{"id":56,"date":"2014-05-22T16:07:32","date_gmt":"2014-05-22T16:07:32","guid":{"rendered":"http:\/\/opentextbc.ca\/englishliterature\/?post_type=chapter&#038;p=56"},"modified":"2019-07-05T18:21:22","modified_gmt":"2019-07-05T18:21:22","slug":"a-e-housman","status":"publish","type":"chapter","link":"https:\/\/opentextbc.ca\/englishliterature\/chapter\/a-e-housman\/","title":{"raw":"Study Questions, Activities, and Resources","rendered":"Study Questions, Activities, and Resources"},"content":{"raw":"<div class=\"textbox textbox--exercises\"><header class=\"textbox__header\">\r\n<p class=\"textbox__title\">Study Questions and Activities<\/p>\r\n\r\n<\/header>\r\n<div class=\"textbox__content\">\r\n<h1>Loveliest of Trees<\/h1>\r\n<ol>\r\n \t<li>How old is the speaker in the poem?<\/li>\r\n \t<li>What is the setting of the poem (i.e., time and place)?<\/li>\r\n \t<li>What is the speaker\u2019s purpose in the poem?<\/li>\r\n \t<li>What is the significance of the word \u201cEastertide\u201d?<\/li>\r\n \t<li>What kind of cycle is suggested by the second stanza, and how is this connected to Eastertide and nature?<\/li>\r\n \t<li>What is the theme of the poem?<\/li>\r\n<\/ol>\r\n<h1>Farewell to Barn and Stack and Tree<\/h1>\r\n<ol>\r\n \t<li>What is the dramatic situation of the poem (i.e., who is talking to whom, where, when)?<\/li>\r\n \t<li>Who is Terence?<\/li>\r\n<\/ol>\r\n<h1>To an Athlete Dying Young<\/h1>\r\n<ol>\r\n \t<li>What is the \u201cstiller town\u201d (line 5)?<\/li>\r\n \t<li>Why does the speaker call the athlete \u201csmart\u201d?<\/li>\r\n \t<li>Clarify the meaning of \u00a0\u201clow lintel\u201d (line 23).<\/li>\r\n \t<li>Is this a <i>carpe diem<\/i> poem?<\/li>\r\n \t<li>In a brief essay, compare and contrast this poem with John Updike\u2019s \u201cEx-Basketball Player.\u201d<\/li>\r\n \t<li>What is the predominant metre in the poem?<\/li>\r\n \t<li>Give examples of alliteration, consonance, and assonance.<\/li>\r\n \t<li>Give examples of end-stopped and run-on lines.<\/li>\r\n<\/ol>\r\n<h1>Is My Team Ploughing?<\/h1>\r\n<ol>\r\n \t<li>According to Thomas Hardy\u2019s widow, this was Hardy's favourite Housman poem. Compare it with Hardy\u2019s \u201cAh, Are You Digging on My Grave?\u201d<\/li>\r\n \t<li>Of the three kinds of irony \u2014 verbal, situational, and dramatic \u2014 which type do you find in this poem? Discuss.<\/li>\r\n \t<li>View Ian Bostridge\u2019s rendition of Ralph Vaughan Williams\u2019s \u201cIs My Team Ploughing.\u201d How does the singer emphasize the colloquy between the living and the dead? https:\/\/www.youtube.com\/watch?v=yDvP0Lnh1-Q\r\n<iframe src=\"\/\/www.youtube.com\/embed\/yDvP0Lnh1-Q\" width=\"640\" height=\"480\" allowfullscreen=\"allowfullscreen\"><\/iframe>\r\n\r\n[caption id=\"attachment_80\" align=\"alignnone\" width=\"200\"]<a href=\"https:\/\/opentextbc.ca\/englishliterature\/wp-content\/uploads\/sites\/27\/2014\/05\/qrcode.22505901.png\"><img class=\"wp-image-80 size-full\" alt=\"\" src=\"https:\/\/opentextbc.ca\/englishliterature\/wp-content\/uploads\/sites\/27\/2014\/05\/qrcode.22505901.png\" height=\"200\" width=\"200\" \/><\/a> QR Code Ian Bostridge - \u201cIs My Team Ploughing.\u201d[\/caption]<\/li>\r\n \t<li>Dr. Joseph Mersand, in his edition of <i>A Shropshire Lad<\/i>, points out that Vaughan Williams cut stanzas 3 and 4, which prompted Housman\u2019s angry observation, \u201cHow would he like me to cut two bars of his music?\u201d (<i>A Shropshire Lad<\/i>, p. 82). Which version, Housman\u2019s original or that of Vaughan Williams, do you prefer?<\/li>\r\n<\/ol>\r\n<h1>[Additional Poems]<\/h1>\r\n<ol>\r\n \t<li>What is the tone of stanza 1? of stanza 2?