (Project Bartleby): http:\/\/www.bartleby.com\/136\/<\/li>\r\n \t<li><em>Declaration against the war:\u00a0<\/em>http:\/\/www.oucs.ox.ac.uk\/ww1lit\/education\/tutorials\/intro\/sassoon\/declaration.html<\/li>\r\n \t<li><em>Does it Matter?<\/em>:\u00a0http:\/\/www.bartleby.com\/136\/14.html<\/li>\r\n \t<li>Essays on Sassoon from Modernism Lab, Yale University: http:\/\/modernism.research.yale.edu\/wiki\/index.php\/Siegfried_Sassoon<\/li>\r\n \t<li>\"From Mametz Wood to the General\" Podcast:\u00a0http:\/\/podcasts.ox.ac.uk\/series\/first-world-war-poetry-digital-archive<\/li>\r\n \t<li><em>Glory of Women:<\/em>\u00a0http:\/\/www.bartleby.com\/136\/18.html<\/li>\r\n \t<li>Ian Brinton's Pamphlet on Sassoon:\u00a0https:\/\/www2.le.ac.uk\/offices\/english-association\/publications\/bookmarks\/WW1\/5Sassoon.pdf<\/li>\r\n \t<li>Oxford First World War Poetry unit on Sassoon's \"Counter-Attack\": http:\/\/www.oucs.ox.ac.uk\/ww1lit\/education\/tutorials\/intro\/sassoon\/counter.html<\/li>\r\n \t<li>Oxford First World War Poetry unit on Sassoon's \"The Death Bed\": http:\/\/www.oucs.ox.ac.uk\/ww1lit\/education\/tutorials\/intro\/sassoon\/death_bed.html<\/li>\r\n \t<li>Oxford First World War Poetry unit on Siegfried Sassoon:\u00a0https:\/\/www.oucs.ox.ac.uk\/ww1lit\/education\/tutorials\/intro\/sassoon<\/li>\r\n \t<li>Sample student essay on a Sassoon poem (\u201cGlory of Women\u201d): http:\/\/www.haverford.edu\/engl\/english354\/GreatWar\/Sassoon\/Sasskanay.html<\/li>\r\n \t<li><em>The Colossus\u00a0<\/em>painting:\u00a0http:\/\/en.wikipedia.org\/wiki\/The_Colossus_%28painting%29<\/li>\r\n<\/ul>\r\n<h1>XIX. Isaac Rosenberg (1890\u20131918)<\/h1>\r\n<ul>\r\n \t<li>A brief guide to Imaginism:\u00a0https:\/\/poets.org\/text\/brief-guide-imagism<\/li>\r\n \t<li>About Ezra Pound:\u00a0http:\/\/www.poets.org\/poetsorg\/poet\/ezra-pound<\/li>\r\n \t<li>About Isaac Rosenberg:\u00a0http:\/\/www.poets.org\/poetsorg\/poet\/isaac-rosenberg<\/li>\r\n \t<li>About John Keats:\u00a0http:\/\/www.poets.org\/poetsorg\/poet\/john-keats<\/li>\r\n \t<li>About Percy Bysshe Shelley:\u00a0https:\/\/poets.org\/poet\/percy-bysshe-shelley<\/li>\r\n \t<li>About Robert Graves:\u00a0http:\/\/www.poets.org\/poetsorg\/poet\/robert-graves<\/li>\r\n \t<li>About Rupert Brooke: http:\/\/www.poets.org\/poetsorg\/poet\/rupert-brooke<\/li>\r\n \t<li>About Wilfred Owen:\u00a0http:\/\/www.poets.org\/poetsorg\/poet\/wilfred-owen<\/li>\r\n \t<li>Audio Clip of\u00a0Break of Day in the Trenches:\u00a0http:\/\/www.poetryfoundation.org\/poetrymagazine\/poem\/2738<\/li>\r\n \t<li><em>Break of Day in the Trenches<\/em>:\u00a0http:\/\/projects.oucs.ox.ac.uk\/jtap\/rose\/hyppoem.html<\/li>\r\n \t<li>'Break of Day in the Trenches' Hypermedia Edition:\u00a0http:\/\/projects.oucs.ox.ac.uk\/jtap\/rose\/hyppoem.html<\/li>\r\n \t<li>Collecting Isaac Rosenberg: http:\/\/www.caxtonclub.org\/reading\/2009\/dec09.pdf<\/li>\r\n \t<li>Dead Man's Dump Early Version:\u00a0http:\/\/www.poetryfoundation.org\/poem\/176849<\/li>\r\n \t<li>Isaac Rosenberg letter to Edward Marsh: http:\/\/www.oucs.ox.ac.uk\/ww1lit\/db\/print.php?CISOROOT=\/ww1&amp;CISOPTR=4395<\/li>\r\n \t<li>National Archive Exhibit on Isaac Rosenberg: http:\/\/www.nationalarchives.gov.uk\/rosenberg\/war-poems.htm<\/li>\r\n \t<li>Oxford First World War Poetry unit on Rosenberg: https:\/\/www.oucs.ox.ac.uk\/ww1lit\/education\/tutorials\/intro\/rose<\/li>\r\n \t<li>Romanticism:\u00a0http:\/\/www.poets.org\/poetsorg\/text\/brief-guide-romanticism<\/li>\r\n<\/ul>\r\n<h1>XX. Rupert Brooke (1887\u20131915)<\/h1>\r\n<ul>\r\n \t<li>Oxford Tutorial on Rupert Brooke:\u00a0https:\/\/www.oucs.ox.ac.uk\/ww1lit\/education\/tutorials\/intro\/brooke<\/li>\r\n<\/ul>\r\n<h1>XXI. Sean O\u2019Casey (1880\u20131964)<\/h1>\r\n<ul>\r\n \t<li>British Drama 1890-1950 by Richard F Dietrich: http:\/\/www.rfd2.net\/britishdrama4.htm#O%27Casey<\/li>\r\n \t<li>Dublin Trilogy, The Shadow of a Gunman: https:\/\/www.youtube.com\/watch?v=Zvu87Y6kvT8<\/li>\r\n \t<li><em>Plough and the Stars<\/em> Full Text: https:\/\/archive.org\/details\/twentyfivemodern001705mbp<\/li>\r\n \t<li>Recording of Juno and the Paycock: https:\/\/www.youtube.com\/watch?v=16ddT2HPSHc<\/li>\r\n \t<li>Resource pack from the Abbey Theater for their 2012 production of The Plough and the Stars: https:\/\/www.yumpu.com\/en\/document\/view\/42424412\/download-resource-pack-here-abbey-theatre<\/li>\r\n \t<li>Sean O'Casey Early Plays as Larkinite Stage Parables by Mary Elizabeth Papke:\u00a0http:\/\/opentextbc.ca\/englishliterature\/wp-content\/uploads\/sites\/27\/2014\/09\/Sean.pdf<\/li>\r\n \t<li><em>Shadow of a Gunman <\/em>Full Text: https:\/\/archive.org\/stream\/1000yearsofirish00merc\/1000yearsofirish00merc_djvu.txt<\/li>\r\n \t<li>The Easter Rebellion of 1916: https:\/\/www.wwnorton.com\/college\/english\/nael\/20century\/topic_3_05\/welcome.htm<\/li>\r\n \t<li>Undercover operation: http:\/\/en.wikipedia.org\/wiki\/Plain-clothed<\/li>\r\n \t<li>(Yes,) Let Me Like a Soldier Fall: http:\/\/www.james-joyce-music.com\/song13_discussion.html<\/li>\r\n \t<li>Young Cassidy:\u00a0https:\/\/www.youtube.com\/watch?v=L8_dppISrf0<\/li>\r\n \t<li>1930 film adaptation of Juno and the Paycock: https:\/\/www.youtube.com\/watch?v=NHMVnc-Qnwc<\/li>\r\n \t<li>1988 production of Juno and the Paycock at the University of British Columbia: http:\/\/www.library.ubc.ca\/archives\/pdfs\/theatre\/fw8801.pdf<\/li>\r\n<\/ul>\r\n<h1>XXII. Virginia Woolf (1882\u20131941)<\/h1>\r\n<ul>\r\n \t<li>Professions for Women:\u00a0https:\/\/ebooks.adelaide.edu.au\/w\/woolf\/virginia\/w91d\/chapter27.html<\/li>\r\n \t<li>The Angel in the House: http:\/\/academic.brooklyn.cuny.edu\/english\/melani\/novel_19c\/thackeray\/angel.html<\/li>\r\n \t<li>The Light House pdf: https:\/\/opentextbc.ca\/englishliterature\/wp-content\/uploads\/sites\/27\/2014\/10\/To-the-Lighthouse-Etext-Edited.pdf<\/li>\r\n<\/ul>\r\n<h1>XXIII. James Joyce (1882-1941)<\/h1>\r\n<ul>\r\n \t<li>Dubliners and Biography of James Joyce: http:\/\/www.mendele.com\/WWD\/WWD.dubintro.html<\/li>\r\n \t<li>Dubliners Teacher's Guide:\u00a0http:\/\/www.penguin.com\/static\/pdf\/teachersguides\/dubliners.pdf<\/li>\r\n \t<li>John McCormick \u201cI\u2019ll Sing Thee Songs of Araby.\u201d : https:\/\/www.youtube.com\/watch?v=YkDSVmr_HNw<\/li>\r\n \t<li>\u201cJoyce\u2019s Dublin,\u201d a web talk by Irene Togher: http:\/\/www.irishcultureandcustoms.com\/AWriters\/JoyceDublin.html<\/li>\r\n \t<li>Liner Notes \u201cI\u2019ll Sing Thee Songs of Araby.\u201d: http:\/\/www.james-joyce-music.com\/song05_discussion.html<\/li>\r\n \t<li>Lyrics of \u201cI\u2019ll Sing Thee Songs of Araby.\u201d: http:\/\/www.james-joyce-music.com\/song05_lyrics.html<\/li>\r\n \t<li>Notes on the musical allusion in Eveline: http:\/\/www.james-joyce-music.com\/songb_08_discussion.html<\/li>\r\n \t<li>Michael Groden\u2019s \u201cNotes on <em>Ulysses<\/em>\u201d\r\n<ul>\r\n \t<li>\u201cChapter 1 \u201cTelemachus\u201d:\u00a0http:\/\/www.michaelgroden.com\/notes\/open01.html<\/li>\r\n \t<li>\u201cChapter 4 \u201cCalypso\u201d:\u00a0http:\/\/www.michaelgroden.com\/notes\/open04.html<\/li>\r\n \t<li><span style=\"font-size: 14pt;\">\u201cChapter 18 \u201cPenelope\u201d:\u00a0http:\/\/www.michaelgroden.com\/notes\/open18.html<\/span><\/li>\r\n<\/ul>\r\n<\/li>\r\n \t<li>Podcasts on Joyce\u2019s \u201cThe Dead.\u201d the final story in Dubliners: http:\/\/www.joycesdublin.ie\/<\/li>\r\n \t<li>Reading of \u201cAraby\u201d: https:\/\/www.youtube.com\/watch?v=9nT_qPiPaDs<\/li>\r\n \t<li>Reading of \"Eveline\": https:\/\/www.youtube.com\/watch?v=7soqMb0Hub0<\/li>\r\n \t<li>The James Joyce Centre, Dublin: http:\/\/jamesjoyce.ie\/joyce\/<\/li>\r\n \t<li><em>Ulysses<\/em> 1967 Film: https:\/\/www.youtube.com\/watch?v=3LmGSjPb5Ig<\/li>\r\n<\/ul>\r\n<h1>XXIV. D.H. Lawrence (1885-1930)<\/h1>\r\n<ul>\r\n \t<li>Film Adaptation <em>Rocking Horse Winner<\/em>:\u00a0https:\/\/archive.org\/details\/RockingHorseWinner76<\/li>\r\n<\/ul>\r\n<h1>XXV. T.S. Eliot (1888\u20131965)<\/h1>\r\n<ul>\r\n \t<li>A Hypertext version of T. S. Elliot's \"The Hollow Man\":\u00a0http:\/\/aduni.org\/~heather\/occs\/honors\/Poem.htm<\/li>\r\n \t<li>T\"he Journey of the Magi\":\u00a0https:\/\/www.poetryarchive.org\/poem\/journey-magi<\/li>\r\n \t<li>\"The Love Song of J. Alfred Prufrock\":\u00a0https:\/\/www.bartleby.com\/198\/1.html<\/li>\r\n \t<li>\"The Waste Land\":\u00a0http:\/\/www.bartleby.com\/201\/<\/li>\r\n \t<li>\"Voices and Visions\" A useful video documentary on T. S. Eliot: http:\/\/www.learner.org\/vod\/vod_window.html?pid=595<\/li>\r\n<\/ul>\r\n<h1>XXVI. Katherine Mansfield (1888\u20131923)<\/h1>\r\n<ul>\r\n \t<li>Bliss: the Beginning of Katherine Mansfield: http:\/\/www.nzonscreen.com\/title\/bliss-2011<\/li>\r\n \t<li>Colin Norman's