{"id":949,"date":"2014-08-05T17:20:22","date_gmt":"2014-08-05T17:20:22","guid":{"rendered":"http:\/\/opentextbc.ca\/englishliterature\/?post_type=chapter&#038;p=949"},"modified":"2019-07-05T22:31:49","modified_gmt":"2019-07-05T22:31:49","slug":"study-questions-activities-and-resources-2","status":"publish","type":"chapter","link":"https:\/\/opentextbc.ca\/englishliterature\/chapter\/study-questions-activities-and-resources-2\/","title":{"raw":"Study Questions, Activities, and Resources","rendered":"Study Questions, Activities, and Resources"},"content":{"raw":"<div class=\"textbox textbox--exercises\"><header class=\"textbox__header\">\r\n<p class=\"textbox__title\">Study Questions and Activities<\/p>\r\n\r\n<\/header>\r\n<div class=\"textbox__content\">\r\n<h1>Act I<strong>\r\n<\/strong><\/h1>\r\n<ol>\r\n \t<li>Why does Boyle call himself \u201cCaptain\u201d?<\/li>\r\n \t<li>Identify Jerry Devine.<\/li>\r\n \t<li>Why does Juno not want to leave for work before the captain begins his breakfast?<\/li>\r\n \t<li>Why is Mary on strike?<\/li>\r\n \t<li>What is the main difference between a \u201cdie-hard\u201d and a \u201cfree-stater\u201d?<\/li>\r\n \t<li>What faction did Robbie Tancred side with in the Civil War?<\/li>\r\n \t<li>What is the comic significance of the coal-vendor?<\/li>\r\n \t<li>Why does Mary pay so little attention to Jerry?<\/li>\r\n \t<li>Why is Joxer afraid to stick his head out of the window?<\/li>\r\n \t<li>What plan do Joxer and the captain make in case they are surprised by Juno?<\/li>\r\n \t<li>Why does the captain come to the conclusion that Devine is \"not like a Christian at all\"?<\/li>\r\n \t<li>How does Boyle turn Father Farrell\u2019s offer of help into an attack on the clergy?<\/li>\r\n \t<li>To what is Johnny referring when he boasts that \"Ireland only half free will never be at peace while she has a son left to pull the trigger\"?<\/li>\r\n \t<li>What news does Bentham bring?<\/li>\r\n<\/ol>\r\n<h1>Act II<strong>\r\n<\/strong><\/h1>\r\n<ol>\r\n \t<li>Does Boyle continue to attack the clergy?<\/li>\r\n \t<li>What words of Mrs Tancred in Act II does Juno repeat in Act III?<\/li>\r\n \t<li>What is the thematic role of Bentham\u2019s theosophy?<\/li>\r\n \t<li>Why is the will a \u201cwashout\u201d?<\/li>\r\n<\/ol>\r\n<h1>Act III<strong>\r\n<\/strong><\/h1>\r\n<ol>\r\n \t<li>Find one of Mrs Madigan\u2019s malapropisms in Act III.<\/li>\r\n \t<li>Comment on Devine\u2019s words, \u201cMary, humanity is above everything.\u201d<\/li>\r\n \t<li>What does Boyle mean when near the end of the play he speaks of his \u201cVolunteer butties\u201d?<\/li>\r\n<\/ol>\r\n<h1>Short Essay Questions<\/h1>\r\n<ol>\r\n \t<li>Discuss irony in the play.<\/li>\r\n \t<li>Show how Boyle is not the only person guilty of \u201cpeacockery\u201d in the play.<\/li>\r\n \t<li>What are some uses O\u2019Casey makes of song in the play?<\/li>\r\n \t<li>How is Capt. Boyle a <em>miles gloriosus<\/em> figure?<\/li>\r\n \t<li>Discuss Joxer Daly as a type of comic \u201cparasite\u201d as in Ben Jonson.<\/li>\r\n \t<li>Compare Capt. Jack with Shakespeare\u2019s Falstaff.<\/li>\r\n \t<li>Compare Maisie Madigan and Chaucer\u2019s Wyf of Bath or Shakespeare\u2019s Mistress Quickly.