<\/li>\r\n \t<li>In the first line, Housman originally wrote \u201cfellow\u201d but revised it with \u201csinner.\u201d Why do you suppose he made the change?<\/li>\r\n \t<li>This poem was written in August 1895, \u201cshortly after Oscar Wilde, the most popular British playwright of the period, was convicted of sodomy and given the maximum prison sentence. Although the poem does not mention homosexuality, Wilde\u2019s conviction unquestionably inspired it\u201d (<i>Literature for Composition<\/i>, p. 1,323). In view of this information, what do you take to be the theme of this poem?<\/li>\r\n<\/ol>\r\n<h1>Essay Topics<\/h1>\r\n<ol>\r\n \t<li>Choose one or two poems from <i>A Shropshire Lad<\/i> such as \u201c(I) 1887\u201d, \u201c(III) The Recruit\u201d\u00a0 \u201c(IV) Reveille,\u201d and \u201c(XXXV) On the Idle Hill of Summer,\u201d and discuss how Housman\u2019s attitude to war may have changed by the time of <i>Last Poems<\/i>, many of which were written during and after World War I. See, for example, \u201cOh, stay at home, my lad.\u201d<\/li>\r\n \t<li>Read <a href=\"http:\/\/en.wikisource.org\/wiki\/A_Shropshire_Lad\/XXXI\">XXXI (\u201cOn Wenlock Edge\u201d)<\/a> http:\/\/en.wikisource.org\/wiki\/A_Shropshire_Lad\/XXXI\u00a0 from <em>A Shropshire Lad, <\/em>and then\u00a0read <a href=\"http:\/\/www.newyorker.com\/archive\/2005\/12\/05\/051205fi_fiction?currentPage=all\">\u201cWenlock Edge\u201d<\/a> by Alice Munro. Write a short essay on Munro\u2019s use of the poem and what it contributes to the story.<\/li>\r\n \t<li>Research the relationship between Housman and Moses Jackson. Write a brief essay discussing the influence of Jackson on Housman. Pay particular attention to Poem XXXI in <i>More Poems<\/i>. You will want to log on to the following link, which describes <a href=\"http:\/\/www.sothebys.com\/fr\/auctions\/ecatalogue\/lot.pdf.N08646.html\/f\/41\/N08646-41.pdf\">unpublished correspondence<\/a> between the two. Auction catalogue. Web. 22 May 2014. <a href=\"http:\/\/www.sothebys.com\/fr\/auctions\/ecatalogue\/lot.pdf.N08646.html\/f\/41\/N08646-41.pdf\" target=\"_blank\" rel=\"noopener\"><\/a><\/li>\r\n \t<li>Incidentally, Moses Jackson\u2019s son Hector, born 1892 in Karachi, then part of British India, was a decorated war hero\u00a0who, after surviving combat at Vimy Ridge and Passchendaele, returned to Vancouver in the summer of 1919, enrolling at the University of British Columbia. On January 18, 1920, he was hit by a taxi on Cambie Bridge, Vancouver, and died of his injuries a week later. [See the online review of\u00a0 <a href=\"https:\/\/books.google.ca\/books?id=LL7AAgAAQBAJ&amp;pg=PA264&amp;lpg=PA264&amp;dq=A+Fine+View+of+the+Show&amp;source=bl&amp;ots=rZwzXZ08Ig&amp;sig=ACfU3U2ffrqykMsLLJBKaVu2HWTowXkxrQ&amp;hl=en&amp;sa=X&amp;ved=2ahUKEwiypZ2rsZ7jAhULiVQKHWswDqcQ6AEwA3oECAoQAQ#v=onepage&amp;q=A%20Fine%20View%20of%20the%20Show&amp;f=false\"><i>A Fine View of the Show<\/i><\/a> by Andrew Jackson, Hector Jackson\u2019s nephew. Hector was one of Moses Jackson\u2019s sons.]<\/li>\r\n \t<li>Download the version of <a href=\"http:\/\/ebooks.adelaide.edu.au\/h\/housman\/ae\/h84s.\"><em>A Shropshire Lad<\/em><\/a> available at ebooks Adelaide. Download the excellent <a href=\"https:\/\/www2.le.ac.uk\/offices\/english-association\/publications\/bookmarks\/longer-poems-bookmarks\/LP5.pdf\">small pamphlet<\/a> by Peter Cash from the English Association on <em>A Shropshire Lad<\/em>: Cash, Peter. <em>A Shropshire Lad<\/em>. English Association: Leicester. 