essay \"Prufrock Freud, and the Late Colonel's Daughters: New Light on the Genesis of a Mansfield Story\":https:\/\/opentextbc.ca\/englishliterature\/wp-content\/uploads\/sites\/27\/2014\/07\/Colin-Norman-Essay.pdf<\/li>\r\n \t<li>Film adaptation of Miss Brill: https:\/\/www.youtube.com\/watch?v=9-MoDs3HR1U<\/li>\r\n \t<li>Monograph on Mansfield\u2019s Representation of single women:\u00a0http:\/\/www.phil.muni.cz\/plonedata\/wkaa\/BSE\/BSE_2009-35_Offprints\/BSE%202009-35-1-%28137-145%29%20Kascakova.pdf<\/li>\r\n \t<li>Online Documentary on Katherine Mansfield:\u00a0http:\/\/www.nzonscreen.com\/title\/a-portrait-of-katherine-mansfield-1986<\/li>\r\n \t<li>The Garden Party http:\/\/www.nzonscreen.com\/title\/the-garden-party-1983<\/li>\r\n<\/ul>\r\n<h1>XXVII. Aldous Huxley (1894\u20131963)<\/h1>\r\n<ul>\r\n \t<li>\"A Modern Utopia\" by H. G. Wells: http:\/\/ebooks.adelaide.edu.au\/w\/wells\/hg\/w45mu\/contents.html<\/li>\r\n \t<li>\"Composed Upon Westminster Bridge, September 3, 1802\" by William Wordsworth:\u00a0http:\/\/allpoetry.com\/Composed-Upon-Westminster-Bridge,-September-3,-1802<\/li>\r\n \t<li>\u201cElegy Written in a Country Churchyard\" by Thomas Gray:\u00a0http:\/\/www.thomasgray.org\/cgi-bin\/display.cgi?text=elcc<\/li>\r\n \t<li>Ernest Jones interpretation of <em>Hamlet<\/em> in light of the Freudian Oedipus complex: http:\/\/elsinore.ucsc.edu\/Freud\/freudSphinx.html<\/li>\r\n \t<li>Frederick Winslow Taylor from Wikipedia: http:\/\/en.wikipedia.org\/wiki\/Frederick_Winslow_Taylor<\/li>\r\n \t<li>Freud's whore-madonna theory:\u00a0http:\/\/en.wikipedia.org\/wiki\/Madonna%E2%80%93whore_complex<\/li>\r\n \t<li>\"Hard Times\" by Charles Dickens:\u00a0http:\/\/ebooks.adelaide.edu.au\/d\/dickens\/charles\/d54ht\/contents.html<\/li>\r\n \t<li>Le Corbusier Wikipedia: http:\/\/en.wikipedia.org\/wiki\/Le_Corbusier#Major_buildings_and_projects<\/li>\r\n \t<li>\"Men like Gods\" by H. G. Wells:\u00a0http:\/\/ebooks.adelaide.edu.au\/w\/wells\/hg\/w45me\/contents.html<\/li>\r\n \t<li>\"Ode on a Distant Prospect of Eton College\" by Thomas Gray:\u00a0http:\/\/www.thomasgray.org\/cgi-bin\/display.cgi?text=odec<\/li>\r\n \t<li>\"Preludes\" by T. S. Eliot: http:\/\/www.bartleby.com\/198\/3.html<\/li>\r\n \t<li>\"Sophistication of Mass Production\":\u00a0http:\/\/www.willamette.edu\/~fthompso\/MgmtCon\/Scientific_Management.html<\/li>\r\n \t<li>The Grand Inquisitor Wikipedia:\u00a0http:\/\/en.wikipedia.org\/wiki\/The_Grand_Inquisitor<\/li>\r\n \t<li>\"When the Sleeper Wakes\" by Aldous Huxley:\u00a0http:\/\/ebooks.adelaide.edu.au\/w\/wells\/hg\/w45ws\/contents.html<\/li>\r\n<\/ul>\r\n<h1>XXVIII. George Orwell (1903-1950)<\/h1>\r\n<ul>\r\n \t<li>\"Animal Farm\" film 1954:\u00a0https:\/\/www.youtube.com\/watch?v=h1DcWw9geig<\/li>\r\n \t<li>George Orwell (John Freeman) \"Why Socialists Don't Believe In Fun\": http:\/\/orwell.ru\/library\/articles\/socialists\/english\/e_fun<\/li>\r\n \t<li>George Orwell's essay on Kipling, 1936: http:\/\/theorwellprize.co.uk\/george-orwell\/by-orwell\/essays-and-other-works\/rudyard-kipling-1936\/<\/li>\r\n \t<li>George Orwell's longer essay on Kipling, published in 1942: https:\/\/ebooks.adelaide.edu.au\/o\/orwell\/george\/rudyard-kipling\/<\/li>\r\n \t<li>Nineteen Eighty-Four (1954 BBC Adaptation Nigel Kneale): https:\/\/www.youtube.com\/watch?v=ba4J6umbbp0<\/li>\r\n \t<li>Oxford 2011 Orwell vs Kipling:\u00a0http:\/\/theorwellprize.co.uk\/events\/oxford-2011-orwell-vs-kipling\/<\/li>\r\n<\/ul>\r\n<h1>Back Matter<\/h1>\r\n<h2>Appendix 1: A Mini-Casebook on The Turn of the Screw<\/h2>\r\n<ul>\r\n \t<li><em>A Closer Look at \"The Turn of the Screw\"\u00a0<\/em>Lamar University Critical Edition:\u00a0http:\/\/acloserlookattheturnofthescrew.weebly.com\/index.html<\/li>\r\n \t<li>Book Drum <i>Turn of Screw<\/i> annotations:\u00a0https:\/\/web.archive.org\/web\/20180523013043\/http:\/\/www.bookdrum.com\/books\/the-turn-of-the-screw\/9781909003019\/index.html<\/li>\r\n \t<li>\u201cD\u00e9j\u00e0 vu in The Turn of the Screw\u201d by Max Duperray: http:\/\/books.openedition.org\/obp\/826<\/li>\r\n \t<li>\u201cGive the Screw Another Turn\u2014A Cultural Re-Reading of The Turn of the Screw.\u201d http:\/\/ojs.academypublisher.com\/index.php\/jltr\/article\/view\/2407<\/li>\r\n \t<li>\u00a0\"Hallucinations or Realities: The Ghosts in Henry James\u2019s <i>The Turn of the Screw<\/i>.\u201d byAl-Qurani, Shonayfa Mohammed:\u00a0http:\/\/www.cscanada.net\/index.php\/sll\/article\/view\/j.sll.1923156320130602.3255<\/li>\r\n \t<li>\u201cNon-apparitionist reading of Turn of Screw\u201d by James Sexton (1976):\u00a0http:\/\/opentextbc.ca\/englishliterature\/wp-content\/uploads\/sites\/27\/2014\/05\/Non-apparitionist-reading-of-Turn-of-Screw.pdf<\/li>\r\n \t<li>\u201cRaising Veils and other Bold Acts: The Heroine\u2019s Agency in Female Gothic Novels\u201d by Kyra Kramer: http:\/\/studiesingothicfiction.weebly.com\/uploads\/2\/2\/8\/8\/22885250\/sgf_oct_10.pdf<\/li>\r\n \t<li>Shadows of Shadows - Techniques of Ambiguity in Three Film Adaptations of \u201cThe Turn of the Screw\u201d: J. Clayton\u2019s The Innocents (1961), D. Curtis\u2019s The Turn of the Screw (1974), and A. Aloy\u2019s Presence of Mind (1999):\u00a0http:\/\/erea.revues.org\/550<\/li>\r\n \t<li>\u201cThe Freudian Reading of <i>The<\/i><i> Turn of the Screw<\/i>.\u201d by R. Heilman:\u00a0https:\/\/www.jstor.org\/stable\/2909426?seq=1#page_scan_tab_contents<\/li>\r\n \t<li>The Gothic:\u00a0http:\/\/www.bl.uk\/romantics-and-victorians\/videos\/the-gothic<\/li>\r\n \t<li>\u201cThe Role of the Governess in <i>The<\/i><i> Turn of the Screw<\/i>\u201d by Raul Valino:\u00a0http:\/\/ojs.ual.es\/ojs\/index.php\/ODISEA\/article\/viewFile\/327\/298<\/li>\r\n \t<li>\u201cThe Role of Repression in Henry James\u2019s The Turn of the Screw.\u201d Student essay.\u00a0http:\/\/serendip.brynmawr.edu\/sci_cult\/courses\/emotion\/web1\/jrodriguez.html<\/li>\r\n \t<li>The Romantic Period - The Gothic Overview:\u00a0https:\/\/www.wwnorton.com\/college\/english\/nael\/romantic\/topic_2\/welcome.htm<\/li>\r\n \t<li>\"The Turn of the Screw\":\u00a0http:\/\/www.turnofthescrew.com\/<\/li>\r\n \t<li>\"The Turn of the Screw\" film 1974:\u00a0http:\/\/www.imdb.com\/title\/tt0072328\/<\/li>\r\n \t<li>\"The Turn of the Screw\" film 1999:\u00a0http:\/\/www.imdb.com\/title\/tt0209440\/<\/li>\r\n \t<li>\"The Turn of the Screw\" film 2009:www.imdb.com\/title\/tt1577883\/<\/li>\r\n<\/ul>\r\n<h2>Appendix 2: A Mini-Casebook on Brave New World<\/h2>\r\n<ul>\r\n \t<li>\u201cAldous Huxley\u2019s Americanization of the <em>Brave New World<\/em> Typescript.\u201d:\u00a0http:\/\/somaweb.org\/w\/sub\/Americanization.html<\/li>\r\n \t<li>\u201cAldous Huxley\u2019s Bokanovsky\u201d from <em>Science Fiction Studies<\/em>):\u00a0http:\/\/www.depauw.edu\/sfs\/covers\/cov47.htm<\/li>\r\n \t<li>\u201cAldous Huxley\u2019s Brave New World as a Parody and Satire of Wells, Ford, Freud and Behaviourism\u201d:\u00a0http:\/\/opentextbc.ca\/englishliterature\/?attachment_id=456http:\/\/www.ncbi.nlm.nih.gov\/pmc\/articles\/PMC2733409\/pdf\/behavan00027-0062.pdfhttp:\/\/somaweb.org\/w\/sub\/Americanization.html<\/li>\r\n \t<li>\u201cBrave New World Revisited Revisited: Huxley\u2019s Evolving View of Behaviorism.\u201d:\u00a0http:\/\/www.ncbi.nlm.nih.gov\/pmc\/articles\/PMC2733409\/pdf\/behavan00027-0062.pdf<\/li>\r\n \t<li>BBC RADIO 45 Minute documentary \"Brave New World\":\u00a0http:\/\/www.bbc.co.uk\/programmes\/b00jn8bc<\/li>\r\n \t<li>BBC Podcast on Modernist Utopias: http:\/\/www.bbc.co.uk\/programmes\/p003k9fz<\/li>\r\n \t<li>\"Brave New World and the Anthropologists: Primitivism in A.F. 632\" by Jerome Meckier:\u00a0http:\/\/opentextbc.ca\/englishliterature\/wp-content\/uploads\/sites\/27\/2014\/07\/latestmeckier-bnw-anthroroughdraft.pdf<\/li>\r\n \t<li>\u201cBrave New World and the Rationalization of Industry\u201d from <em>English Studies in Canada<\/em>:\u00a0http:\/\/opentextbc.ca\/englishliterature\/wp-content\/uploads\/sites\/27\/2014\/06\/brave-new-world-and-the-rationalization-of-industry-3.pdf<\/li>\r\n \t<li><em>Brave New World<\/em> article Wikipedia:\u00a0http:\/\/en.wikipedia.org\/wiki\/Brave_New_World<\/li>\r\n \t<li>\"'Brave New World,' The Feelies, and Elinor Glyn.\":\u00a0http:\/\/opentextbc.ca\/englishliterature\/wp-content\/uploads\/sites\/27\/2014\/09\/RevdBrave-New-World-The-Feelies-and-Elinor-Glyn.pdf<\/li>\r\n \t<li>\u201cCommunity, Identity, Stability\u201d: The Scientific Society and the Future of Religion in Aldous Huxley\u2019s Brave New World.