<\/li>\r\n \t<li>The song \u201c<a href=\"https:\/\/www.youtube.com\/watch?v=L8_dppISrf0\">Young Cassidy<\/a>\u201d is not sung in the play, but it is a tribute to Sean O\u2019Casey. Demonstrate why this is so. You will need to do a little biographical research.<iframe src=\"https:\/\/www.youtube.com\/embed\/L8_dppISrf0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe>\r\n\r\n[caption id=\"attachment_1757\" align=\"alignnone\" width=\"200\"]<a href=\"https:\/\/opentextbc.ca\/englishliterature\/wp-content\/uploads\/sites\/27\/2014\/09\/qrcode-young-cassidy.png\"><img src=\"https:\/\/opentextbc.ca\/englishliterature\/wp-content\/uploads\/sites\/27\/2014\/09\/qrcode-young-cassidy.png\" alt=\".\" class=\"wp-image-1757 size-full\" height=\"200\" width=\"200\" \/><\/a> QR Code Young Cassidy[\/caption]<\/li>\r\n<\/ol>\r\n<h1>Longer Essays<\/h1>\r\n<ol>\r\n \t<li>\u201cMany characters invest all of their energy into words rather than deeds.\u201d (Christopher Murray, <em>Sean O\u2019Casey<\/em>.) Do you agree?<\/li>\r\n \t<li>\u00a0Discuss naturalism in <em>Juno and Paycock.<\/em><\/li>\r\n \t<li>\u201cThe play attacks all kinds of idealism.\u201d Discuss with reference to three or four characters.<\/li>\r\n \t<li>Discuss <em>Juno<\/em> <em>and the Paycock<\/em> as tragicomedy.<\/li>\r\n \t<li>Discuss illusion and reality in <em>Juno and the Paycock<\/em>.<\/li>\r\n \t<li>Do you agree with critic James Agate\u2019s assessment in his review of a 1925 London production, that \u201c<em>Juno and the Paycock<\/em> is as much a tragedy as <em>Macbeth<\/em>, but it is a tragedy taking place in the porter\u2019s family\u201d?<\/li>\r\n \t<li>Evaluate Alfred Hitchcock\u2019s <a href=\"https:\/\/www.youtube.com\/watch?v=NHMVnc-Qnwc\">1930 film adaptation of <em>Juno and the Paycock<\/em><\/a>.\r\n<iframe src=\"https:\/\/www.youtube.com\/embed\/NHMVnc-Qnwc?feature=oembed&amp;rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe>\r\n\r\n[caption id=\"attachment_1754\" align=\"alignnone\" width=\"200\"]<a href=\"https:\/\/opentextbc.ca\/englishliterature\/wp-content\/uploads\/sites\/27\/2014\/09\/qrcode-juno-and-the-paycock.png\"><img src=\"https:\/\/opentextbc.ca\/englishliterature\/wp-content\/uploads\/sites\/27\/2014\/09\/qrcode-juno-and-the-paycock.png\" alt=\".\" class=\"wp-image-1754 size-full\" height=\"200\" width=\"200\" \/><\/a> QR Code Juno and the Paycock Film Adaption[\/caption]<\/li>\r\n \t<li>Discuss Juno<em> and the Paycock<\/em> as a feminist play.<\/li>\r\n<\/ol>\r\n<h1>Activities<\/h1>\r\n<ol>\r\n \t<li>Read Richard F. Dietrich\u2019s online chapter from his <a href=\"http:\/\/www.rfd2.net\/britishdrama4.htm#O%27Casey\"><em>British Drama 1890-1950<\/em><\/a>, pp. 208-222. It provides useful biographical and textual information.<\/li>\r\n \t<li>Read the program from a <a href=\"http:\/\/www.library.ubc.ca\/archives\/pdfs\/theatre\/fw8801.pdf\">1988 production of <em>Juno and the Paycock<\/em> at the University of British Columbia<\/a>. It contains some helpful biographical and contextual essays, especially on the Irish Civil War. <a href=\"http:\/\/www.library.ubc.ca\/archives\/pdfs\/theatre\/fw8801.pdf\"><\/a><\/li>\r\n \t<li>Listen to a superb <a href=\"https:\/\/www.youtube.com\/watch?v=16ddT2HPSHchttps:\/\/www.youtube.com\/watch?v=16ddT2HPSHc\">recording of <em>Juno and the Paycock<\/em><\/a>, with an introduction by Sean O\u2019Casey.