{"id":304,"date":"2014-06-18T22:47:17","date_gmt":"2014-06-18T22:47:17","guid":{"rendered":"http:\/\/opentextbc.ca\/englishliterature\/?post_type=chapter&#038;p=304"},"modified":"2019-07-05T17:02:34","modified_gmt":"2019-07-05T17:02:34","slug":"study-questions-and-activities-4","status":"publish","type":"chapter","link":"https:\/\/opentextbc.ca\/englishliterature\/chapter\/study-questions-and-activities-4\/","title":{"raw":"Study Questions, Activities, and Resources","rendered":"Study Questions, Activities, and Resources"},"content":{"raw":"<div class=\"textbox textbox--exercises\"><header class=\"textbox__header\">\r\n<p class=\"textbox__title\">Study Questions and Activities<\/p>\r\n\r\n<\/header>\r\n<div class=\"textbox__content\">\r\n<h1>Drummer Hodge<\/h1>\r\n<ol>\r\n \t<li>What place and what war make up the setting?<\/li>\r\n \t<li>Compare the point of stanza 3 to a similar point made in Rupert Brooke\u2019s \u201cThe Soldier.\u201d<\/li>\r\n<\/ol>\r\n<h1>The Subalterns<\/h1>\r\n<ol>\r\n \t<li>Clarify Hardy\u2019s use of personification in each stanza.<\/li>\r\n \t<li>Define the adjective \u201cfell\u201d in the last stanza, then paraphrase the sentence that comprises the last stanza.<\/li>\r\n<\/ol>\r\n<h1>The Ruined Maid<\/h1>\r\n<ol>\r\n \t<li>What are some meanings of the word \u201cruined\u201d?<\/li>\r\n \t<li>Look up the word \u201cmaid.\u201d What does the word mean in the title?<\/li>\r\n \t<li>Describe the structure:\u00a0the number of\u00a0speakers, the use of dashes, who speaks first, who speaks last.<\/li>\r\n \t<li>Describe the two former co-workers.<\/li>\r\n \t<li>Can you distinguish between the two women\u2019s speech patterns?<\/li>\r\n \t<li>What is the main irony?<\/li>\r\n<\/ol>\r\n<h1>The Impercipient<\/h1>\r\n<ol>\r\n \t<li>Look up the word \u201cpercipient,\u201d then state the significance of the prefix \u201cim.\u201d<\/li>\r\n \t<li>In stanza 2, focus on the word \u201cinfelicity.\u201d Look up \u201cfelicity\u201d in the <em>Oxford English Dictionary<\/em>,\u00a0and then consider the importance of the prefix \u201cin.\u201d<\/li>\r\n \t<li>In stanza 3, why does the speaker feel it might be appropriate to be the object of Christian charity?<\/li>\r\n \t<li>Suggest synonyms for the verb \u201cmark\u201d in stanza 4 and the adjective \u201cmeet\u201d in stanza 5.<\/li>\r\n \t<li>What is the meaning of \u201cliefer\u201d in stanza 5?<\/li>\r\n \t<li>In stanza 5, what charge or accusation against the speaker adds insult to injury?<\/li>\r\n \t<li>Paraphrase the last two lines. What is their overall tone?<\/li>\r\n<\/ol>\r\n<h1>Mad Judy<\/h1>\r\n<ol>\r\n \t<li>Who is the speaker?<\/li>\r\n \t<li>In stanza 2, Judy uses the metaphor \u201cthis stony shore.\u201d To what does she refer?<\/li>\r\n \t<li>Look up \u201cbrands\u201d and \u201cheadsman\u201d in a good dictionary.<\/li>\r\n \t<li>Explain the irony in the poem. Which of the three types of irony is it?<\/li>\r\n<\/ol>\r\n<h1>The Going and The Haunter<\/h1>\r\n<ol>\r\n \t<li>Read the discussion of the poems about Emma by Andrew Moore at the following link: <a href=\"http:\/\/www.universalteacher.org.uk\/poetry\/hardy\">http:\/\/www.universalteacher.org.uk\/poetry\/hardy<\/a><\/li>\r\n \t<li>Who was Emma Gifford (1840-1912)?