\u201d by Brad Congdon:\u00a0https:\/\/journals.library.ualberta.ca\/esc\/index.php\/ESC\/article\/view\/24890<\/li>\r\n \t<li><em>Daedalus: or Science and the Future<\/em> by J. B. S. Haldane:\u00a0http:\/\/vserver1.cscs.lsa.umich.edu\/~crshalizi\/Daedalus.html<\/li>\r\n \t<li>\u201cDickens\u2019 <em>Hard Times<\/em> as Dystopia\u201d:\u00a0http:\/\/www.victorianweb.org\/authors\/dickens\/hardtimes\/sexton1.html<\/li>\r\n \t<li>\"Huxley's Hopi Sources\" by David Leon Higdon:\u00a0http:\/\/opentextbc.ca\/englishliterature\/wp-content\/uploads\/sites\/27\/2014\/06\/Hopi-Sources-with-fnsecond-version.pdf<\/li>\r\n \t<li>Introduction to <em>The Grand Inquisitor<\/em>.\u00a0by Ann Fremantle:\u00a0http:\/\/web.pdx.edu\/~tothm\/religion\/Summary%20of%20The%20Grand%20Inquisitor.pdf<\/li>\r\n \t<li>Los Hermanos Penitentes:\u00a0http:\/\/www.newadvent.org\/cathen\/11635c.htm<\/li>\r\n \t<li>Margaret Atwood\u2019s essay on Brave New World http:\/\/www.theguardian.com\/books\/2007\/nov\/17\/classics.margaretatwood\"My Life and Work\" by\u00a0Henry Ford\u00a0http:\/\/onlinebooks.library.upenn.edu\/webbin\/gutbook\/lookup?num=7213<\/li>\r\n \t<li>Mirandahttp:\/\/www.huxley.net\/miranda\/home.html<\/li>\r\n \t<li><em>Moki Snake Dance\u00a0<\/em>by Walter Hough:\u00a0https:\/\/archive.org\/details\/mokisnake00houg<\/li>\r\n \t<li>Political figures important to <em>BNW:\u00a0http:\/\/www.huxley.net\/miranda\/history.html<\/em><\/li>\r\n \t<li>\u00a0\u201cRemarks on the Savages of North America.\u201d\u00a0by\u00a0Franklin, Benjamin:\u00a0http:\/\/mith.umd.edu\/\/eada\/html\/display.php?docs=franklin_bagatelle3.xml<\/li>\r\n \t<li>\"Sight-seeing in Alien Englands\" by Aldous Huxley:\u00a0http:\/\/opentextbc.ca\/englishliterature\/?attachment_id=453<\/li>\r\n \t<li>The \u201cGrand Inquisitor Chapter\u201d from Dostoevsky, The Brothers Karamazov:\u00a0https:\/\/www.mtholyoke.edu\/acad\/intrel\/pol116\/grand.htm<\/li>\r\n \t<li><em>The Mind and Face of Bolshevism\u00a0<\/em>byRen\u00e9 F\u00fclop-Miller:\u00a0https:\/\/archive.org\/details\/mindandfaceofbol015704mbp\\<\/li>\r\n \t<li>\u201cThe Tissue-Culture King.\u201d by Julian Huxley:\u00a0http:\/\/www.revolutionsf.com\/fiction\/tissue\/<\/li>\r\n \t<li>\u201cThe Utopian Tradition and Aldous Huxley\u201d\u00a0by William Matter:\u00a0http:\/\/www.depauw.edu\/sfs\/backissues\/6\/matter6art.htm<\/li>\r\n \t<li>\"Utopias Positive and Negative Afterword\"\u00a0by James Sexton:\u00a0http:\/\/opentextbc.ca\/englishliterature\/?attachment_id=454<\/li>\r\n \t<li>\u201cUtopias, Positive and Negative\" by\u00a0Aldous Huxley (1963):\u00a0http:\/\/opentextbc.ca\/englishliterature\/?attachment_id=455<\/li>\r\n \t<li>Zuni Religion:\u00a0http:\/\/www.sacred-texts.com\/nam\/zuni\/<\/li>\r\n<\/ul>\r\n<h2>Appendix 3: A Mini-Casebook on Heart of Darkness<\/h2>\r\n<ul>\r\n \t<li>\u201c'A Bloody Racist': About Achebe's View of Conrad.\u201d:\u00a0https:\/\/opentextbc.ca\/englishliterature\/wp-content\/uploads\/sites\/27\/2014\/07\/A_Bloody_Racist_About_Acheb.pdf<\/li>\r\n \t<li>\u201cAchebe on Racism in Heart of Darkness\" by Rachel Teisch:\u00a0http:\/\/www.victorianweb.org\/authors\/conrad\/conrad1.html<\/li>\r\n \t<li>\"A Guide to <em>Heart of Darkness\"<\/em>\u00a0by Allen Kromer:\u00a0http:\/\/www.penguin.com\/static\/pdf\/teachersguides\/HeartOfDarknessTG.pdf<\/li>\r\n \t<li>\u201c An Ashy Halo: Woman as Symbol in 'Heart of Darkness'\" by Edward Geary:\u00a0https:\/\/search-proquest-com.ezproxy.library.uvic.ca\/docview\/1297934551?pq-origsite=summon<\/li>\r\n \t<li>\"An Image of Africa: Racism in Conrad's 'Heart of Darkness'\"\u00a0by Chinua Achebe:\u00a0http:\/\/kirbyk.net\/hod\/image.of.africa.html<\/li>\r\n \t<li>BBC <em>In Our Time<\/em> podcast on <em>Heart of Darkness:\u00a0http:\/\/www.bbc.co.uk\/programmes\/b0077474<\/em><\/li>\r\n \t<li>Bookdrum: <em>Heart of Darkness<\/em>\u00a0by Gordon Knox:\u00a0http:\/\/www.bookdrum.com\/books\/heart-of-darkness\/9780140186529\/index.html<\/li>\r\n \t<li>\"Culture and Imperialism\" by Edward Said:\u00a0http:\/\/projects.ecfs.org\/eastwest\/Readings\/SaidConrad.pdf<\/li>\r\n \t<li>\u201cConrad\u2019s Bloody Imperialism: Achebe, Said, and What Conrad Really Wrote.\u201d\u00a0by Stephen Zelnick:\u00a0http:\/\/www.victorianweb.org\/authors\/conrad\/zelnick.html<\/li>\r\n \t<li>\u201cConrad\u2019s Critique of Imperialism in <em>Heart of Darkness<\/em>\u201d by Hunt Hawkins:\u00a0https:\/\/www.jstor.org\/stable\/461892?seq=1#page_scan_tab_content<\/li>\r\n \t<li>\"Critical responses to Joseph Conrad\u2019s <em>Heart of Darkness\"<\/em> by Svensson, M. http:\/\/sh.diva-portal.org\/smash\/get\/diva2:356589\/FULLTEXT01.pdf<\/li>\r\n \t<li>\u201c<em>Heart of Darkness<\/em>\": \"Anti-Imperialism, Racism, or Impressionism?\" by Patrick Brantlinger:\u00a0http:\/\/www.jstor.org\/stable\/23110450<\/li>\r\n \t<li>\"Heart of Darkness\" by Peter Cash:\u00a0https:\/\/www2.le.ac.uk\/offices\/english-association\/documents\/publications\/New%20Folder\/bookmarks\/69.pdf<\/li>\r\n \t<li>\u201cImperialism: Conrad\u2019s <em>Heart of Darkness.<\/em>\u201d by Jonah Raskin:\u00a0http:\/\/www.jstor.org\/stable\/259954<\/li>\r\n \t<li>\u201cJoseph Conrad\u2019s <em>Heart of Darkness<\/em> and the World of Western Women\u201d by John Peters:\u00a0http:\/\/web.a.ebscohost.com.ezproxy.library.uvic.ca\/ehost\/detail\/detail?vid=0&amp;sid=b1ceab0a-4c65-420e-88b3-56e39d9352a9%40sessionmgr4008&amp;bdata=JnNpdGU9ZWhvc3QtbGl2ZSZzY29wZT1zaXRl#AN=77324367&amp;db=aph<\/li>\r\n \t<li>\u201cKurtz as a Symbol of Imperialism.\u201d by Tesi di Laurea:\u00a0http:\/\/tesi.cab.unipd.it\/43470\/1\/Fazzino_Anna_Maria.pdf<\/li>\r\n \t<li>Modern Language Association:http:\/\/www.jstor.org\/action\/showPublisher?publisherCode=mla<\/li>\r\n \t<li>Postcolonial Criticism of <em>Heart of Darkness:<\/em>\u00a0A Casebook:\u00a0http:\/\/ibsmarter.edublogs.org\/files\/2012\/05\/Heart-of-Darkness-Critical-Survey-p4seaw.pdf<\/li>\r\n \t<li>\"Racism and the <em>Heart of Darkness\"<\/em>\u00a0by C. P. Sarvan:\u00a0http:\/\/journals.hil.unb.ca\/index.php\/IFR\/issue\/view\/1094<\/li>\r\n \t<li>\u201cReading Race and Gender in Conrad\u2019s Dark Continent.\u201d by Bette London:\u00a0http:\/\/www.jstor.org\/stable\/23113360<\/li>\r\n \t<li>\u201cRevisiting Joseph Conrad\u2019s <em>Heart of Darkness<\/em>: Women, Symbolism and Resistance.\u201d by Katherine Smith:\u00a0http:\/\/fau.digital.flvc.org\/islandora\/object\/fau%3A2980\/datastream\/OBJ\/view<\/li>\r\n \t<li>\u201cSexism in Joseph Conrad\u2019s <em>Heart of Darkness.<\/em>\u201d by Haydar Ali:\u00a0https:\/\/digitalshowcase.lynchburg.edu\/agora\/vol17\/iss2008\/8\/<\/li>\r\n \t<li>\u201cThe Women Do Not Travel: Gender, Difference, and Incommensurability in Conrad's <em>Heart of Darkness.<\/em>\u201d by Gabrielle McIntire:\u00a0https:\/\/muse-jhu-edu.ezproxy.library.uvic.ca\/article\/21686<\/li>\r\n \t<li>Victorian History British Empire:\u00a0http:\/\/www.victorianweb.org\/victorian\/history\/empire\/index.html<\/li>\r\n \t<li>\u201cWhite Lies and Whited Sepulchres in Conrad\u2019s Heart of Darkness.\u201d\u00a0by Philip Allingham:\u00a0http:\/\/www.victorianweb.org\/authors\/conrad\/pva52.html<\/li>\r\n<\/ul>\r\n<h2 class=\"entry-title\">Appendix 4: Glossary of Literary Terms<\/h2>\r\n<ul>\r\n \t<li>\"Epic hero\" literary term definition:\u00a0http:\/\/web.cn.edu\/kwheeler\/lit_terms_E.html<\/li>\r\n \t<li>\"Genre\" literary term definition:\u00a0http:\/\/web.cn.edu\/kwheeler\/lit_terms_G.html<\/li>\r\n \t<li>\"in medias res\" literary term definition: http:\/\/web.cn.edu\/kwheeler\/lit_terms_I.html<\/li>\r\n \t<li><span>The Indo-European Family of Languages:\u00a0<\/span>http:\/\/web.cn.edu\/kwheeler\/IE_Main.html<\/li>\r\n \t<li>\"Theme\" Literary Devices definition:\u00a0https:\/\/literarydevices.net\/theme\/<\/li>\r\n \t<li>\"Tropes\" literary term definition:\u00a0http:\/\/web.cn.edu\/kwheeler\/tropes.html<\/li>\r\n<\/ul>\r\n<h2>Appendix 5: Writing an Analysis of a Poem, Story, or Play<\/h2>\r\n<ul>\r\n \t<li>Base Detail by Siegfried Sassoon: http:\/\/www.bartleby.com\/136\/11.html<\/li>\r\n \t<li>\"Oxford World War I Poets\" on Sassoon:\u00a0https:\/\/www.oucs.ox.ac.uk\/ww1lit\/education\/tutorials\/intro\/sassoon<\/li>\r\n<\/ul>\r\n<h2>Appendix 6: Documenting Essays in MLA Style<\/h2>\r\n<ul>\r\n \t<li>MLA Formatting and Style Guide\u00a0from Purdue University:\u00a0https:\/\/owl.english.purdue.edu\/owl\/resource\/747\/01\/<\/li>\r\n \t<li>MLA Tutorial from Hunter College:\u00a0http:\/\/library.hunter.cuny.edu\/tutorials\/mla\/mla_tutorial.html<\/li>\r\n \t<li>Purdue OWL: MLA Formatting - The Basics:\u00a0https:\/\/www.youtube.com\/watch?v=24Y31UrG2q4&amp;list=PL4917D9E21FA6EDFF<\/li>\r\n<\/ul>\r\n<h2>Versioning History<\/h2>\r\n<ul>\r\n \t<li>Report an Open Textbook Error: https:\/\/open.bccampus.ca\/reporting-an-open-textbook-error\/<\/li>\r\n<\/ul>","rendered":"<h1>Front Matter<\/h1>\n<h2>Accessibility Statement<\/h2>\n<ul>\n<li>Contact us: https:\/\/open.bccampus.ca\/contact-us\/<\/li>\n<li>Download this book in another file format<\/li>\n<li>Report an Open Textbook Error: https:\/\/open.bccampus.ca\/use-open-textbooks\/reporting-an-open-textbook-error\/<\/li>\n<li>Web version of Basic Kitchen and Food Service Management: https:\/\/opentextbc.ca\/basickitchenandfoodservicemanagement\/<\/li>\n<\/ul>\n<h2>About BCcampus Open Education<\/h2>\n<ul>\n<li>Adoption of an Open Textbook: https:\/\/open.bccampus.ca\/use-open-textbooks\/tell-us-youre-using-an-open-textbook\/<\/li>\n<li>BCcampus: https:\/\/bccampus.ca\/<\/li>\n<li>BCcampus Open Education: https:\/\/open.bccampus.ca\/<\/li>\n<li>British Columbia Ministry of Advanced Education, Skills &amp; Training: https:\/\/www2.gov.bc.ca\/gov\/content\/governments\/organizational-structure\/ministries-organizations\/ministries\/advanced-education-skills-training<\/li>\n<li>Creative Commons licence: https:\/\/creativecommons.org\/licenses\/<\/li>\n<li>Hewlett Foundation: http:\/\/www.hewlett.org\/<\/li>\n<\/ul>\n<h1>I.