\r\nhttps:\/\/www.youtube.com\/watch?v=16ddT2HPSHc\r\n\r\n[caption id=\"attachment_1755\" align=\"alignnone\" width=\"200\"]<a href=\"https:\/\/opentextbc.ca\/englishliterature\/wp-content\/uploads\/sites\/27\/2014\/09\/qrcode-juno-and-the-paycock-recording.png\"><img src=\"https:\/\/opentextbc.ca\/englishliterature\/wp-content\/uploads\/sites\/27\/2014\/09\/qrcode-juno-and-the-paycock-recording.png\" alt=\".\" class=\"wp-image-1755 size-full\" height=\"200\" width=\"200\" \/><\/a> QR Code Juno and the Paycock Recording[\/caption]<\/li>\r\n \t<li>View the first play in the <a href=\"https:\/\/www.youtube.com\/watch?v=Zvu87Y6kvT8\"><em>Dublin Trilogy<\/em>, <em>The Shadow of a Gunman<\/em><\/a>, which treats the Irish War of Independence (Anglo-Irish War) of 1919-1921.\r\n\r\n[caption id=\"attachment_1756\" align=\"alignnone\" width=\"200\"]<a href=\"https:\/\/opentextbc.ca\/englishliterature\/wp-content\/uploads\/sites\/27\/2014\/09\/qrcode-the-shadow-of-a-gunman.png\"><img src=\"https:\/\/opentextbc.ca\/englishliterature\/wp-content\/uploads\/sites\/27\/2014\/09\/qrcode-the-shadow-of-a-gunman.png\" alt=\".\" class=\"wp-image-1756 size-full\" height=\"200\" width=\"200\" \/><\/a> QR Code The Shadow of a Gunman[\/caption]<\/li>\r\n \t<li>An informative and easy-to-navigate<a href=\"https:\/\/www.yumpu.com\/en\/document\/view\/42424412\/download-resource-pack-here-abbey-theatre\"> resource pack<\/a> from the Abbey Theater for their 2012 production of <em>The Plough and the Stars<\/em>. \"Politics and History\" pp. 12-19 are particularly useful.<\/li>\r\n \t<li>A useful website from W.W. Norton. Focus on the material on the <a href=\"https:\/\/www.wwnorton.com\/college\/english\/nael\/20century\/topic_3_05\/welcome.htm\">The Easter Rebellion of 1916<\/a>.<\/li>\r\n \t<li><em>The Story of Ireland<\/em>. A BBC\/RTE television documentary in 5 parts. Parts 4 and 5 are the most useful. Currently available on YouTube. Introduced by Fergal Keane.<\/li>\r\n<\/ol>\r\n<\/div>\r\n<\/div>\r\n<div class=\"textbox shaded\">\r\n<h1>Resources<\/h1>\r\n<h2>Song References: <em>Juno and Paycock<\/em><\/h2>\r\n<a href=\"http:\/\/www.james-joyce-music.com\/song13_discussion.html\">(Yes,) Let Me Like a Soldier Fall\u00a0<\/a>\r\n\r\nFull text <a href=\"https:\/\/archive.org\/details\/twentyfivemodern001705mbp\"><em>Plough and the Stars<\/em><\/a> (in <em>Twenty-five Modern Plays<\/em>, S. Marion Tucker, ed., pp. 721-65). <a href=\"https:\/\/archive.org\/details\/twentyfivemodern001705mbp\"><\/a>\r\n\r\nFull text <a href=\"https:\/\/archive.org\/stream\/1000yearsofirish00merc\/1000yearsofirish00merc_djvu.txt\"><em>Shadow of a Gunman<\/em><\/a> (in <em>1000 Years of Irish Prose<\/em>, V. Mercier and David H. Greene, eds. pp. 247-94). <a href=\"https:\/\/archive.org\/stream\/1000yearsofirish00merc\/1000yearsofirish00merc_djvu.txt\"><\/a>\r\n\r\n<a href=\"http:\/\/opentextbc.ca\/englishliterature\/wp-content\/uploads\/sites\/27\/2014\/09\/Sean.pdf\">Sean O'Casey Early Plays as Larkinite Stage Parables by Mary Elizabeth Papke.<\/a>\r\n\r\n<\/div>","rendered":"<div class=\"textbox textbox--exercises\">\n<header class=\"textbox__header\">\n<p class=\"textbox__title\">Study Questions and Activities<\/p>\n<\/header>\n<div class=\"textbox__content\">\n<h1>Act I<strong><br \/>\n<\/strong><\/h1>\n<ol>\n<li>Why does Boyle call himself \u201cCaptain\u201d?