<\/li>\r\n<\/ol>\r\n<h1>The Convergence of the Twain<\/h1>\r\n<ol>\r\n \t<li>In what year did the <i>Titanic<\/i> sink?<\/li>\r\n \t<li>Define both nouns in the title.<\/li>\r\n \t<li>Paraphrase the first stanza, placing the grammatical subject at the beginning of the sentence.<\/li>\r\n \t<li>Who is guilty of pride?<\/li>\r\n \t<li>How does alliteration emphasize theme?<\/li>\r\n \t<li>How is the deity depicted? How is the deity depicted in \u201cLet Me Enjoy\u201d?<\/li>\r\n \t<li>What is the \"creature of cleaving wing\u201d?<\/li>\r\n \t<li>Clarify the marriage metaphor in the poem.<\/li>\r\n<\/ol>\r\n<h1>Ah, Are You Digging on My Grave?<\/h1>\r\n<ol>\r\n \t<li>Clarify the major irony and its type in this poem.<\/li>\r\n \t<li>Compare this poem with Housman\u2019s \u201cIs My Team Ploughing?\u201d<\/li>\r\n<\/ol>\r\n<h1>Channel Firing<\/h1>\r\n<ol>\r\n \t<li>To what promised biblical event does the poem refer?<\/li>\r\n \t<li>Who is the speaker?<\/li>\r\n \t<li>How does Hardy use humour to make serious points about war?<\/li>\r\n \t<li>How is this a pessimistic poem?<\/li>\r\n \t<li>Discuss the thematic significance of the three places mentioned in the last two lines.<\/li>\r\n<\/ol>\r\n<h1>The Man He Killed<\/h1>\r\n<ol>\r\n \t<li>Comment on how the speaker\u2019s diction characterizes him.<\/li>\r\n \t<li>Why did the soldier enlist?<\/li>\r\n \t<li>Give specific examples of irony in the third stanza and final stanzas. What are the denotations of \u201cquaint\u201d and \u201ccurious\u201d?<\/li>\r\n \t<li>How does Hardy\u2019s use of dashes affect the metre and theme?<\/li>\r\n<\/ol>\r\n<\/div>\r\n<\/div>\r\n&nbsp;\r\n<div class=\"textbox shaded\">\r\n<h1>Resources<\/h1>\r\n<h2>Hap<\/h2>\r\nRead the <a href=\"http:\/\/blue.utb.edu\/gibson\/Hap.htm\">sample student essay on \u201cHap\u201d<\/a>.\r\n<h2>Let Me Enjoy<\/h2>\r\nListen to this poem as it was set to music by Gerald Finzi (1901-56):\r\n\r\nhttps:\/\/www.youtube.com\/watch?v=DWt6Ov70LM0\r\n\r\n[caption id=\"attachment_1795\" align=\"alignnone\" width=\"200\"]<a href=\"https:\/\/opentextbc.ca\/englishliterature\/wp-content\/uploads\/sites\/27\/2014\/09\/qrcode-let-me-enjoy.png\"><img src=\"https:\/\/opentextbc.ca\/englishliterature\/wp-content\/uploads\/sites\/27\/2014\/09\/qrcode-let-me-enjoy.png\" alt=\".\" class=\"wp-image-1795 size-full\" height=\"200\" width=\"200\" \/><\/a> QR Code Let Me Enjoy[\/caption]\r\n\r\n<\/div>","rendered":"<div class=\"textbox textbox--exercises\">\n<header class=\"textbox__header\">\n<p class=\"textbox__title\">Study Questions and Activities<\/p>\n<\/header>\n<div class=\"textbox__content\">\n<h1>Drummer Hodge<\/h1>\n<ol>\n<li>What place and what war make up the setting?<\/li>\n<li>Compare the point of stanza 3 to a similar point made in Rupert Brooke\u2019s \u201cThe Soldier.\u201d<\/li>\n<\/ol>\n<h1>The Subalterns<\/h1>\n<ol>\n<li>Clarify Hardy\u2019s use of personification in each stanza.<\/li>\n<li>Define the adjective \u201cfell\u201d in the last stanza, then paraphrase the sentence that comprises the last stanza.<\/li>\n<\/ol>\n<h1>The Ruined Maid<\/h1>\n<ol>\n<li>What are some meanings of the word \u201cruined\u201d?<\/li>\n<li>Look up the word \u201cmaid.\u201d What does the word mean in the title?<\/li>\n<li>Describe the structure:\u00a0the number of\u00a0speakers, the use of dashes, who speaks first, who speaks last.