\u00a0The Victorian Era 1832\u20131901<\/h1>\n<ul>\n<li>Archaeology and Imperialism: http:\/\/www.bbc.co.uk\/programmes\/p003k9gt<\/li>\n<li>British Empire: http:\/\/www.nationalarchives.gov.uk\/education\/empire\/<\/li>\n<li>Child Labor:\u00a0http:\/\/www.victorianweb.org\/victorian\/history\/1851\/index.html<\/li>\n<li>Dover Beach:\u00a0http:\/\/www.victorianweb.org\/authors\/arnold\/writings\/doverbeach.html<\/li>\n<li>Gender Ideology &amp; Separate Spheres: http:\/\/www.vam.ac.uk\/content\/articles\/g\/gender-ideology-and-separate-spheres-19th-century\/<\/li>\n<li>Gender Matters: http:\/\/www.victorianweb.org\/gender\/<\/li>\n<li>Great Exhibition:\u00a0http:\/\/www.bl.uk\/learning\/histcitizen\/victorians\/exhibition\/greatexhibition.html<\/li>\n<li>Industrialism: https:\/\/www.wwnorton.com\/college\/english\/nael\/victorian\/topic_1\/welcome.htm<\/li>\n<li>Kipling\u2019s Imperialism: http:\/\/www.victorianweb.org\/authors\/kipling\/rkimperialism.html<\/li>\n<li>Norton Topics: \u201cVictorian Imperialism\u201d: https:\/\/www.wwnorton.com\/college\/english\/nael\/victorian\/topic_4\/welcome.htm<\/li>\n<li>Saylor.org English 410 Resources Page:\u00a0http:\/\/www.saylor.org\/courses\/engl410\/?ismissing=0&amp;resourcetype=1<\/li>\n<li>Social Darwinism:\u00a0http:\/\/rationalwiki.org\/wiki\/Social_Darwinism<\/li>\n<li>Suffragists: http:\/\/www.bl.uk\/learning\/histcitizen\/21cc\/struggle\/struggle.html<\/li>\n<li>The British Empire: http:\/\/www.victorianweb.org\/history\/empire\/Empire.html<\/li>\n<li>The Crystal Palace, or The Great Exhibition of 1851: An Overview&#8221;:\u00a0http:\/\/www.victorianweb.org\/victorian\/history\/1851\/index.html<\/li>\n<li>The Life of the Industrial Worker in Nineteenth-Century England:\u00a0http:\/\/www.victorianweb.org\/history\/workers2.html<\/li>\n<li>The National Union of Women\u2019s Suffrage Societies: http:\/\/www.victorianweb.org\/gender\/wojtczak\/nuwss.html<\/li>\n<li>The Nature of Women: https:\/\/www.wwnorton.com\/college\/english\/nael\/victorian\/topic_2\/nature.htm<\/li>\n<li>\u2018The Personal is Political\u2019: Gender in Private &amp; Public Life: http:\/\/www.vam.ac.uk\/content\/articles\/p\/the-personal-is-political-gender-in-private-and-public-life\/<\/li>\n<li>The Reform Acts:\u00a0http:\/\/www.victorianweb.org\/history\/hist2.html<\/li>\n<li>The Woman Question: https:\/\/www.wwnorton.com\/college\/english\/nael\/victorian\/topic_2\/welcome.htm<\/li>\n<li>The 1833 Reform Act:\u00a0http:\/\/www.victorianweb.org\/history\/factact.html<\/li>\n<li>The 1870 Education Act: http:\/\/www.parliament.uk\/about\/living-heritage\/transformingsociety\/livinglearning\/school\/overview\/1870educationact\/<\/li>\n<li>Uberindustrialism:\u00a0http:\/\/ubervictorianindustrialism.tumblr.com\/<\/li>\n<li>&#8220;Victorian Britain: A Divided Nation?&#8221;: http:\/\/www.nationalarchives.gov.uk\/education\/victorianbritain\/divided\/<\/li>\n<li>Victorian Geology: http:\/\/www.victorianweb.org\/science\/geology.htm<\/li>\n<li>Victorian Science &amp; Religion.: http:\/\/www.victorianweb.org\/science\/science&amp;religion.html<\/li>\n<li>Victorian Technology:\u00a0http:\/\/www.victorianweb.org\/technology\/index.html<\/li>\n<li>1832 Reform Act: http:\/\/www.bl.uk\/onlinegallery\/takingliberties\/staritems\/111832reformact.html<\/li>\n<\/ul>\n<h1>II. Elizabeth Barrett Browning (1806\u20131861)<\/h1>\n<ul>\n<li>Academy of American Poets:\u00a0http:\/\/www.poets.org.<\/li>\n<li>Amoretti:\u00a0http:\/\/darkwing.uoregon.edu\/~rbear\/amoretti.html#1<\/li>\n<li>Astrophil and Stella:\u00a0http:\/\/darkwing.uoregon.edu\/~rbear\/stella.html<\/li>\n<li>Shakespeare Sonnet 1:\u00a0http:\/\/www.opensourceshakespeare.org\/views\/sonnets\/sonnet_view.php?Sonnet=1<\/li>\n<li>Study Questions for &#8220;Cry of the Children&#8221; and &#8220;The Runaway Slave&#8221;:\u00a0http:\/\/myweb.uiowa.edu\/fsboos\/questions\/ebbrunawayweb.htm<\/li>\n<li>Testimony Gathered by Ashley\u2019s Mines Commission: http:\/\/www.victorianweb.org\/history\/ashley.html<\/li>\n<li>The Chimney Sweeper:\u00a0http:\/\/en.wikipedia.org\/wiki\/The_Chimney_Sweeper<\/li>\n<\/ul>\n<h1>III. Robert Browning (1812\u20131889)<\/h1>\n<ul>\n<li>About the poems of Robert Browning:\u00a0http:\/\/www.bl.uk\/learning\/langlit\/poetryperformance\/browning\/josephinehart\/aboutbrowning.html<\/li>\n<li>Browning&#8217;s Porphyria&#8217;s Lover: https:\/\/archive.is\/20121130020324\/http:\/\/www.cswnet.com\/~erin\/rb6.htm<\/li>\n<li>The Canonization:\u00a0http:\/\/www.luminarium.org\/sevenlit\/donne\/canonization.php<\/li>\n<li>The Flea:\u00a0http:\/\/www.luminarium.org\/sevenlit\/donne\/flea.php<\/li>\n<\/ul>\n<h1>IV. Alfred, Lord Tennyson (1809\u20131892)<\/h1>\n<ul>\n<li><em>Alfred Lord Tennyson: A Memoir,<\/em> I, 305: https:\/\/archive.org\/stream\/alfredlordtennys01tennuoft#page\/300\/mode\/2up.<\/li>\n<li>A Key to Lord Tennyson&#8217;s &#8216;In Memoriam&#8217; by Alfred Gatty:\u00a0http:\/\/www.gutenberg.org\/ebooks\/36637<\/li>\n<li>BBC Radio In Our Time \u201cIn Memoriam\u201d: http:\/\/www.bbc.co.uk\/programmes\/b0124pnq<\/li>\n<li>BBC Radio In Our Time &#8220;Charge of the Light Brigade&#8221; http:\/\/www.bbc.co.uk\/programmes\/b008md8x<\/li>\n<li>Florence Boos&#8217; notes on\u00a0<em>In Memoriam<\/em>:\u00a0http:\/\/www.uiowa.edu\/~boosf\/questions\/tennyinmem.htm<\/li>\n<li>In Memoriam:\u00a0https:\/\/archive.org\/details\/inmemoriambyalfr00tennuoft<\/li>\n<li>Musical Adaption of &#8220;The Lady of Shalott&#8221; by Loreena McKennitt: https:\/\/www.youtube.com\/watch?v=80-kp6RDl94<\/li>\n<li>Numerous articles from Victorian Web on In Memoriam:\u00a0http:\/\/www.victorianweb.org\/authors\/tennyson\/im\/lq.html<\/li>\n<li>Princess Ida &#8211; from Tennyson to Gilbert: http:\/\/archive.is\/ZgnpR<\/li>\n<li>The Defense of Lucknow:\u00a0http:\/\/www.bartleby.com\/297\/629.html<\/li>\n<li>The Lady of Shalott (1833 &amp; 1842 Versions):\u00a0http:\/\/d.lib.rochester.edu\/camelot\/text\/tennyson-shalott-comparison<\/li>\n<li>The Man Behind the Lady:\u00a0http:\/\/www.nines.org\/exhibits\/The_Man_Behind_The_Lady_?page=1<\/li>\n<li>The Times\/1854\/News\/The Charge of the Light Brigade: https:\/\/en.wikisource.org\/wiki\/The_Times\/1854\/News\/The_Charge_of_the_Light_Brigade<\/li>\n<\/ul>\n<h1>V. Charles Dickens (1812\u20131870)<\/h1>\n<ul>\n<li>A Walk in a Workhouse:\u00a0http:\/\/www.victorianweb.org\/authors\/dickens\/poorlaw.html<\/li>\n<li>Biography written by Gregor Brdnik:\u00a0http:\/\/www.dickens-online.info\/charles-dickens-biography.htm<\/li>\n<li>Dickens in Context: http:\/\/www.bl.uk\/learning\/langlit\/dickens\/dickenshome.html<\/li>\n<li>Film Adaptation of\u00a0<em>A Christmas Carol<\/em>:\u00a0http:\/\/charlesdickenspage.com\/dickens_on_film.html#carol<\/li>\n<li>George Landow&#8217;s article on Sabbatarianism:\u00a0http:\/\/www.victorianweb.org\/religion\/sabbatarianism.html<\/li>\n<li>The origins of A Christmas Carol<\/li>\n<li>The Story of the Goblin Who Stole a Sexton:\u00a0http:\/\/www.gutenberg.org\/files\/580\/580-h\/580-h.htm#link2HCH0029<\/li>\n<li>&#8220;The Story of the Goblin Who Stole a Sexton&#8221; audio adaption:\u00a0http:\/\/hwcdn.libsyn.com\/p\/2\/4\/4\/244de6d298a9930c\/Episode_42_-_Christmas_bonus_-_The_goblins_who_stole_a_sexton.mp3?c_id=8096089&amp;expiration=1423608543&amp;hwt=e764686b69626625867eed7a866589cd<\/li>\n<\/ul>\n<h1>VI. Christina Rossetti (1830\u20131894)<\/h1>\n<ul>\n<li>&#8220;Adulterations Detected&#8221;: Food and Fraud in Christina Rossetti&#8217;s Goblin Market. By: Rebecca F. Stern: http:\/\/www.18thconnect.org\/exhibits\/Rebecca_Stern_Adulterations<\/li>\n<li>BBC &#8220;In Our Time&#8221; podcast on Christina Rossetti:\u00a0http:\/\/www.bbc.co.uk\/programmes\/b017mvwy<\/li>\n<li>In the Bleak