<\/li>\n<li>Identify Jerry Devine.<\/li>\n<li>Why does Juno not want to leave for work before the captain begins his breakfast?<\/li>\n<li>Why is Mary on strike?<\/li>\n<li>What is the main difference between a \u201cdie-hard\u201d and a \u201cfree-stater\u201d?<\/li>\n<li>What faction did Robbie Tancred side with in the Civil War?<\/li>\n<li>What is the comic significance of the coal-vendor?<\/li>\n<li>Why does Mary pay so little attention to Jerry?<\/li>\n<li>Why is Joxer afraid to stick his head out of the window?<\/li>\n<li>What plan do Joxer and the captain make in case they are surprised by Juno?<\/li>\n<li>Why does the captain come to the conclusion that Devine is &#8220;not like a Christian at all&#8221;?<\/li>\n<li>How does Boyle turn Father Farrell\u2019s offer of help into an attack on the clergy?<\/li>\n<li>To what is Johnny referring when he boasts that &#8220;Ireland only half free will never be at peace while she has a son left to pull the trigger&#8221;?<\/li>\n<li>What news does Bentham bring?<\/li>\n<\/ol>\n<h1>Act II<strong><br \/>\n<\/strong><\/h1>\n<ol>\n<li>Does Boyle continue to attack the clergy?<\/li>\n<li>What words of Mrs Tancred in Act II does Juno repeat in Act III?<\/li>\n<li>What is the thematic role of Bentham\u2019s theosophy?<\/li>\n<li>Why is the will a \u201cwashout\u201d?<\/li>\n<\/ol>\n<h1>Act III<strong><br \/>\n<\/strong><\/h1>\n<ol>\n<li>Find one of Mrs Madigan\u2019s malapropisms in Act III.<\/li>\n<li>Comment on Devine\u2019s words, \u201cMary, humanity is above everything.\u201d<\/li>\n<li>What does Boyle mean when near the end of the play he speaks of his \u201cVolunteer butties\u201d?<\/li>\n<\/ol>\n<h1>Short Essay Questions<\/h1>\n<ol>\n<li>Discuss irony in the play.<\/li>\n<li>Show how Boyle is not the only person guilty of \u201cpeacockery\u201d in the play.<\/li>\n<li>What are some uses O\u2019Casey makes of song in the play?<\/li>\n<li>How is Capt. Boyle a <em>miles gloriosus<\/em> figure?<\/li>\n<li>Discuss Joxer Daly as a type of comic \u201cparasite\u201d as in Ben Jonson.<\/li>\n<li>Compare Capt. Jack with Shakespeare\u2019s Falstaff.<\/li>\n<li>Compare Maisie Madigan and Chaucer\u2019s Wyf of Bath or Shakespeare\u2019s Mistress Quickly.<\/li>\n<li>The song \u201c<a href=\"https:\/\/www.youtube.com\/watch?v=L8_dppISrf0\">Young Cassidy<\/a>\u201d is not sung in the play, but it is a tribute to Sean O\u2019Casey. Demonstrate why this is so. You will need to do a little biographical research.<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/L8_dppISrf0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><br \/>\n<figure id=\"attachment_1757\" aria-describedby=\"caption-attachment-1757\" style=\"width: 200px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/opentextbc.ca\/englishliterature\/wp-content\/uploads\/sites\/27\/2014\/09\/qrcode-young-cassidy.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/opentextbc.ca\/englishliterature\/wp-content\/uploads\/sites\/27\/2014\/09\/qrcode-young-cassidy.png\" alt=\".