{"id":1509,"date":"2019-07-18T17:23:53","date_gmt":"2019-07-18T17:23:53","guid":{"rendered":"https:\/\/opentextbc.ca\/graphicdesign\/chapter\/6-7-summary\/"},"modified":"2019-07-18T17:23:53","modified_gmt":"2019-07-18T17:23:53","slug":"6-7-summary","status":"publish","type":"chapter","link":"https:\/\/opentextbc.ca\/graphicdesign\/chapter\/6-7-summary\/","title":{"raw":"6.8 Summary","rendered":"6.8 Summary"},"content":{"raw":"\nDigital printing encompasses a number of technologies that each has unique characteristics, strengths, and applications. Digital imaging may even be the only print method able to produce a certain type of work, as is the case with VDP. Paper is also a major factor in the success of a project. Your paper choice can convey a message or set a tone as much as the content printed on it. Having a good understanding of technology and paper fundamentals can go along way when making choices for producing your print project.\n
\n

Questions to consider after completing this chapter:<\/p>\n\n<\/header>\n

\n
    \n \t
  1. All xerography can also be called electrophotography, but not all electrophotography can be called xerography. What key element validates this statement?<\/li>\n \t
  2. What are the four key components in electrophotography?<\/li>\n \t
  3. How does toner acquire its charge?<\/li>\n \t
  4. What is the difference between paper brightness and whiteness?<\/li>\n \t
  5. Which PDLs support an ICC colour-managed workflow?<\/li>\n \t
  6. Which PDF\/X standard leaves layers and transparency live?<\/li>\n \t
  7. Why are data content and business rules critical in VDP?<\/li>\n<\/ol>\n<\/div>\n<\/div>\n

    References<\/h1>\nAdobe Systems Incorporated. (2008). Adobe PDF in a print production workflow<\/i><\/a>. Retrieved from http:\/\/www.adobe.com\/studio\/print\/pdfs\/PDF_wp_A9_updates_july08.pdf\n\nBurton, J. (2008). A primer on UV-curable inkjet inks<\/em><\/a>. Retrieved from http:\/\/www.signindustry.com\/flatbed_UV\/articles\/2008-11-17-SGIA_Primer_on_UV-Curable_Inkjet_Inks.php3\n\nIdealliance. (n.d.). Idealliance: About<\/em><\/a>. Retrieved from http:\/\/www.idealliance.org\/about\n\nNanography Lobby - Landa Nanography.<\/a> (n.d.). Retrieved from http:\/\/www.landanano.com\/nanography\n\nPPML and PDF\/VT. (n.d.). PODi key standards. Digital print case studies<\/em><\/a>. Retrieved from http:\/\/www.standards.podi.org\/\n\nUnited States Environmental Protection Agency. (2000). Taking toxics out of the air [Overviews & Factsheets]<\/em><\/a>. Retrieved from http:\/\/www.epa.gov\/oaqps001\/takingtoxics\/index.html\n

    Suggested Readings<\/h1>\nJohnson, H. (2004). Mastering digital printing <\/i>(2nd ed.). Boston, MA: Cengage Learning PTR.\n\nNanography Lobby - Landa Nanography.<\/a> (n.d.). Retrieved from http:\/\/www.landanano.com\/nanography\n","rendered":"

    Digital printing encompasses a number of technologies that each has unique characteristics, strengths, and applications. Digital imaging may even be the only print method able to produce a certain type of work, as is the case with VDP. Paper is also a major factor in the success of a project. Your paper choice can convey a message or set a tone as much as the content printed on it. Having a good understanding of technology and paper fundamentals can go along way when making choices for producing your print project.<\/p>\n

    \n
    \n

    Questions to consider after completing this chapter:<\/p>\n<\/header>\n

    \n
      \n
    1. All xerography can also be called electrophotography, but not all electrophotography can be called xerography. What key element validates this statement?<\/li>\n
    2. What are the four key components in electrophotography?<\/li>\n
    3. How does toner acquire its charge?<\/li>\n
    4. What is the difference between paper brightness and whiteness?<\/li>\n
    5. Which PDLs support an ICC colour-managed workflow?<\/li>\n
    6. Which PDF\/X standard leaves layers and transparency live?<\/li>\n
    7. Why are data content and business rules critical in VDP?<\/li>\n<\/ol>\n<\/div>\n<\/div>\n