Mid-Winter:\u00a0https:\/\/www.youtube.com\/watch?v=xRobryliBLQ<\/li>\n<li>Katja Brandt&#8217;s 2006 Ph.D dissertation: http:\/\/www.doria.fi\/bitstream\/handle\/10024\/4103\/TMP.objres.67.pdf?sequence<\/li>\n<li>Overview of Christina Rossetti&#8217;s &#8220;Goblin Market&#8221;: http:\/\/www.victorianweb.org\/authors\/crossetti\/marketov.html<\/li>\n<li>Painting of Christina Rossetti by her brother Dante Gabriel Rossetti: http:\/\/www.rossettiarchive.org\/docs\/s420.raw.html<\/li>\n<li>The Eve of St. Agnes:\u00a0https:\/\/www.bartleby.com\/126\/39.html<\/li>\n<\/ul>\n<h1>VII. Henry James (1843-1916)<\/h1>\n<ul>\n<li>Henry James Biography:\u00a0http:\/\/modernistcommons.ca\/islandora\/object\/yale:166<\/li>\n<\/ul>\n<h1>VIII. Oscar Wilde (1854\u20131900)<\/h1>\n<ul>\n<li>&#8220;If You&#8217;re Anxious for to Shine:\u00a0https:\/\/www.youtube.com\/watch?v=eu_Xk_Vl6fk<\/li>\n<li>Internet Definition of Dandy: http:\/\/en.wikipedia.org\/wiki\/Dandy<\/li>\n<li>Photo of Reading Gaol:\u00a0http:\/\/www.victorianweb.org\/authors\/wilde\/pva94.html<\/li>\n<li>Study Guide to the play:\u00a0http:\/\/www.penguin.com\/static\/pdf\/teachersguides\/the_importance_of_being_earnest.pdf<\/li>\n<li>The Importance of Being Earnest (1952 Film): https:\/\/www.youtube.com\/watch?v=V-mKJpxIo7c<\/li>\n<\/ul>\n<h1>IX. Rudyard Kipling (1865\u20131936)<\/h1>\n<ul>\n<li>Florence Boos&#8217; Study Questions:\u00a0http:\/\/myweb.uiowa.edu\/fsboos\/questions\/kiplingpoems.htm<\/li>\n<li>McClure&#8217;s Magazine:\u00a0http:\/\/en.wikipedia.org\/wiki\/McClure%27s<\/li>\n<li>Original Publication of\u00a0<em>The White Man&#8217;s Burden:\u00a0http:\/\/www.unz.org\/Pub\/McClures-1899feb-00290<\/em><\/li>\n<li><em>The Black Man&#8217;s Burden<\/em>:\u00a0http:\/\/historymatters.gmu.edu\/d\/5476\/<\/li>\n<li><em>The<\/em>\u00a0<em>Poor Man&#8217;s Burden<\/em>:\u00a0http:\/\/historymatters.gmu.edu\/d\/5475\/<\/li>\n<\/ul>\n<h1>X. Thomas Hardy (1840\u20131928)<\/h1>\n<ul>\n<li>Sample Student Essay on &#8220;Hap&#8221;:\u00a0http:\/\/blue.utb.edu\/gibson\/Hap.htm<\/li>\n<\/ul>\n<h1>XI. George Bernard Shaw (1856\u20131950)<\/h1>\n<ul>\n<li><em>Bernard Shaw: A brief Biography<\/em>:\u00a0http:\/\/www.english.upenn.edu\/~cmazer\/mis1.html<\/li>\n<li><i>British and Irish Drama: 1890-1950<\/i>. A very good overview of <i>Major Barbara<\/i>:\u00a0http:\/\/www.rfd2.net\/britishdrama3.htm#Barbara<\/li>\n<li><em>Major Barbara<\/em> Study Guide:\u00a0http:\/\/opentextbc.ca\/englishliterature\/wp-content\/uploads\/sites\/27\/2014\/08\/Major-Barbara-Study-Guide.pdf<\/li>\n<li>Preface to <em>Major Barbara<\/em>:\u00a0http:\/\/ebooks.adelaide.edu.au\/s\/shaw\/george_bernard\/major_barbara\/preface.html<\/li>\n<li><em>The Grand Inquisitor<\/em>:\u00a0http:\/\/en.wikipedia.org\/wiki\/The_Grand_Inquisitor<\/li>\n<\/ul>\n<h1>XIV. A.E. Housman (1859\u20131936)<\/h1>\n<ul>\n<li><em>A Shropshire Lad<\/em> eBook: http:\/\/ebooks.adelaide.edu.au\/h\/housman\/ae\/h84s<\/li>\n<li><em>A Shropshire Lad<\/em> XXXI (\u201cOn Wenlock Edge\u201d): http:\/\/en.wikisource.org\/wiki\/A_Shropshire_Lad\/XXXI<\/li>\n<li>Small pamphlet by Peter Cash<em>\u00a0A Shropshire Lad<\/em>:\u00a0https:\/\/www2.le.ac.uk\/offices\/english-association\/publications\/bookmarks\/longer-poems-bookmarks\/LP5.pdf<\/li>\n<li>Unpublished correspondences between A. E. Housman and Moses Jackman:\u00a0http:\/\/www.sothebys.com\/fr\/auctions\/ecatalogue\/lot.pdf.N08646.html\/f\/41\/N08646-41.pdf<\/li>\n<li><em>Wenlock Edge<\/em> by Alice Munro: http:\/\/www.newyorker.com\/archive\/2005\/12\/05\/051205fi_fiction?currentPage=all<\/li>\n<\/ul>\n<h1>XV. Hector Hugh Munro (Saki) (1870\u20131916)<\/h1>\n<ul>\n<li>The Open Doors:\u00a0https:\/\/www.youtube.com\/watch?v=pBXb-8YoR0E<\/li>\n<li>The Schartz- Metterklume Method: https:\/\/www.youtube.com\/watch?v=e2G0U0VUI9g<\/li>\n<\/ul>\n<h1>XVI. World War I Poetry<\/h1>\n<ul>\n<li>BBC World War One:\u00a0https:\/\/www.bbc.co.uk\/programmes\/p01nb93y<\/li>\n<li>Draft version of &#8220;The General&#8221;:\u00a0http:\/\/movehimintothesun.wordpress.com\/2011\/04\/08\/the-general-siegfried-sassoon\/<\/li>\n<li>First World War.com &#8211; Women and WW1:\u00a0http:\/\/www.firstworldwar.com\/features\/womenww1_seven.htm<\/li>\n<li>Oxford University&#8217;s online tutorial on major poets of World War One:\u00a0https:\/\/www.oucs.ox.ac.uk\/ww1lit\/education\/tutorials\/intro<\/li>\n<li>&#8220;Perhaps&#8221; by Vera Brittain:\u00a0http:\/\/www.oucs.ox.ac.uk\/ww1lit\/collections\/document\/3084\/2738<\/li>\n<li>Seminar Introduction, \u201cWhat is War Poetry?\u201d https:\/\/www.oucs.ox.ac.uk\/ww1lit\/education\/tutorials\/intro\/intro.html<\/li>\n<li>Seminar Map:\u00a0https:\/\/www.oucs.ox.ac.uk\/ww1lit\/education\/tutorials\/intro\/map.html<\/li>\n<li>The Twentieth Century: Topics &#8211; Representing the Great War: Overview:\u00a0https:\/\/www.wwnorton.com\/college\/english\/nael\/20century\/topic_1_05\/welcome.htm<\/li>\n<li>Trailer for the 2015 film <em>Testament of Youth<\/em>:\u00a0https:\/\/www.youtube.com\/watch?v=e3e2nNNJ7-4<\/li>\n<li>Women&#8217;s Poetry and Verse:\u00a0https:\/\/www.oucs.ox.ac.uk\/ww1lit\/education\/tutorials\/intro\/women<\/li>\n<li>World War I Wikipedia:\u00a0http:\/\/en.wikipedia.org\/wiki\/World_War_I<\/li>\n<\/ul>\n<h1>XVII. Wilfred Owen (1893\u20131918)<\/h1>\n<ul>\n<li>Definition and discussion of acronyms:\u00a0http:\/\/en.wikipedia.org\/wiki\/Acronym<\/li>\n<li>Dr. Stuart Lee\u2019s Background to \u201cDulce et Decorum Est.\u201d https:\/\/www.oucs.ox.ac.uk\/ww1lit\/education\/tutorials\/manuscript\/owen\/backgrnd.html#note.<\/li>\n<li><em>Exposure:<\/em> http:\/\/rpo.library.utoronto.ca\/poems\/exposure<\/li>\n<li>First World War Digital Archive:\u00a0http:\/\/www.oucs.ox.ac.uk\/ww1lit\/db\/results.php?CISOOP1=exact&amp;CISOFIELD1=CISOSEARCHALL&amp;CISOROOT=\/ww1&amp;CISOBOX1=Anthem+for+Doomed+Youth<\/li>\n<li>Ian Brinton&#8217;s Booklet on Wilfred Owen:\u00a0https:\/\/www2.le.ac.uk\/offices\/english-association\/publications\/bookmarks\/66.pdf<\/li>\n<li><em>Insensibility:<\/em> http:\/\/europeanhistory.about.com\/library\/weekly\/bloweninsensibility.htm<\/li>\n<li>The Modernism Lab site at Yale University on \u201cDulce et Decorum Est\u201d: http:\/\/modernism.research.yale.edu\/wiki\/index.php\/Dulce_et_Decorum_est<\/li>\n<li>Oxford Tutorial Dulce et Decorum Est:\u00a0https:\/\/www.oucs.ox.ac.uk\/ww1lit\/education\/tutorials\/manuscript\/owen<\/li>\n<li>Oxford Tutorial Wilfred Owen:\u00a0https:\/\/www.oucs.ox.ac.uk\/ww1lit\/education\/tutorials\/intro\/owen<\/li>\n<li><em>Regeneration\u00a0<\/em>(1977 Film):\u00a0http:\/\/rpo.library.utoronto.ca\/poems\/exposure<\/li>\n<li><em>Strange Meeting:<\/em> http:\/\/rpo.library.utoronto.ca\/poems\/strange-meeting<\/li>\n<li>The Send-Off: http:\/\/www.englishverse.com\/poems\/the_sendoff<\/li>\n<li>WW1 Recruitment Poster &#8220;Will they never come?&#8221;:\u00a0https:\/\/www.pinterest.ca\/pin\/476607573048180005\/?lp=true<\/li>\n<\/ul>\n<h1>XVIII. Siegfried Sassoon (1886\u20131967)<\/h1>\n<ul>\n<li><em>Absolution:<\/em>\u00a0http:\/\/www.ppu.org.uk\/learn\/infodocs\/people\/pst_sassoon.html<\/li>\n<li><em>Base Detail:<\/em>\u00a0http:\/\/www.bartleby.com\/136\/11.html<\/li>\n<li>BBC In Our Time podcast on Siegfried Sassoon: http:\/\/www.bbc.co.uk\/programmes\/b007mvl9<\/li>\n<li>BBC UK World War One Recruitment Posters:\u00a0https:\/\/www.bbc.co.uk\/history\/trail\/wars_conflict\/art\/art_frontline_01.shtml<\/li>\n<li>Counter-Attack and Other Poems (Project Bartleby): http:\/\/www.bartleby.com\/136\/<\/li>\n<li><em>Declaration against the war:\u00a0<\/em>http:\/\/www.oucs.ox.ac.uk\/ww1lit\/education\/tutorials\/intro\/sassoon\/declaration.html<\/li>\n<li><em>Does it Matter?