\" class=\"wp-image-1757 size-full\" height=\"200\" width=\"200\" srcset=\"https:\/\/opentextbc.ca\/englishliterature\/wp-content\/uploads\/sites\/27\/2014\/09\/qrcode-young-cassidy.png 200w, https:\/\/opentextbc.ca\/englishliterature\/wp-content\/uploads\/sites\/27\/2014\/09\/qrcode-young-cassidy-150x150.png 150w, https:\/\/opentextbc.ca\/englishliterature\/wp-content\/uploads\/sites\/27\/2014\/09\/qrcode-young-cassidy-65x65.png 65w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a><figcaption id=\"caption-attachment-1757\" class=\"wp-caption-text\">QR Code Young Cassidy<\/figcaption><\/figure>\n<\/li>\n<\/ol>\n<h1>Longer Essays<\/h1>\n<ol>\n<li>\u201cMany characters invest all of their energy into words rather than deeds.\u201d (Christopher Murray, <em>Sean O\u2019Casey<\/em>.) Do you agree?<\/li>\n<li>\u00a0Discuss naturalism in <em>Juno and Paycock.<\/em><\/li>\n<li>\u201cThe play attacks all kinds of idealism.\u201d Discuss with reference to three or four characters.<\/li>\n<li>Discuss <em>Juno<\/em> <em>and the Paycock<\/em> as tragicomedy.<\/li>\n<li>Discuss illusion and reality in <em>Juno and the Paycock<\/em>.<\/li>\n<li>Do you agree with critic James Agate\u2019s assessment in his review of a 1925 London production, that \u201c<em>Juno and the Paycock<\/em> is as much a tragedy as <em>Macbeth<\/em>, but it is a tragedy taking place in the porter\u2019s family\u201d?<\/li>\n<li>Evaluate Alfred Hitchcock\u2019s <a href=\"https:\/\/www.youtube.com\/watch?v=NHMVnc-Qnwc\">1930 film adaptation of <em>Juno and the Paycock<\/em><\/a>.<br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/NHMVnc-Qnwc?feature=oembed&amp;rel=0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<figure id=\"attachment_1754\" aria-describedby=\"caption-attachment-1754\" style=\"width: 200px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/opentextbc.ca\/englishliterature\/wp-content\/uploads\/sites\/27\/2014\/09\/qrcode-juno-and-the-paycock.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/opentextbc.ca\/englishliterature\/wp-content\/uploads\/sites\/27\/2014\/09\/qrcode-juno-and-the-paycock.png\" alt=\".\" class=\"wp-image-1754 size-full\" height=\"200\" width=\"200\" srcset=\"https:\/\/opentextbc.ca\/englishliterature\/wp-content\/uploads\/sites\/27\/2014\/09\/qrcode-juno-and-the-paycock.png 200w, https:\/\/opentextbc.ca\/englishliterature\/wp-content\/uploads\/sites\/27\/2014\/09\/qrcode-juno-and-the-paycock-150x150.png 150w, https:\/\/opentextbc.ca\/englishliterature\/wp-content\/uploads\/sites\/27\/2014\/09\/qrcode-juno-and-the-paycock-65x65.png 65w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a><figcaption id=\"caption-attachment-1754\" class=\"wp-caption-text\">QR Code Juno and the Paycock Film Adaption<\/figcaption><\/figure>\n<\/li>\n<li>Discuss Juno<em> and the Paycock<\/em> as a feminist play.<\/li>\n<\/ol>\n<h1>Activities<\/h1>\n<ol>\n<li>Read Richard F. Dietrich\u2019s online chapter from his <a href=\"http:\/\/www.rfd2.net\/britishdrama4.htm#O%27Casey\"><em>British Drama 1890-1950<\/em><\/a>, pp. 208-222. It provides useful biographical and textual information.<\/li>\n<li>Read the program from a <a href=\"http:\/\/www.library.ubc.ca\/archives\/pdfs\/theatre\/fw8801.pdf\">1988 production of <em>Juno and the Paycock<\/em> at the University of British Columbia<\/a>. It contains some helpful biographical and contextual essays, especially on the Irish Civil War. <a href=\"http:\/\/www.library.ubc.ca\/archives\/pdfs\/theatre\/fw8801.pdf\"><\/a><\/li>\n<li>Listen to a superb <a href=\"https:\/\/www.youtube.com\/watch?v=16ddT2HPSHchttps:\/\/www.youtube.com\/watch?v=16ddT2HPSHc\">recording of <em>Juno and the Paycock<\/em><\/a>, with an introduction by Sean O\u2019Casey.