<\/li>\n<li>Describe the two former co-workers.<\/li>\n<li>Can you distinguish between the two women\u2019s speech patterns?<\/li>\n<li>What is the main irony?<\/li>\n<\/ol>\n<h1>The Impercipient<\/h1>\n<ol>\n<li>Look up the word \u201cpercipient,\u201d then state the significance of the prefix \u201cim.\u201d<\/li>\n<li>In stanza 2, focus on the word \u201cinfelicity.\u201d Look up \u201cfelicity\u201d in the <em>Oxford English Dictionary<\/em>,\u00a0and then consider the importance of the prefix \u201cin.\u201d<\/li>\n<li>In stanza 3, why does the speaker feel it might be appropriate to be the object of Christian charity?<\/li>\n<li>Suggest synonyms for the verb \u201cmark\u201d in stanza 4 and the adjective \u201cmeet\u201d in stanza 5.<\/li>\n<li>What is the meaning of \u201cliefer\u201d in stanza 5?<\/li>\n<li>In stanza 5, what charge or accusation against the speaker adds insult to injury?<\/li>\n<li>Paraphrase the last two lines. What is their overall tone?<\/li>\n<\/ol>\n<h1>Mad Judy<\/h1>\n<ol>\n<li>Who is the speaker?<\/li>\n<li>In stanza 2, Judy uses the metaphor \u201cthis stony shore.\u201d To what does she refer?<\/li>\n<li>Look up \u201cbrands\u201d and \u201cheadsman\u201d in a good dictionary.<\/li>\n<li>Explain the irony in the poem. Which of the three types of irony is it?<\/li>\n<\/ol>\n<h1>The Going and The Haunter<\/h1>\n<ol>\n<li>Read the discussion of the poems about Emma by Andrew Moore at the following link: <a href=\"http:\/\/www.universalteacher.org.uk\/poetry\/hardy\">http:\/\/www.universalteacher.org.uk\/poetry\/hardy<\/a><\/li>\n<li>Who was Emma Gifford (1840-1912)?<\/li>\n<\/ol>\n<h1>The Convergence of the Twain<\/h1>\n<ol>\n<li>In what year did the <i>Titanic<\/i> sink?<\/li>\n<li>Define both nouns in the title.<\/li>\n<li>Paraphrase the first stanza, placing the grammatical subject at the beginning of the sentence.<\/li>\n<li>Who is guilty of pride?<\/li>\n<li>How does alliteration emphasize theme?<\/li>\n<li>How is the deity depicted? How is the deity depicted in \u201cLet Me Enjoy\u201d?<\/li>\n<li>What is the &#8220;creature of cleaving wing\u201d?<\/li>\n<li>Clarify the marriage metaphor in the poem.<\/li>\n<\/ol>\n<h1>Ah, Are You Digging on My Grave?<\/h1>\n<ol>\n<li>Clarify the major irony and its type in this poem.<\/li>\n<li>Compare this poem with Housman\u2019s \u201cIs My Team Ploughing?\u201d<\/li>\n<\/ol>\n<h1>Channel Firing<\/h1>\n<ol>\n<li>To what promised biblical event does the poem refer?<\/li>\n<li>Who is the speaker?<\/li>\n<li>How does Hardy use humour to make serious points about war?<\/li>\n<li>How is this a pessimistic poem?<\/li>\n<li>Discuss the thematic significance of the three places mentioned in the last two lines.<\/li>\n<\/ol>\n<h1>The Man He Killed<\/h1>\n<ol>\n<li>Comment on how the speaker\u2019s diction characterizes him.<\/li>\n<li>Why did the soldier enlist?<\/li>\n<li>Give specific examples of irony in the third stanza and final stanzas. What are the denotations of \u201cquaint\u201d and \u201ccurious\u201d?<\/li>\n<li>How does Hardy\u2019s use of dashes affect the metre and theme?<\/li>\n<\/ol>\n<\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<div class=\"textbox shaded\">\n<h1>Resources<\/h1>\n<h2>Hap<\/h2>\n<p>Read the <a href=\"http:\/\/blue.utb.edu\/gibson\/Hap.htm\">sample student essay on \u201cHap\u201d<\/a>.