<\/em>:\u00a0http:\/\/www.bartleby.com\/136\/14.html<\/li>\n<li>Essays on Sassoon from Modernism Lab, Yale University: http:\/\/modernism.research.yale.edu\/wiki\/index.php\/Siegfried_Sassoon<\/li>\n<li>&#8220;From Mametz Wood to the General&#8221; Podcast:\u00a0http:\/\/podcasts.ox.ac.uk\/series\/first-world-war-poetry-digital-archive<\/li>\n<li><em>Glory of Women:<\/em>\u00a0http:\/\/www.bartleby.com\/136\/18.html<\/li>\n<li>Ian Brinton&#8217;s Pamphlet on Sassoon:\u00a0https:\/\/www2.le.ac.uk\/offices\/english-association\/publications\/bookmarks\/WW1\/5Sassoon.pdf<\/li>\n<li>Oxford First World War Poetry unit on Sassoon&#8217;s &#8220;Counter-Attack&#8221;: http:\/\/www.oucs.ox.ac.uk\/ww1lit\/education\/tutorials\/intro\/sassoon\/counter.html<\/li>\n<li>Oxford First World War Poetry unit on Sassoon&#8217;s &#8220;The Death Bed&#8221;: http:\/\/www.oucs.ox.ac.uk\/ww1lit\/education\/tutorials\/intro\/sassoon\/death_bed.html<\/li>\n<li>Oxford First World War Poetry unit on Siegfried Sassoon:\u00a0https:\/\/www.oucs.ox.ac.uk\/ww1lit\/education\/tutorials\/intro\/sassoon<\/li>\n<li>Sample student essay on a Sassoon poem (\u201cGlory of Women\u201d): http:\/\/www.haverford.edu\/engl\/english354\/GreatWar\/Sassoon\/Sasskanay.html<\/li>\n<li><em>The Colossus\u00a0<\/em>painting:\u00a0http:\/\/en.wikipedia.org\/wiki\/The_Colossus_%28painting%29<\/li>\n<\/ul>\n<h1>XIX. Isaac Rosenberg (1890\u20131918)<\/h1>\n<ul>\n<li>A brief guide to Imaginism:\u00a0https:\/\/poets.org\/text\/brief-guide-imagism<\/li>\n<li>About Ezra Pound:\u00a0http:\/\/www.poets.org\/poetsorg\/poet\/ezra-pound<\/li>\n<li>About Isaac Rosenberg:\u00a0http:\/\/www.poets.org\/poetsorg\/poet\/isaac-rosenberg<\/li>\n<li>About John Keats:\u00a0http:\/\/www.poets.org\/poetsorg\/poet\/john-keats<\/li>\n<li>About Percy Bysshe Shelley:\u00a0https:\/\/poets.org\/poet\/percy-bysshe-shelley<\/li>\n<li>About Robert Graves:\u00a0http:\/\/www.poets.org\/poetsorg\/poet\/robert-graves<\/li>\n<li>About Rupert Brooke: http:\/\/www.poets.org\/poetsorg\/poet\/rupert-brooke<\/li>\n<li>About Wilfred Owen:\u00a0http:\/\/www.poets.org\/poetsorg\/poet\/wilfred-owen<\/li>\n<li>Audio Clip of\u00a0Break of Day in the Trenches:\u00a0http:\/\/www.poetryfoundation.org\/poetrymagazine\/poem\/2738<\/li>\n<li><em>Break of Day in the Trenches<\/em>:\u00a0http:\/\/projects.oucs.ox.ac.uk\/jtap\/rose\/hyppoem.html<\/li>\n<li>&#8216;Break of Day in the Trenches&#8217; Hypermedia Edition:\u00a0http:\/\/projects.oucs.ox.ac.uk\/jtap\/rose\/hyppoem.html<\/li>\n<li>Collecting Isaac Rosenberg: http:\/\/www.caxtonclub.org\/reading\/2009\/dec09.pdf<\/li>\n<li>Dead Man&#8217;s Dump Early Version:\u00a0http:\/\/www.poetryfoundation.org\/poem\/176849<\/li>\n<li>Isaac Rosenberg letter to Edward Marsh: http:\/\/www.oucs.ox.ac.uk\/ww1lit\/db\/print.php?CISOROOT=\/ww1&amp;CISOPTR=4395<\/li>\n<li>National Archive Exhibit on Isaac Rosenberg: http:\/\/www.nationalarchives.gov.uk\/rosenberg\/war-poems.htm<\/li>\n<li>Oxford First World War Poetry unit on Rosenberg: https:\/\/www.oucs.ox.ac.uk\/ww1lit\/education\/tutorials\/intro\/rose<\/li>\n<li>Romanticism:\u00a0http:\/\/www.poets.org\/poetsorg\/text\/brief-guide-romanticism<\/li>\n<\/ul>\n<h1>XX. Rupert Brooke (1887\u20131915)<\/h1>\n<ul>\n<li>Oxford Tutorial on Rupert Brooke:\u00a0https:\/\/www.oucs.ox.ac.uk\/ww1lit\/education\/tutorials\/intro\/brooke<\/li>\n<\/ul>\n<h1>XXI. Sean O\u2019Casey (1880\u20131964)<\/h1>\n<ul>\n<li>British Drama 1890-1950 by Richard F Dietrich: http:\/\/www.rfd2.net\/britishdrama4.htm#O%27Casey<\/li>\n<li>Dublin Trilogy, The Shadow of a Gunman: https:\/\/www.youtube.com\/watch?v=Zvu87Y6kvT8<\/li>\n<li><em>Plough and the Stars<\/em> Full Text: https:\/\/archive.org\/details\/twentyfivemodern001705mbp<\/li>\n<li>Recording of Juno and the Paycock: https:\/\/www.youtube.com\/watch?v=16ddT2HPSHc<\/li>\n<li>Resource pack from the Abbey Theater for their 2012 production of The Plough and the Stars: https:\/\/www.yumpu.com\/en\/document\/view\/42424412\/download-resource-pack-here-abbey-theatre<\/li>\n<li>Sean O&#8217;Casey Early Plays as Larkinite Stage Parables by Mary Elizabeth Papke:\u00a0http:\/\/opentextbc.ca\/englishliterature\/wp-content\/uploads\/sites\/27\/2014\/09\/Sean.pdf<\/li>\n<li><em>Shadow of a Gunman <\/em>Full Text: https:\/\/archive.org\/stream\/1000yearsofirish00merc\/1000yearsofirish00merc_djvu.txt<\/li>\n<li>The Easter Rebellion of 1916: https:\/\/www.wwnorton.com\/college\/english\/nael\/20century\/topic_3_05\/welcome.htm<\/li>\n<li>Undercover operation: http:\/\/en.wikipedia.org\/wiki\/Plain-clothed<\/li>\n<li>(Yes,) Let Me Like a Soldier Fall: http:\/\/www.james-joyce-music.com\/song13_discussion.html<\/li>\n<li>Young Cassidy:\u00a0https:\/\/www.youtube.com\/watch?v=L8_dppISrf0<\/li>\n<li>1930 film adaptation of Juno and the Paycock: https:\/\/www.youtube.com\/watch?v=NHMVnc-Qnwc<\/li>\n<li>1988 production of Juno and the Paycock at the University of British Columbia: http:\/\/www.library.ubc.ca\/archives\/pdfs\/theatre\/fw8801.pdf<\/li>\n<\/ul>\n<h1>XXII. Virginia Woolf (1882\u20131941)<\/h1>\n<ul>\n<li>Professions for Women:\u00a0https:\/\/ebooks.adelaide.edu.au\/w\/woolf\/virginia\/w91d\/chapter27.html<\/li>\n<li>The Angel in the House: http:\/\/academic.brooklyn.cuny.edu\/english\/melani\/novel_19c\/thackeray\/angel.html<\/li>\n<li>The Light House pdf: https:\/\/opentextbc.ca\/englishliterature\/wp-content\/uploads\/sites\/27\/2014\/10\/To-the-Lighthouse-Etext-Edited.pdf<\/li>\n<\/ul>\n<h1>XXIII. James Joyce (1882-1941)<\/h1>\n<ul>\n<li>Dubliners and Biography of James Joyce: http:\/\/www.mendele.com\/WWD\/WWD.dubintro.html<\/li>\n<li>Dubliners Teacher&#8217;s Guide:\u00a0http:\/\/www.penguin.com\/static\/pdf\/teachersguides\/dubliners.pdf<\/li>\n<li>John McCormick \u201cI\u2019ll Sing Thee Songs of Araby.\u201d : https:\/\/www.youtube.com\/watch?v=YkDSVmr_HNw<\/li>\n<li>\u201cJoyce\u2019s Dublin,\u201d a web talk by Irene Togher: http:\/\/www.irishcultureandcustoms.com\/AWriters\/JoyceDublin.html<\/li>\n<li>Liner Notes \u201cI\u2019ll Sing Thee Songs of Araby.\u201d: http:\/\/www.james-joyce-music.com\/song05_discussion.html<\/li>\n<li>Lyrics of \u201cI\u2019ll Sing Thee Songs of Araby.\u201d: http:\/\/www.james-joyce-music.com\/song05_lyrics.html<\/li>\n<li>Notes on the musical allusion in Eveline: http:\/\/www.james-joyce-music.com\/songb_08_discussion.html<\/li>\n<li>Michael Groden\u2019s \u201cNotes on <em>Ulysses<\/em>\u201d\n<ul>\n<li>\u201cChapter 1 \u201cTelemachus\u201d:\u00a0http:\/\/www.michaelgroden.com\/notes\/open01.html<\/li>\n<li>\u201cChapter 4 \u201cCalypso\u201d:\u00a0http:\/\/www.michaelgroden.com\/notes\/open04.html<\/li>\n<li><span style=\"font-size: 14pt;\">\u201cChapter 18 \u201cPenelope\u201d:\u00a0http:\/\/www.michaelgroden.com\/notes\/open18.html<\/span><\/li>\n<\/ul>\n<\/li>\n<li>Podcasts on Joyce\u2019s \u201cThe Dead.\u201d the final story in Dubliners: http:\/\/www.joycesdublin.ie\/<\/li>\n<li>Reading of \u201cAraby\u201d: https:\/\/www.youtube.com\/watch?v=9nT_qPiPaDs<\/li>\n<li>Reading of &#8220;Eveline&#8221;: https:\/\/www.youtube.com\/watch?v=7soqMb0Hub0<\/li>\n<li>The James Joyce Centre, Dublin: http:\/\/jamesjoyce.ie\/joyce\/<\/li>\n<li><em>Ulysses<\/em> 1967 Film: https:\/\/www.youtube.com\/watch?v=3LmGSjPb5Ig<\/li>\n<\/ul>\n<h1>XXIV. D.H. Lawrence (1885-1930)<\/h1>\n<ul>\n<li>Film Adaptation <em>Rocking Horse Winner<\/em>:\u00a0https:\/\/archive.org\/details\/RockingHorseWinner76<\/li>\n<\/ul>\n<h1>XXV. T.S. Eliot (1888\u20131965)<\/h1>\n<ul>\n<li>A Hypertext version of T. S. Elliot&#8217;s &#8220;The Hollow Man&#8221;:\u00a0http:\/\/aduni.org\/~heather\/occs\/honors\/Poem.htm<\/li>\n<li>T&#8221;he Journey of the Magi&#8221;:\u00a0https:\/\/www.poetryarchive.org\/poem\/journey-magi<\/li>\n<li>&#8220;The Love Song of J. Alfred Prufrock&#8221;:\u00a0https:\/\/www.bartleby.com\/198\/1.html<\/li>\n<li>&#8220;The Waste Land&#8221;:\u00a0http:\/\/www.bartleby.com\/201\/<\/li>\n<li>&#8220;Voices and Visions&#8221; A useful video documentary on T. S. Eliot: http:\/\/www.learner.org\/vod\/vod_window.html?pid=595<\/li>\n<\/ul>\n<h1>XXVI. Katherine Mansfield (1888\u20131923)<\/h1>\n<ul>\n<li>Bliss: the Beginning of Katherine Mansfield: http:\/\/www.nzonscreen.com\/title\/bliss-2011<\/li>\n<li>Colin Norman&#8217;s essay &#8220;Prufrock Freud, and the Late Colonel&#8217;s Daughters: New Light on the Genesis of a Mansfield Story&#8221;:https:\/\/opentextbc.ca\/englishliterature\/wp-content\/uploads\/sites\/27\/2014\/07\/Colin-Norman-Essay.pdf<\/li>\n<li>Film adaptation of Miss Brill: https:\/\/www.youtube.com\/watch?v=9-MoDs3HR1U<\/li>\n<li>Monograph on Mansfield\u2019s Representation of single women:\u00a0http:\/\/www.phil.muni.cz\/plonedata\/wkaa\/BSE\/BSE_2009-35_Offprints\/BSE%202009-35-1-%28137-145%29%20Kascakova.pdf<\/li>\n<li>Online Documentary on Katherine Mansfield:\u00a0http:\/\/www.nzonscreen.com\/title\/a-portrait-of-katherine-mansfield-1986<\/li>\n<li>The Garden Party http:\/\/www.nzonscreen.com\/title\/the-garden-party-1983<\/li>\n<\/ul>\n<h1>XXVII. Aldous Huxley (1894\u20131963)<\/h1>\n<ul>\n<li>&#8220;A Modern Utopia&#8221; by H. G. Wells: http:\/\/ebooks.adelaide.edu.au\/w\/wells\/hg\/w45mu\/contents.html<\/li>\n<li>&#8220;Composed Upon Westminster Bridge, September 3, 1802&#8221; by William Wordsworth:\u00a0http:\/\/allpoetry.com\/Composed-Upon-Westminster-Bridge,-September-3,-1802<\/li>\n<li>\u201cElegy Written in a Country Churchyard&#8221; by Thomas Gray:\u00a0http:\/\/www.thomasgray.org\/cgi-bin\/display.cgi?text=elcc<\/li>\n<li>Ernest Jones interpretation of <em>Hamlet<\/em> in light of the Freudian Oedipus complex: http:\/\/elsinore.ucsc.edu\/Freud\/freudSphinx.html<\/li>\n<li>Frederick Winslow Taylor from Wikipedia: http:\/\/en.wikipedia.org\/wiki\/Frederick_Winslow_Taylor<\/li>\n<li>Freud&#8217;s