<br \/>\n<iframe loading=\"lazy\" id=\"oembed-1\" title=\"Juno and the Paycock\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/16ddT2HPSHc?feature=oembed&#38;rel=0\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<figure id=\"attachment_1755\" aria-describedby=\"caption-attachment-1755\" style=\"width: 200px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/opentextbc.ca\/englishliterature\/wp-content\/uploads\/sites\/27\/2014\/09\/qrcode-juno-and-the-paycock-recording.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/opentextbc.ca\/englishliterature\/wp-content\/uploads\/sites\/27\/2014\/09\/qrcode-juno-and-the-paycock-recording.png\" alt=\".\" class=\"wp-image-1755 size-full\" height=\"200\" width=\"200\" srcset=\"https:\/\/opentextbc.ca\/englishliterature\/wp-content\/uploads\/sites\/27\/2014\/09\/qrcode-juno-and-the-paycock-recording.png 200w, https:\/\/opentextbc.ca\/englishliterature\/wp-content\/uploads\/sites\/27\/2014\/09\/qrcode-juno-and-the-paycock-recording-150x150.png 150w, https:\/\/opentextbc.ca\/englishliterature\/wp-content\/uploads\/sites\/27\/2014\/09\/qrcode-juno-and-the-paycock-recording-65x65.png 65w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a><figcaption id=\"caption-attachment-1755\" class=\"wp-caption-text\">QR Code Juno and the Paycock Recording<\/figcaption><\/figure>\n<\/li>\n<li>View the first play in the <a href=\"https:\/\/www.youtube.com\/watch?v=Zvu87Y6kvT8\"><em>Dublin Trilogy<\/em>, <em>The Shadow of a Gunman<\/em><\/a>, which treats the Irish War of Independence (Anglo-Irish War) of 1919-1921.<br \/>\n<figure id=\"attachment_1756\" aria-describedby=\"caption-attachment-1756\" style=\"width: 200px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/opentextbc.ca\/englishliterature\/wp-content\/uploads\/sites\/27\/2014\/09\/qrcode-the-shadow-of-a-gunman.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/opentextbc.ca\/englishliterature\/wp-content\/uploads\/sites\/27\/2014\/09\/qrcode-the-shadow-of-a-gunman.png\" alt=\".\" class=\"wp-image-1756 size-full\" height=\"200\" width=\"200\" srcset=\"https:\/\/opentextbc.ca\/englishliterature\/wp-content\/uploads\/sites\/27\/2014\/09\/qrcode-the-shadow-of-a-gunman.png 200w, https:\/\/opentextbc.ca\/englishliterature\/wp-content\/uploads\/sites\/27\/2014\/09\/qrcode-the-shadow-of-a-gunman-150x150.png 150w, https:\/\/opentextbc.ca\/englishliterature\/wp-content\/uploads\/sites\/27\/2014\/09\/qrcode-the-shadow-of-a-gunman-65x65.png 65w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a><figcaption id=\"caption-attachment-1756\" class=\"wp-caption-text\">QR Code The Shadow of a Gunman<\/figcaption><\/figure>\n<\/li>\n<li>An informative and easy-to-navigate<a href=\"https:\/\/www.yumpu.com\/en\/document\/view\/42424412\/download-resource-pack-here-abbey-theatre\"> resource pack<\/a> from the Abbey Theater for their 2012 production of <em>The Plough and the Stars<\/em>. &#8220;Politics and History&#8221; pp. 12-19 are particularly useful.