{"id":65,"date":"2013-11-21T18:29:56","date_gmt":"2013-11-21T18:29:56","guid":{"rendered":"http:\/\/opentextbc.ca\/introductiontopsychology\/?post_type=chapter&p=65"},"modified":"2016-11-15T22:40:26","modified_gmt":"2016-11-15T22:40:26","slug":"chapter-3-brains-bodies-and-behavior","status":"publish","type":"chapter","link":"https:\/\/opentextbc.ca\/introductiontopsychology\/chapter\/chapter-3-brains-bodies-and-behavior\/","title":{"raw":"4. Brains, Bodies, and Behaviour","rendered":"4. Brains, Bodies, and Behaviour"},"content":{"raw":"
\r\n

Did a Neurological Disorder Cause a Musician to Compose Bol\u00e9ro<\/em> and an Artist to Paint It 66 Years Later?<\/h3>\r\nIn 1986, Anne Adams was working as a cell biologist at the University of Toronto in Ontario, Canada. She took a leave of absence from her work to care for a sick child, and while she was away, she completely changed her interests, dropping biology entirely and turning her attention to art. In 1994 she completed her painting Unravelling Bol\u00e9ro<\/em><\/a>, a translation of Maurice Ravel\u2019s famous orchestral piece onto canvas. As you can see on the New Scientist<\/em> website (http:\/\/www.newscientist.com\/data\/images\/ns\/cms\/dn13599\/dn13599-1_567.jpg)<\/span>, this artwork is filled with themes of repetition. Each bar of music is represented by a lacy vertical figure, with the height representing volume, the shape representing note quality, and the colour representing the music\u2019s pitch. Like Ravel\u2019s music (see the video below), which is a hypnotic piece consisting of two melodial themes repeated eight times over 340 musical bars, the theme in the painting repeats and builds, leading to a dramatic change in colour from blue to orange and pink, a representation of Bol\u00e9ro<\/em>\u2019s sudden and dramatic climax.\r\n\r\n\"""\"<\/a>Maurice Ravel\u2019s composition Bol\u00e9ro (1928) <\/em>[YouTube]<\/a>: http:\/\/www.youtube.com\/watch?v=3-4J5j74VPw\r\n\r\nThis is a video clip of Maurice Ravel\u2019s Bol\u00e9ro, composed in 1928 during the early phase of his illness.<\/em>\r\n\r\nShortly after finishing the painting, Adams began to experience behavioural problems, including increased difficulty speaking. Neuroimages of Adams\u2019s brain taken during this time show that regions in the front part of her brain, which are normally associated with language processing, had begun to deteriorate, while at the same time, regions of the brain responsible for the integration of information from the five senses were unusually well developed (Seeley et al., 2008).\u00a0The deterioration of the frontal cortex is a symptom of frontotemporal dementia<\/em>, a disease that is associated with changes in artistic and musical tastes and skills (Miller, Boone, Cummings, Read, & Mishkin, 2000),\u00a0as well as with an increase in repetitive behaviours (Aldhous, 2008).\r\n\r\nWhat Adams did not know at the time was that her brain may have been undergoing the same changes that Ravel\u2019s had undergone 66 years earlier. In fact, it appears that Ravel may have suffered from the same neurological disorder. Ravel composed Bol\u00e9ro<\/em> at age 53, when he himself was beginning to show behavioural symptoms that were interfering with his ability to move and speak. Scientists have concluded, based on an analysis of his written notes and letters, that Ravel was also experiencing the effects of frontotemporal dementia (Amaducci, Grassi, & Boller, 2002).\u00a0If Adams and Ravel were both affected by the same disease, this could explain why they both became fascinated with the repetitive aspects of their arts, and it would present a remarkable example of the influence of our brains on behaviour.\r\n\r\n<\/div>\r\nEvery behaviour begins with biology. Our behaviours, as well as our thoughts and feelings, are produced by the actions of our brains, nerves, muscles, and glands. In this chapter we will begin our journey into the world of psychology by considering the biological makeup of the human being, including the most remarkable of human organs\u2014the brain. We\u2019ll consider the structure of the brain and also the methods that psychologists use to study the brain and to understand how it works.\r\n\r\nWe will see that the body is controlled by an information highway known as the nervous system<\/strong>, a collection of hundreds of billions of specialized and interconnected cells through which messages are sent between the brain and the rest of the body<\/em>. The nervous system consists of the central nervous system (CNS)<\/strong>, made up of the brain and the spinal cord<\/em>, and the peripheral nervous system (PNS)<\/strong>, the neurons that link the CNS to our skin, muscles, and glands<\/em>. And we will see that our behaviour is also influenced in large part by the endocrine system<\/strong>, the chemical regulator of the body that consists of glands that secrete hormones<\/em>.\r\n\r\nAlthough this chapter begins at a very low level of explanation, and although the topic of study may seem at first to be far from the everyday behaviours that we all engage in, a full understanding of the biology underlying psychological processes is an important cornerstone of your new understanding of psychology. We will consider throughout the chapter how our biology influences important human behaviours, including our mental and physical health, our reactions to drugs, as well as our aggressive responses and our perceptions of other people. This chapter is particularly important for contemporary psychology because the ability to measure biological aspects of behaviour, including the structure and function of the human brain, is progressing rapidly, and understanding the biological foundations of behaviour is an increasingly important line of psychological study.\r\n