<\/p>\n<h2>Let Me Enjoy<\/h2>\n<p>Listen to this poem as it was set to music by Gerald Finzi (1901-56):<\/p>\n<p><iframe loading=\"lazy\" id=\"oembed-1\" title=\"Let Me Enjoy The Earth\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/DWt6Ov70LM0?feature=oembed&#38;rel=0\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<figure id=\"attachment_1795\" aria-describedby=\"caption-attachment-1795\" style=\"width: 200px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/opentextbc.ca\/englishliterature\/wp-content\/uploads\/sites\/27\/2014\/09\/qrcode-let-me-enjoy.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/opentextbc.ca\/englishliterature\/wp-content\/uploads\/sites\/27\/2014\/09\/qrcode-let-me-enjoy.png\" alt=\".\" class=\"wp-image-1795 size-full\" height=\"200\" width=\"200\" srcset=\"https:\/\/opentextbc.ca\/englishliterature\/wp-content\/uploads\/sites\/27\/2014\/09\/qrcode-let-me-enjoy.png 200w, https:\/\/opentextbc.ca\/englishliterature\/wp-content\/uploads\/sites\/27\/2014\/09\/qrcode-let-me-enjoy-150x150.png 150w, https:\/\/opentextbc.ca\/englishliterature\/wp-content\/uploads\/sites\/27\/2014\/09\/qrcode-let-me-enjoy-65x65.png 65w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a><figcaption id=\"caption-attachment-1795\" class=\"wp-caption-text\">QR Code Let Me Enjoy<\/figcaption><\/figure>\n<\/div>\n","protected":false},"author":17,"menu_order":15,"template":"","meta":{"pb_show_title":"on","pb_short_title":"","pb_subtitle":"","pb_authors":[],"pb_section_license":""},"chapter-type":[],"contributor":[],"license":[],"class_list":["post-304","chapter","type-chapter","status-publish","hentry"],"part":265,"_links":{"self":[{"href":"https:\/\/opentextbc.ca\/englishliterature\/wp-json\/pressbooks\/v2\/chapters\/304","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/opentextbc.ca\/englishliterature\/wp-json\/pressbooks\/v2\/chapters"}],"about":[{"href":"https:\/\/opentextbc.ca\/englishliterature\/wp-json\/wp\/v2\/types\/chapter"}],"author":[{"embeddable":true,"href":"https:\/\/opentextbc.ca\/englishliterature\/wp-json\/wp\/v2\/users\/17"}],"version-history":[{"count":23,"href":"https:\/\/opentextbc.ca\/englishliterature\/wp-json\/pressbooks\/v2\/chapters\/304\/revisions"}],"predecessor-version":[{"id":2524,"href":"https:\/\/opentextbc.ca\/englishliterature\/wp-json\/pressbooks\/v2\/chapters\/304\/revisions\/2524"}],"part":[{"href":"https:\/\/opentextbc.ca\/englishliterature\/wp-json\/pressbooks\/v2\/parts\/265"}],"metadata":[{"href":"https:\/\/opentextbc.ca\/englishliterature\/wp-json\/pressbooks\/v2\/chapters\/304\/metadata\/"}],"wp:attachment":[{"href":"https:\/\/opentextbc.ca\/englishliterature\/wp-json\/wp\/v2\/media?parent=304"}],"wp:term":[{"taxonomy":"chapter-type","embeddable":true,"href":"https:\/\/opentextbc.ca\/englishliterature\/wp-json\/pressbooks\/v2\/chapter-type?post=304"},{"taxonomy":"contributor","embeddable":true,"href":"https:\/\/opentextbc.ca\/englishliterature\/wp-json\/wp\/v2\/contributor?post=304"},{"taxonomy":"license","embeddable":true,"href":"https:\/\/opentextbc.ca\/englishliterature\/wp-json\/wp\/v2\/license?post=304"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}