2011. Web. 23 May 2014. In the first paragraph of the booklet, Cash makes the statement that Terence Hearsay is the speaker of all 63 poems in the volume. Do a word search in your ibook <i>A Shropshire Lad<\/i>, using the word \u201cTerence.\u201d You will soon find many references to Terence. What evidence do you find to refute or at least qualify Cash\u2019s statement? Pay particular attention to poem VIII, \u201cFarewell to Barn and Stack and Tree.\u201d<\/li>\r\n<\/ol>\r\n<\/div>\r\n<\/div>\r\n<div class=\"textbox shaded\">\r\n<h1>Resources<\/h1>\r\n<a href=\"http:\/\/ebooks.adelaide.edu.au\/h\/housman\/ae\/h84s\/\"><em>A Shropshire Lad<\/em><\/a> available at ebooks Adelaide:\r\n\r\nCash, Peter. <a href=\"http:\/\/www2.le.ac.uk\/offices\/english-association\/publications\/bookmarks\/longer-poems-bookmarks\/LP5.pdf\"><em>A Shropshire Lad<\/em><\/a>. English Association: Leicester. 2011. Web. 23 May 2014. &lt;http:\/\/www2.le.ac.uk\/offices\/english-association\/publications\/bookmarks\/longer-poems-bookmarks\/LP5.pdf&gt;\r\n\r\n<\/div>","rendered":"<div class=\"textbox textbox--exercises\">\n<header class=\"textbox__header\">\n<p class=\"textbox__title\">Study Questions and Activities<\/p>\n<\/header>\n<div class=\"textbox__content\">\n<h1>Loveliest of Trees<\/h1>\n<ol>\n<li>How old is the speaker in the poem?<\/li>\n<li>What is the setting of the poem (i.e., time and place)?<\/li>\n<li>What is the speaker\u2019s purpose in the poem?<\/li>\n<li>What is the significance of the word \u201cEastertide\u201d?<\/li>\n<li>What kind of cycle is suggested by the second stanza, and how is this connected to Eastertide and nature?<\/li>\n<li>What is the theme of the poem?<\/li>\n<\/ol>\n<h1>Farewell to Barn and Stack and Tree<\/h1>\n<ol>\n<li>What is the dramatic situation of the poem (i.e., who is talking to whom, where, when)?<\/li>\n<li>Who is Terence?<\/li>\n<\/ol>\n<h1>To an Athlete Dying Young<\/h1>\n<ol>\n<li>What is the \u201cstiller town\u201d (line 5)?<\/li>\n<li>Why does the speaker call the athlete \u201csmart\u201d?<\/li>\n<li>Clarify the meaning of \u00a0\u201clow lintel\u201d (line 23).<\/li>\n<li>Is this a <i>carpe diem<\/i> poem?<\/li>\n<li>In a brief essay, compare and contrast this poem with John Updike\u2019s \u201cEx-Basketball Player.\u201d<\/li>\n<li>What is the predominant metre in the poem?<\/li>\n<li>Give examples of alliteration, consonance, and assonance.<\/li>\n<li>Give examples of end-stopped and run-on lines.<\/li>\n<\/ol>\n<h1>Is My Team Ploughing?<\/h1>\n<ol>\n<li>According to Thomas Hardy\u2019s widow, this was Hardy&#8217;s favourite Housman poem. Compare it with Hardy\u2019s \u201cAh, Are You Digging on My Grave?\u201d<\/li>\n<li>Of the three kinds of irony \u2014 verbal, situational, and dramatic \u2014 which type do you find in this poem? Discuss.<\/li>\n<li>View Ian Bostridge\u2019s rendition of Ralph Vaughan Williams\u2019s \u201cIs My Team Ploughing.\u201d How does the singer emphasize the colloquy between the living and the dead? https:\/\/www.youtube.com\/watch?v=yDvP0Lnh1-Q<br \/>\n<iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/yDvP0Lnh1-Q\" width=\"640\" height=\"480\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<figure id=\"attachment_80\" aria-describedby=\"caption-attachment-80\" style=\"width: 200px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/opentextbc.ca\/englishliterature\/wp-content\/uploads\/sites\/27\/2014\/05\/qrcode.22505901.png\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-80 size-full\" alt=\"\" src=\"https:\/\/opentextbc.ca\/englishliterature\/wp-content\/uploads\/sites\/27\/2014\/05\/qrcode.22505901.png\" height=\"200\" width=\"200\" srcset=\"https:\/\/opentextbc.ca\/englishliterature\/wp-content\/uploads\/sites\/27\/2014\/05\/qrcode.22505901.png 200w, https:\/\/opentextbc.ca\/englishliterature\/wp-content\/uploads\/sites\/27\/2014\/05\/qrcode.22505901-150x150.png 150w, https:\/\/opentextbc.ca\/englishliterature\/wp-content\/uploads\/sites\/27\/2014\/05\/qrcode.22505901-65x65.png 65w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a><figcaption id=\"caption-attachment-80\" class=\"wp-caption-text\">QR Code Ian Bostridge &#8211; \u201cIs My Team Ploughing.