whore-madonna theory:\u00a0http:\/\/en.wikipedia.org\/wiki\/Madonna%E2%80%93whore_complex<\/li>\n<li>&#8220;Hard Times&#8221; by Charles Dickens:\u00a0http:\/\/ebooks.adelaide.edu.au\/d\/dickens\/charles\/d54ht\/contents.html<\/li>\n<li>Le Corbusier Wikipedia: http:\/\/en.wikipedia.org\/wiki\/Le_Corbusier#Major_buildings_and_projects<\/li>\n<li>&#8220;Men like Gods&#8221; by H. G. Wells:\u00a0http:\/\/ebooks.adelaide.edu.au\/w\/wells\/hg\/w45me\/contents.html<\/li>\n<li>&#8220;Ode on a Distant Prospect of Eton College&#8221; by Thomas Gray:\u00a0http:\/\/www.thomasgray.org\/cgi-bin\/display.cgi?text=odec<\/li>\n<li>&#8220;Preludes&#8221; by T. S. Eliot: http:\/\/www.bartleby.com\/198\/3.html<\/li>\n<li>&#8220;Sophistication of Mass Production&#8221;:\u00a0http:\/\/www.willamette.edu\/~fthompso\/MgmtCon\/Scientific_Management.html<\/li>\n<li>The Grand Inquisitor Wikipedia:\u00a0http:\/\/en.wikipedia.org\/wiki\/The_Grand_Inquisitor<\/li>\n<li>&#8220;When the Sleeper Wakes&#8221; by Aldous Huxley:\u00a0http:\/\/ebooks.adelaide.edu.au\/w\/wells\/hg\/w45ws\/contents.html<\/li>\n<\/ul>\n<h1>XXVIII. George Orwell (1903-1950)<\/h1>\n<ul>\n<li>&#8220;Animal Farm&#8221; film 1954:\u00a0https:\/\/www.youtube.com\/watch?v=h1DcWw9geig<\/li>\n<li>George Orwell (John Freeman) &#8220;Why Socialists Don&#8217;t Believe In Fun&#8221;: http:\/\/orwell.ru\/library\/articles\/socialists\/english\/e_fun<\/li>\n<li>George Orwell&#8217;s essay on Kipling, 1936: http:\/\/theorwellprize.co.uk\/george-orwell\/by-orwell\/essays-and-other-works\/rudyard-kipling-1936\/<\/li>\n<li>George Orwell&#8217;s longer essay on Kipling, published in 1942: https:\/\/ebooks.adelaide.edu.au\/o\/orwell\/george\/rudyard-kipling\/<\/li>\n<li>Nineteen Eighty-Four (1954 BBC Adaptation Nigel Kneale): https:\/\/www.youtube.com\/watch?v=ba4J6umbbp0<\/li>\n<li>Oxford 2011 Orwell vs Kipling:\u00a0http:\/\/theorwellprize.co.uk\/events\/oxford-2011-orwell-vs-kipling\/<\/li>\n<\/ul>\n<h1>Back Matter<\/h1>\n<h2>Appendix 1: A Mini-Casebook on The Turn of the Screw<\/h2>\n<ul>\n<li><em>A Closer Look at &#8220;The Turn of the Screw&#8221;\u00a0<\/em>Lamar University Critical Edition:\u00a0http:\/\/acloserlookattheturnofthescrew.weebly.com\/index.html<\/li>\n<li>Book Drum <i>Turn of Screw<\/i> annotations:\u00a0https:\/\/web.archive.org\/web\/20180523013043\/http:\/\/www.bookdrum.com\/books\/the-turn-of-the-screw\/9781909003019\/index.html<\/li>\n<li>\u201cD\u00e9j\u00e0 vu in The Turn of the Screw\u201d by Max Duperray: http:\/\/books.openedition.org\/obp\/826<\/li>\n<li>\u201cGive the Screw Another Turn\u2014A Cultural Re-Reading of The Turn of the Screw.\u201d http:\/\/ojs.academypublisher.com\/index.php\/jltr\/article\/view\/2407<\/li>\n<li>\u00a0&#8220;Hallucinations or Realities: The Ghosts in Henry James\u2019s <i>The Turn of the Screw<\/i>.\u201d byAl-Qurani, Shonayfa Mohammed:\u00a0http:\/\/www.cscanada.net\/index.php\/sll\/article\/view\/j.sll.1923156320130602.3255<\/li>\n<li>\u201cNon-apparitionist reading of Turn of Screw\u201d by James Sexton (1976):\u00a0http:\/\/opentextbc.ca\/englishliterature\/wp-content\/uploads\/sites\/27\/2014\/05\/Non-apparitionist-reading-of-Turn-of-Screw.pdf<\/li>\n<li>\u201cRaising Veils and other Bold Acts: The Heroine\u2019s Agency in Female Gothic Novels\u201d by Kyra Kramer: http:\/\/studiesingothicfiction.weebly.com\/uploads\/2\/2\/8\/8\/22885250\/sgf_oct_10.pdf<\/li>\n<li>Shadows of Shadows &#8211; Techniques of Ambiguity in Three Film Adaptations of \u201cThe Turn of the Screw\u201d: J. Clayton\u2019s The Innocents (1961), D. Curtis\u2019s The Turn of the Screw (1974), and A. Aloy\u2019s Presence of Mind (1999):\u00a0http:\/\/erea.revues.org\/550<\/li>\n<li>\u201cThe Freudian Reading of <i>The<\/i><i> Turn of the Screw<\/i>.\u201d by R. Heilman:\u00a0https:\/\/www.jstor.org\/stable\/2909426?seq=1#page_scan_tab_contents<\/li>\n<li>The Gothic:\u00a0http:\/\/www.bl.uk\/romantics-and-victorians\/videos\/the-gothic<\/li>\n<li>\u201cThe Role of the Governess in <i>The<\/i><i> Turn of the Screw<\/i>\u201d by Raul Valino:\u00a0http:\/\/ojs.ual.es\/ojs\/index.php\/ODISEA\/article\/viewFile\/327\/298<\/li>\n<li>\u201cThe Role of Repression in Henry James\u2019s The Turn of the Screw.\u201d Student essay.\u00a0http:\/\/serendip.brynmawr.edu\/sci_cult\/courses\/emotion\/web1\/jrodriguez.html<\/li>\n<li>The Romantic Period &#8211; The Gothic Overview:\u00a0https:\/\/www.wwnorton.com\/college\/english\/nael\/romantic\/topic_2\/welcome.htm<\/li>\n<li>&#8220;The Turn of the Screw&#8221;:\u00a0http:\/\/www.turnofthescrew.com\/<\/li>\n<li>&#8220;The Turn of the Screw&#8221; film 1974:\u00a0http:\/\/www.imdb.com\/title\/tt0072328\/<\/li>\n<li>&#8220;The Turn of the Screw&#8221; film 1999:\u00a0http:\/\/www.imdb.com\/title\/tt0209440\/<\/li>\n<li>&#8220;The Turn of the Screw&#8221; film 2009:www.imdb.com\/title\/tt1577883\/<\/li>\n<\/ul>\n<h2>Appendix 2: A Mini-Casebook on Brave New World<\/h2>\n<ul>\n<li>\u201cAldous Huxley\u2019s Americanization of the <em>Brave New World<\/em> Typescript.\u201d:\u00a0http:\/\/somaweb.org\/w\/sub\/Americanization.html<\/li>\n<li>\u201cAldous Huxley\u2019s Bokanovsky\u201d from <em>Science Fiction Studies<\/em>):\u00a0http:\/\/www.depauw.edu\/sfs\/covers\/cov47.htm<\/li>\n<li>\u201cAldous Huxley\u2019s Brave New World as a Parody and Satire of Wells, Ford, Freud and Behaviourism\u201d:\u00a0http:\/\/opentextbc.ca\/englishliterature\/?attachment_id=456http:\/\/www.ncbi.nlm.nih.gov\/pmc\/articles\/PMC2733409\/pdf\/behavan00027-0062.pdfhttp:\/\/somaweb.org\/w\/sub\/Americanization.html<\/li>\n<li>\u201cBrave New World Revisited Revisited: Huxley\u2019s Evolving View of Behaviorism.\u201d:\u00a0http:\/\/www.ncbi.nlm.nih.gov\/pmc\/articles\/PMC2733409\/pdf\/behavan00027-0062.pdf<\/li>\n<li>BBC RADIO 45 Minute documentary &#8220;Brave New World&#8221;:\u00a0http:\/\/www.bbc.co.uk\/programmes\/b00jn8bc<\/li>\n<li>BBC Podcast on Modernist Utopias: http:\/\/www.bbc.co.uk\/programmes\/p003k9fz<\/li>\n<li>&#8220;Brave New World and the Anthropologists: Primitivism in A.F. 632&#8221; by Jerome Meckier:\u00a0http:\/\/opentextbc.ca\/englishliterature\/wp-content\/uploads\/sites\/27\/2014\/07\/latestmeckier-bnw-anthroroughdraft.pdf<\/li>\n<li>\u201cBrave New World and the Rationalization of Industry\u201d from <em>English Studies in Canada<\/em>:\u00a0http:\/\/opentextbc.ca\/englishliterature\/wp-content\/uploads\/sites\/27\/2014\/06\/brave-new-world-and-the-rationalization-of-industry-3.pdf<\/li>\n<li><em>Brave New World<\/em> article Wikipedia:\u00a0http:\/\/en.wikipedia.org\/wiki\/Brave_New_World<\/li>\n<li>&#8220;&#8216;Brave New World,&#8217; The Feelies, and Elinor Glyn.&#8221;:\u00a0http:\/\/opentextbc.ca\/englishliterature\/wp-content\/uploads\/sites\/27\/2014\/09\/RevdBrave-New-World-The-Feelies-and-Elinor-Glyn.pdf<\/li>\n<li>\u201cCommunity, Identity, Stability\u201d: The Scientific Society and the Future of Religion in Aldous Huxley\u2019s Brave New World.\u201d by Brad Congdon:\u00a0https:\/\/journals.library.ualberta.ca\/esc\/index.php\/ESC\/article\/view\/24890<\/li>\n<li><em>Daedalus: or Science and the Future<\/em> by J. B. S. Haldane:\u00a0http:\/\/vserver1.cscs.lsa.umich.edu\/~crshalizi\/Daedalus.html<\/li>\n<li>\u201cDickens\u2019 <em>Hard Times<\/em> as Dystopia\u201d:\u00a0http:\/\/www.victorianweb.org\/authors\/dickens\/hardtimes\/sexton1.html<\/li>\n<li>&#8220;Huxley&#8217;s Hopi Sources&#8221; by David Leon Higdon:\u00a0http:\/\/opentextbc.ca\/englishliterature\/wp-content\/uploads\/sites\/27\/2014\/06\/Hopi-Sources-with-fnsecond-version.pdf<\/li>\n<li>Introduction to <em>The Grand Inquisitor<\/em>.\u00a0by Ann Fremantle:\u00a0http:\/\/web.pdx.edu\/~tothm\/religion\/Summary%20of%20The%20Grand%20Inquisitor.pdf<\/li>\n<li>Los Hermanos Penitentes:\u00a0http:\/\/www.newadvent.org\/cathen\/11635c.htm<\/li>\n<li>Margaret Atwood\u2019s essay on Brave New World http:\/\/www.theguardian.com\/books\/2007\/nov\/17\/classics.margaretatwood&#8221;My Life and Work&#8221; by\u00a0Henry Ford\u00a0http:\/\/onlinebooks.library.upenn.edu\/webbin\/gutbook\/lookup?num=7213<\/li>\n<li>Mirandahttp:\/\/www.huxley.net\/miranda\/home.html<\/li>\n<li><em>Moki Snake Dance\u00a0<\/em>by Walter Hough:\u00a0https:\/\/archive.org\/details\/mokisnake00houg<\/li>\n<li>Political figures important to <em>BNW:\u00a0http:\/\/www.huxley.net\/miranda\/history.html<\/em><\/li>\n<li>\u00a0\u201cRemarks on the Savages of North America.\u201d\u00a0by\u00a0Franklin, Benjamin:\u00a0http:\/\/mith.umd.edu\/\/eada\/html\/display.php?docs=franklin_bagatelle3.xml<\/li>\n<li>&#8220;Sight-seeing in Alien Englands&#8221; by Aldous Huxley:\u00a0http:\/\/opentextbc.ca\/englishliterature\/?attachment_id=453<\/li>\n<li>The \u201cGrand Inquisitor Chapter\u201d from Dostoevsky, The Brothers Karamazov:\u00a0https:\/\/www.mtholyoke.edu\/acad\/intrel\/pol116\/grand.htm<\/li>\n<li><em>The Mind and Face of Bolshevism\u00a0<\/em>byRen\u00e9 F\u00fclop-Miller:\u00a0https:\/\/archive.org\/details\/mindandfaceofbol015704mbp\\<\/li>\n<li>\u201cThe Tissue-Culture King.