<\/li>\n<li>A useful website from W.W. Norton. Focus on the material on the <a href=\"https:\/\/www.wwnorton.com\/college\/english\/nael\/20century\/topic_3_05\/welcome.htm\">The Easter Rebellion of 1916<\/a>.<\/li>\n<li><em>The Story of Ireland<\/em>. A BBC\/RTE television documentary in 5 parts. Parts 4 and 5 are the most useful. Currently available on YouTube. Introduced by Fergal Keane.<\/li>\n<\/ol>\n<\/div>\n<\/div>\n<div class=\"textbox shaded\">\n<h1>Resources<\/h1>\n<h2>Song References: <em>Juno and Paycock<\/em><\/h2>\n<p><a href=\"http:\/\/www.james-joyce-music.com\/song13_discussion.html\">(Yes,) Let Me Like a Soldier Fall\u00a0<\/a><\/p>\n<p>Full text <a href=\"https:\/\/archive.org\/details\/twentyfivemodern001705mbp\"><em>Plough and the Stars<\/em><\/a> (in <em>Twenty-five Modern Plays<\/em>, S. Marion Tucker, ed., pp. 721-65). <a href=\"https:\/\/archive.org\/details\/twentyfivemodern001705mbp\"><\/a><\/p>\n<p>Full text <a href=\"https:\/\/archive.org\/stream\/1000yearsofirish00merc\/1000yearsofirish00merc_djvu.txt\"><em>Shadow of a Gunman<\/em><\/a> (in <em>1000 Years of Irish Prose<\/em>, V. Mercier and David H. Greene, eds. pp. 247-94). <a href=\"https:\/\/archive.org\/stream\/1000yearsofirish00merc\/1000yearsofirish00merc_djvu.txt\"><\/a><\/p>\n<p><a href=\"http:\/\/opentextbc.ca\/englishliterature\/wp-content\/uploads\/sites\/27\/2014\/09\/Sean.pdf\">Sean O&#8217;Casey Early Plays as Larkinite Stage Parables by Mary Elizabeth Papke.<\/a><\/p>\n<\/div>\n","protected":false},"author":17,"menu_order":7,"template":"","meta":{"pb_show_title":"on","pb_short_title":"","pb_subtitle":"","pb_authors":[],"pb_section_license":""},"chapter-type":[],"contributor":[],"license":[],"class_list":["post-949","chapter","type-chapter","status-publish","hentry"],"part":927,"_links":{"self":[{"href":"https:\/\/opentextbc.ca\/englishliterature\/wp-json\/pressbooks\/v2\/chapters\/949","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/opentextbc.ca\/englishliterature\/wp-json\/pressbooks\/v2\/chapters"}],"about":[{"href":"https:\/\/opentextbc.ca\/englishliterature\/wp-json\/wp\/v2\/types\/chapter"}],"author":[{"embeddable":true,"href":"https:\/\/opentextbc.ca\/englishliterature\/wp-json\/wp\/v2\/users\/17"}],"version-history":[{"count":27,"href":"https:\/\/opentextbc.ca\/englishliterature\/wp-json\/pressbooks\/v2\/chapters\/949\/revisions"}],"predecessor-version":[{"id":2578,"href":"https:\/\/opentextbc.ca\/englishliterature\/wp-json\/pressbooks\/v2\/chapters\/949\/revisions\/2578"}],"part":[{"href":"https:\/\/opentextbc.ca\/englishliterature\/wp-json\/pressbooks\/v2\/parts\/927"}],"metadata":[{"href":"https:\/\/opentextbc.ca\/englishliterature\/wp-json\/pressbooks\/v2\/chapters\/949\/metadata\/"}],"wp:attachment":[{"href":"https:\/\/opentextbc.ca\/englishliterature\/wp-json\/wp\/v2\/media?parent=949"}],"wp:term":[{"taxonomy":"chapter-type","embeddable":true,"href":"https:\/\/opentextbc.ca\/englishliterature\/wp-json\/pressbooks\/v2\/chapter-type?post=949"},{"taxonomy":"contributor","embeddable":true,"href":"https:\/\/opentextbc.ca\/englishliterature\/wp-json\/wp\/v2\/contributor?post=949"},{"taxonomy":"license","embeddable":true,"href":"https:\/\/opentextbc.ca\/englishliterature\/wp-json\/wp\/v2\/license?post=949"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}