\u201d<\/figcaption><\/figure>\n<\/li>\n<li>Dr. Joseph Mersand, in his edition of <i>A Shropshire Lad<\/i>, points out that Vaughan Williams cut stanzas 3 and 4, which prompted Housman\u2019s angry observation, \u201cHow would he like me to cut two bars of his music?\u201d (<i>A Shropshire Lad<\/i>, p. 82). Which version, Housman\u2019s original or that of Vaughan Williams, do you prefer?<\/li>\n<\/ol>\n<h1>[Additional Poems]<\/h1>\n<ol>\n<li>What is the tone of stanza 1? of stanza 2?<\/li>\n<li>In the first line, Housman originally wrote \u201cfellow\u201d but revised it with \u201csinner.\u201d Why do you suppose he made the change?<\/li>\n<li>This poem was written in August 1895, \u201cshortly after Oscar Wilde, the most popular British playwright of the period, was convicted of sodomy and given the maximum prison sentence. Although the poem does not mention homosexuality, Wilde\u2019s conviction unquestionably inspired it\u201d (<i>Literature for Composition<\/i>, p. 1,323). In view of this information, what do you take to be the theme of this poem?<\/li>\n<\/ol>\n<h1>Essay Topics<\/h1>\n<ol>\n<li>Choose one or two poems from <i>A Shropshire Lad<\/i> such as \u201c(I) 1887\u201d, \u201c(III) The Recruit\u201d\u00a0 \u201c(IV) Reveille,\u201d and \u201c(XXXV) On the Idle Hill of Summer,\u201d and discuss how Housman\u2019s attitude to war may have changed by the time of <i>Last Poems<\/i>, many of which were written during and after World War I. See, for example, \u201cOh, stay at home, my lad.\u201d<\/li>\n<li>Read <a href=\"http:\/\/en.wikisource.org\/wiki\/A_Shropshire_Lad\/XXXI\">XXXI (\u201cOn Wenlock Edge\u201d)<\/a> http:\/\/en.wikisource.org\/wiki\/A_Shropshire_Lad\/XXXI\u00a0 from <em>A Shropshire Lad, <\/em>and then\u00a0read <a href=\"http:\/\/www.newyorker.com\/archive\/2005\/12\/05\/051205fi_fiction?currentPage=all\">\u201cWenlock Edge\u201d<\/a> by Alice Munro. Write a short essay on Munro\u2019s use of the poem and what it contributes to the story.<\/li>\n<li>Research the relationship between Housman and Moses Jackson. Write a brief essay discussing the influence of Jackson on Housman. Pay particular attention to Poem XXXI in <i>More Poems<\/i>. You will want to log on to the following link, which describes <a href=\"http:\/\/www.sothebys.com\/fr\/auctions\/ecatalogue\/lot.pdf.N08646.html\/f\/41\/N08646-41.pdf\">unpublished correspondence<\/a> between the two. Auction catalogue. Web. 22 May 2014. <a href=\"http:\/\/www.sothebys.com\/fr\/auctions\/ecatalogue\/lot.pdf.N08646.html\/f\/41\/N08646-41.pdf\" target=\"_blank\" rel=\"noopener\"><\/a><\/li>\n<li>Incidentally, Moses Jackson\u2019s son Hector, born 1892 in Karachi, then part of British India, was a decorated war hero\u00a0who, after surviving combat at Vimy Ridge and Passchendaele, returned to Vancouver in the summer of 1919, enrolling at the University of British Columbia. On January 18, 1920, he was hit by a taxi on Cambie Bridge, Vancouver, and died of his injuries a week later. [See the online review of\u00a0 <a href=\"https:\/\/books.google.ca\/books?id=LL7AAgAAQBAJ&amp;pg=PA264&amp;lpg=PA264&amp;dq=A+Fine+View+of+the+Show&amp;source=bl&amp;ots=rZwzXZ08Ig&amp;sig=ACfU3U2ffrqykMsLLJBKaVu2HWTowXkxrQ&amp;hl=en&amp;sa=X&amp;ved=2ahUKEwiypZ2rsZ7jAhULiVQKHWswDqcQ6AEwA3oECAoQAQ#v=onepage&amp;q=A%20Fine%20View%20of%20the%20Show&amp;f=false\"><i>A Fine View of the Show<\/i><\/a> by Andrew Jackson, Hector Jackson\u2019s nephew. Hector was one of Moses Jackson\u2019s sons.]