\u201d by Julian Huxley:\u00a0http:\/\/www.revolutionsf.com\/fiction\/tissue\/<\/li>\n<li>\u201cThe Utopian Tradition and Aldous Huxley\u201d\u00a0by William Matter:\u00a0http:\/\/www.depauw.edu\/sfs\/backissues\/6\/matter6art.htm<\/li>\n<li>&#8220;Utopias Positive and Negative Afterword&#8221;\u00a0by James Sexton:\u00a0http:\/\/opentextbc.ca\/englishliterature\/?attachment_id=454<\/li>\n<li>\u201cUtopias, Positive and Negative&#8221; by\u00a0Aldous Huxley (1963):\u00a0http:\/\/opentextbc.ca\/englishliterature\/?attachment_id=455<\/li>\n<li>Zuni Religion:\u00a0http:\/\/www.sacred-texts.com\/nam\/zuni\/<\/li>\n<\/ul>\n<h2>Appendix 3: A Mini-Casebook on Heart of Darkness<\/h2>\n<ul>\n<li>\u201c&#8217;A Bloody Racist&#8217;: About Achebe&#8217;s View of Conrad.\u201d:\u00a0https:\/\/opentextbc.ca\/englishliterature\/wp-content\/uploads\/sites\/27\/2014\/07\/A_Bloody_Racist_About_Acheb.pdf<\/li>\n<li>\u201cAchebe on Racism in Heart of Darkness&#8221; by Rachel Teisch:\u00a0http:\/\/www.victorianweb.org\/authors\/conrad\/conrad1.html<\/li>\n<li>&#8220;A Guide to <em>Heart of Darkness&#8221;<\/em>\u00a0by Allen Kromer:\u00a0http:\/\/www.penguin.com\/static\/pdf\/teachersguides\/HeartOfDarknessTG.pdf<\/li>\n<li>\u201c An Ashy Halo: Woman as Symbol in &#8216;Heart of Darkness'&#8221; by Edward Geary:\u00a0https:\/\/search-proquest-com.ezproxy.library.uvic.ca\/docview\/1297934551?pq-origsite=summon<\/li>\n<li>&#8220;An Image of Africa: Racism in Conrad&#8217;s &#8216;Heart of Darkness'&#8221;\u00a0by Chinua Achebe:\u00a0http:\/\/kirbyk.net\/hod\/image.of.africa.html<\/li>\n<li>BBC <em>In Our Time<\/em> podcast on <em>Heart of Darkness:\u00a0http:\/\/www.bbc.co.uk\/programmes\/b0077474<\/em><\/li>\n<li>Bookdrum: <em>Heart of Darkness<\/em>\u00a0by Gordon Knox:\u00a0http:\/\/www.bookdrum.com\/books\/heart-of-darkness\/9780140186529\/index.html<\/li>\n<li>&#8220;Culture and Imperialism&#8221; by Edward Said:\u00a0http:\/\/projects.ecfs.org\/eastwest\/Readings\/SaidConrad.pdf<\/li>\n<li>\u201cConrad\u2019s Bloody Imperialism: Achebe, Said, and What Conrad Really Wrote.\u201d\u00a0by Stephen Zelnick:\u00a0http:\/\/www.victorianweb.org\/authors\/conrad\/zelnick.html<\/li>\n<li>\u201cConrad\u2019s Critique of Imperialism in <em>Heart of Darkness<\/em>\u201d by Hunt Hawkins:\u00a0https:\/\/www.jstor.org\/stable\/461892?seq=1#page_scan_tab_content<\/li>\n<li>&#8220;Critical responses to Joseph Conrad\u2019s <em>Heart of Darkness&#8221;<\/em> by Svensson, M. http:\/\/sh.diva-portal.org\/smash\/get\/diva2:356589\/FULLTEXT01.pdf<\/li>\n<li>\u201c<em>Heart of Darkness<\/em>&#8220;: &#8220;Anti-Imperialism, Racism, or Impressionism?&#8221; by Patrick Brantlinger:\u00a0http:\/\/www.jstor.org\/stable\/23110450<\/li>\n<li>&#8220;Heart of Darkness&#8221; by Peter Cash:\u00a0https:\/\/www2.le.ac.uk\/offices\/english-association\/documents\/publications\/New%20Folder\/bookmarks\/69.pdf<\/li>\n<li>\u201cImperialism: Conrad\u2019s <em>Heart of Darkness.<\/em>\u201d by Jonah Raskin:\u00a0http:\/\/www.jstor.org\/stable\/259954<\/li>\n<li>\u201cJoseph Conrad\u2019s <em>Heart of Darkness<\/em> and the World of Western Women\u201d by John Peters:\u00a0http:\/\/web.a.ebscohost.com.ezproxy.library.uvic.ca\/ehost\/detail\/detail?vid=0&amp;sid=b1ceab0a-4c65-420e-88b3-56e39d9352a9%40sessionmgr4008&amp;bdata=JnNpdGU9ZWhvc3QtbGl2ZSZzY29wZT1zaXRl#AN=77324367&amp;db=aph<\/li>\n<li>\u201cKurtz as a Symbol of Imperialism.\u201d by Tesi di Laurea:\u00a0http:\/\/tesi.cab.unipd.it\/43470\/1\/Fazzino_Anna_Maria.pdf<\/li>\n<li>Modern Language Association:http:\/\/www.jstor.org\/action\/showPublisher?publisherCode=mla<\/li>\n<li>Postcolonial Criticism of <em>Heart of Darkness:<\/em>\u00a0A Casebook:\u00a0http:\/\/ibsmarter.edublogs.org\/files\/2012\/05\/Heart-of-Darkness-Critical-Survey-p4seaw.pdf<\/li>\n<li>&#8220;Racism and the <em>Heart of Darkness&#8221;<\/em>\u00a0by C. P. Sarvan:\u00a0http:\/\/journals.hil.unb.ca\/index.php\/IFR\/issue\/view\/1094<\/li>\n<li>\u201cReading Race and Gender in Conrad\u2019s Dark Continent.\u201d by Bette London:\u00a0http:\/\/www.jstor.org\/stable\/23113360<\/li>\n<li>\u201cRevisiting Joseph Conrad\u2019s <em>Heart of Darkness<\/em>: Women, Symbolism and Resistance.\u201d by Katherine Smith:\u00a0http:\/\/fau.digital.flvc.org\/islandora\/object\/fau%3A2980\/datastream\/OBJ\/view<\/li>\n<li>\u201cSexism in Joseph Conrad\u2019s <em>Heart of Darkness.<\/em>\u201d by Haydar Ali:\u00a0https:\/\/digitalshowcase.lynchburg.edu\/agora\/vol17\/iss2008\/8\/<\/li>\n<li>\u201cThe Women Do Not Travel: Gender, Difference, and Incommensurability in Conrad&#8217;s <em>Heart of Darkness.<\/em>\u201d by Gabrielle McIntire:\u00a0https:\/\/muse-jhu-edu.ezproxy.library.uvic.ca\/article\/21686<\/li>\n<li>Victorian History British Empire:\u00a0http:\/\/www.victorianweb.org\/victorian\/history\/empire\/index.html<\/li>\n<li>\u201cWhite Lies and Whited Sepulchres in Conrad\u2019s Heart of Darkness.\u201d\u00a0by Philip Allingham:\u00a0http:\/\/www.victorianweb.org\/authors\/conrad\/pva52.html<\/li>\n<\/ul>\n<h2 class=\"entry-title\">Appendix 4: Glossary of Literary Terms<\/h2>\n<ul>\n<li>&#8220;Epic hero&#8221; literary term definition:\u00a0http:\/\/web.cn.edu\/kwheeler\/lit_terms_E.html<\/li>\n<li>&#8220;Genre&#8221; literary term definition:\u00a0http:\/\/web.cn.edu\/kwheeler\/lit_terms_G.html<\/li>\n<li>&#8220;in medias res&#8221; literary term definition: http:\/\/web.cn.edu\/kwheeler\/lit_terms_I.html<\/li>\n<li><span>The Indo-European Family of Languages:\u00a0<\/span>http:\/\/web.cn.edu\/kwheeler\/IE_Main.html<\/li>\n<li>&#8220;Theme&#8221; Literary Devices definition:\u00a0https:\/\/literarydevices.net\/theme\/<\/li>\n<li>&#8220;Tropes&#8221; literary term definition:\u00a0http:\/\/web.cn.edu\/kwheeler\/tropes.html<\/li>\n<\/ul>\n<h2>Appendix 5: Writing an Analysis of a Poem, Story, or Play<\/h2>\n<ul>\n<li>Base Detail by Siegfried Sassoon: http:\/\/www.bartleby.com\/136\/11.html<\/li>\n<li>&#8220;Oxford World War I Poets&#8221; on Sassoon:\u00a0https:\/\/www.oucs.ox.ac.uk\/ww1lit\/education\/tutorials\/intro\/sassoon<\/li>\n<\/ul>\n<h2>Appendix 6: Documenting Essays in MLA Style<\/h2>\n<ul>\n<li>MLA Formatting and Style Guide\u00a0from Purdue University:\u00a0https:\/\/owl.english.purdue.edu\/owl\/resource\/747\/01\/<\/li>\n<li>MLA Tutorial from Hunter College:\u00a0http:\/\/library.hunter.cuny.edu\/tutorials\/mla\/mla_tutorial.html<\/li>\n<li>Purdue OWL: MLA Formatting &#8211; The Basics:\u00a0https:\/\/www.youtube.com\/watch?v=24Y31UrG2q4&amp;list=PL4917D9E21FA6EDFF<\/li>\n<\/ul>\n<h2>Versioning History<\/h2>\n<ul>\n<li>Report an Open Textbook Error: https:\/\/open.bccampus.ca\/reporting-an-open-textbook-error\/<\/li>\n<\/ul>\n","protected":false},"author":123,"menu_order":9,"template":"","meta":{"pb_show_title":"","pb_short_title":"","pb_subtitle":"","pb_authors":[],"pb_section_license":""},"back-matter-type":[],"contributor":[],"license":[],"class_list":["post-2478","back-matter","type-back-matter","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/opentextbc.ca\/englishliterature\/wp-json\/pressbooks\/v2\/back-matter\/2478","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/opentextbc.ca\/englishliterature\/wp-json\/pressbooks\/v2\/back-matter"}],"about":[{"href":"https:\/\/opentextbc.ca\/englishliterature\/wp-json\/wp\/v2\/types\/back-matter"}],"author":[{"embeddable":true,"href":"https:\/\/opentextbc.ca\/englishliterature\/wp-json\/wp\/v2\/users\/123"}],"version-history":[{"count":11,"href":"https:\/\/opentextbc.ca\/englishliterature\/wp-json\/pressbooks\/v2\/back-matter\/2478\/revisions"}],"predecessor-version":[{"id":2644,"href":"https:\/\/opentextbc.ca\/englishliterature\/wp-json\/pressbooks\/v2\/back-matter\/2478\/revisions\/2644"}],"metadata":[{"href":"https:\/\/opentextbc.ca\/englishliterature\/wp-json\/pressbooks\/v2\/back-matter\/2478\/metadata\/"}],"wp:attachment":[{"href":"https:\/\/opentextbc.ca\/englishliterature\/wp-json\/wp\/v2\/media?parent=2478"}],"wp:term":[{"taxonomy":"back-matter-type","embeddable":true,"href":"https:\/\/opentextbc.ca\/englishliterature\/wp-json\/pressbooks\/v2\/back-matter-type?post=2478"},{"taxonomy":"contributor","embeddable":true,"href":"https:\/\/opentextbc.ca\/englishliterature\/wp-json\/wp\/v2\/contributor?post=2478"},{"taxonomy":"license","embeddable":true,"href":"https:\/\/opentextbc.ca\/englishliterature\/wp-json\/wp\/v2\/license?post=2478"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}