      References<\/h1>\n

      Adobe Systems Incorporated. (2008). Adobe PDF in a print production workflow<\/i><\/a>. Retrieved from http:\/\/www.adobe.com\/studio\/print\/pdfs\/PDF_wp_A9_updates_july08.pdf<\/p>\n

      Burton, J. (2008). A primer on UV-curable inkjet inks<\/em><\/a>. Retrieved from http:\/\/www.signindustry.com\/flatbed_UV\/articles\/2008-11-17-SGIA_Primer_on_UV-Curable_Inkjet_Inks.php3<\/p>\n

      Idealliance. (n.d.). Idealliance: About<\/em><\/a>. Retrieved from http:\/\/www.idealliance.org\/about<\/p>\n

      Nanography Lobby – Landa Nanography.<\/a> (n.d.). Retrieved from http:\/\/www.landanano.com\/nanography<\/p>\n

      PPML and PDF\/VT. (n.d.). PODi key standards. Digital print case studies<\/em><\/a>. Retrieved from http:\/\/www.standards.podi.org\/<\/p>\n

      United States Environmental Protection Agency. (2000). Taking toxics out of the air [Overviews & Factsheets]<\/em><\/a>. Retrieved from http:\/\/www.epa.gov\/oaqps001\/takingtoxics\/index.html<\/p>\n

      Suggested Readings<\/h1>\n

      Johnson, H. (2004). Mastering digital printing <\/i>(2nd ed.). Boston, MA: Cengage Learning PTR.<\/p>\n

      Nanography Lobby – Landa Nanography.<\/a> (n.d.). Retrieved from http:\/\/www.landanano.com\/nanography<\/p>\n","protected":false},"author":123,"menu_order":8,"template":"","meta":{"pb_show_title":"on","pb_short_title":"","pb_subtitle":"","pb_authors":["roberto-medeiros"],"pb_section_license":""},"chapter-type":[],"contributor":[57],"license":[],"class_list":["post-1509","chapter","type-chapter","status-publish","hentry","contributor-roberto-medeiros"],"part":1489,"_links":{"self":[{"href":"https:\/\/opentextbc.ca\/graphicdesign\/wp-json\/pressbooks\/v2\/chapters\/1509","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/opentextbc.ca\/graphicdesign\/wp-json\/pressbooks\/v2\/chapters"}],"about":[{"href":"https:\/\/opentextbc.ca\/graphicdesign\/wp-json\/wp\/v2\/types\/chapter"}],"author":[{"embeddable":true,"href":"https:\/\/opentextbc.ca\/graphicdesign\/wp-json\/wp\/v2\/users\/123"}],"version-history":[{"count":0,"href":"https:\/\/opentextbc.ca\/graphicdesign\/wp-json\/pressbooks\/v2\/chapters\/1509\/revisions"}],"part":[{"href":"https:\/\/opentextbc.ca\/graphicdesign\/wp-json\/pressbooks\/v2\/parts\/1489"}],"metadata":[{"href":"https:\/\/opentextbc.ca\/graphicdesign\/wp-json\/pressbooks\/v2\/chapters\/1509\/metadata\/"}],"wp:attachment":[{"href":"https:\/\/opentextbc.ca\/graphicdesign\/wp-json\/wp\/v2\/media?parent=1509"}],"wp:term":[{"taxonomy":"chapter-type","embeddable":true,"href":"https:\/\/opentextbc.ca\/graphicdesign\/wp-json\/pressbooks\/v2\/chapter-type?post=1509"},{"taxonomy":"contributor","embeddable":true,"href":"https:\/\/opentextbc.ca\/graphicdesign\/wp-json\/wp\/v2\/contributor?post=1509"},{"taxonomy":"license","embeddable":true,"href":"https:\/\/opentextbc.ca\/graphicdesign\/wp-json\/wp\/v2\/license?post=1509"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}