<\/li>\n<li>Download the version of <a href=\"http:\/\/ebooks.adelaide.edu.au\/h\/housman\/ae\/h84s.\"><em>A Shropshire Lad<\/em><\/a> available at ebooks Adelaide. Download the excellent <a href=\"https:\/\/www2.le.ac.uk\/offices\/english-association\/publications\/bookmarks\/longer-poems-bookmarks\/LP5.pdf\">small pamphlet<\/a> by Peter Cash from the English Association on <em>A Shropshire Lad<\/em>: Cash, Peter. <em>A Shropshire Lad<\/em>. English Association: Leicester. 2011. Web. 23 May 2014. In the first paragraph of the booklet, Cash makes the statement that Terence Hearsay is the speaker of all 63 poems in the volume. Do a word search in your ibook <i>A Shropshire Lad<\/i>, using the word \u201cTerence.\u201d You will soon find many references to Terence. What evidence do you find to refute or at least qualify Cash\u2019s statement? Pay particular attention to poem VIII, \u201cFarewell to Barn and Stack and Tree.\u201d<\/li>\n<\/ol>\n<\/div>\n<\/div>\n<div class=\"textbox shaded\">\n<h1>Resources<\/h1>\n<p><a href=\"http:\/\/ebooks.adelaide.edu.au\/h\/housman\/ae\/h84s\/\"><em>A Shropshire Lad<\/em><\/a> available at ebooks Adelaide:<\/p>\n<p>Cash, Peter. <a href=\"http:\/\/www2.le.ac.uk\/offices\/english-association\/publications\/bookmarks\/longer-poems-bookmarks\/LP5.pdf\"><em>A Shropshire Lad<\/em><\/a>. English Association: Leicester. 2011. Web. 23 May 2014. &lt;http:\/\/www2.le.ac.uk\/offices\/english-association\/publications\/bookmarks\/longer-poems-bookmarks\/LP5.pdf&gt;<\/p>\n<\/div>\n","protected":false},"author":17,"menu_order":8,"template":"","meta":{"pb_show_title":"on","pb_short_title":"","pb_subtitle":"","pb_authors":[],"pb_section_license":""},"chapter-type":[],"contributor":[],"license":[],"class_list":["post-56","chapter","type-chapter","status-publish","hentry"],"part":363,"_links":{"self":[{"href":"https:\/\/opentextbc.ca\/englishliterature\/wp-json\/pressbooks\/v2\/chapters\/56","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/opentextbc.ca\/englishliterature\/wp-json\/pressbooks\/v2\/chapters"}],"about":[{"href":"https:\/\/opentextbc.ca\/englishliterature\/wp-json\/wp\/v2\/types\/chapter"}],"author":[{"embeddable":true,"href":"https:\/\/opentextbc.ca\/englishliterature\/wp-json\/wp\/v2\/users\/17"}],"version-history":[{"count":25,"href":"https:\/\/opentextbc.ca\/englishliterature\/wp-json\/pressbooks\/v2\/chapters\/56\/revisions"}],"predecessor-version":[{"id":2540,"href":"https:\/\/opentextbc.ca\/englishliterature\/wp-json\/pressbooks\/v2\/chapters\/56\/revisions\/2540"}],"part":[{"href":"https:\/\/opentextbc.ca\/englishliterature\/wp-json\/pressbooks\/v2\/parts\/363"}],"metadata":[{"href":"https:\/\/opentextbc.ca\/englishliterature\/wp-json\/pressbooks\/v2\/chapters\/56\/metadata\/"}],"wp:attachment":[{"href":"https:\/\/opentextbc.ca\/englishliterature\/wp-json\/wp\/v2\/media?parent=56"}],"wp:term":[{"taxonomy":"chapter-type","embeddable":true,"href":"https:\/\/opentextbc.ca\/englishliterature\/wp-json\/pressbooks\/v2\/chapter-type?post=56"},{"taxonomy":"contributor","embeddable":true,"href":"https:\/\/opentextbc.ca\/englishliterature\/wp-json\/wp\/v2\/contributor?post=56"},{"taxonomy":"license","embeddable":true,"href":"https:\/\/opentextbc.ca\/englishliterature\/wp-json\/wp\/v2\/license?post=56"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}