References<\/h2>\r\nAldhous, P. (2008, April 7). \u201cBol\u00e9ro\u201d: Beautiful symptom of a terrible disease.<\/a>\u00a0New Scientist<\/i>. Retrieved from\u00a0http:\/\/www.newscientist.com\/article\/dn13599-bolero-beautiful-symptom-of-a-terrible-disease.html\r\n\r\nAmaducci, L., Grassi, E., & Boller, F. (2002). Maurice Ravel and right-hemisphere musical creativity: Influence of disease on his last musical works?\u00a0European Journal of Neurology, 9<\/i>(1), 75\u201382.\r\n\r\nMiller, B. L., Boone, K., Cummings, J. L., Read, S. L., & Mishkin, F. (2000). Functional correlates of musical and visual ability in frontotemporal dementia.\u00a0British Journal of Psychiatry, 176<\/i>, 458\u2013463.\r\n\r\nSeeley, W. W., Matthews, B. R., Crawford, R. K., Gorno-Tempini, M. L., Foti, D., Mackenzie, I. R., & Miller, B. L. (2008). \u201cUnravelling Bol\u00e9ro\u201d: Progressive aphasia, transmodal creativity, and the right posterior neocortex.\u00a0Brain, 131<\/i>(1), 39\u201349.","rendered":"
\n

Did a Neurological Disorder Cause a Musician to Compose Bol\u00e9ro<\/em> and an Artist to Paint It 66 Years Later?<\/h3>\n

In 1986, Anne Adams was working as a cell biologist at the University of Toronto in Ontario, Canada. She took a leave of absence from her work to care for a sick child, and while she was away, she completely changed her interests, dropping biology entirely and turning her attention to art. In 1994 she completed her painting Unravelling Bol\u00e9ro<\/em><\/a>, a translation of Maurice Ravel\u2019s famous orchestral piece onto canvas. As you can see on the New Scientist<\/em> website (http:\/\/www.newscientist.com\/data\/images\/ns\/cms\/dn13599\/dn13599-1_567.jpg)<\/span>, this artwork is filled with themes of repetition. Each bar of music is represented by a lacy vertical figure, with the height representing volume, the shape representing note quality, and the colour representing the music\u2019s pitch. Like Ravel\u2019s music (see the video below), which is a hypnotic piece consisting of two melodial themes repeated eight times over 340 musical bars, the theme in the painting repeats and builds, leading to a dramatic change in colour from blue to orange and pink, a representation of Bol\u00e9ro<\/em>\u2019s sudden and dramatic climax.<\/p>\n

\"""\"<\/a>Maurice Ravel\u2019s composition Bol\u00e9ro (1928) <\/em>[YouTube]<\/a>: http:\/\/www.youtube.com\/watch?v=3-4J5j74VPw<\/p>\n

This is a video clip of Maurice Ravel\u2019s Bol\u00e9ro, composed in 1928 during the early phase of his illness.<\/em><\/p>\n

Shortly after finishing the painting, Adams began to experience behavioural problems, including increased difficulty speaking. Neuroimages of Adams\u2019s brain taken during this time show that regions in the front part of her brain, which are normally associated with language processing, had begun to deteriorate, while at the same time, regions of the brain responsible for the integration of information from the five senses were unusually well developed (Seeley et al., 2008).\u00a0The deterioration of the frontal cortex is a symptom of frontotemporal dementia<\/em>, a disease that is associated with changes in artistic and musical tastes and skills (Miller, Boone, Cummings, Read, & Mishkin, 2000),\u00a0as well as with an increase in repetitive behaviours (Aldhous, 2008).<\/p>\n

What Adams did not know at the time was that her brain may have been undergoing the same changes that Ravel\u2019s had undergone 66 years earlier. In fact, it appears that Ravel may have suffered from the same neurological disorder. Ravel composed Bol\u00e9ro<\/em> at age 53, when he himself was beginning to show behavioural symptoms that were interfering with his ability to move and speak. Scientists have concluded, based on an analysis of his written notes and letters, that Ravel was also experiencing the effects of frontotemporal dementia (Amaducci, Grassi, & Boller, 2002).\u00a0If Adams and Ravel were both affected by the same disease, this could explain why they both became fascinated with the repetitive aspects of their arts, and it would present a remarkable example of the influence of our brains on behaviour.<\/p>\n<\/div>\n

Every behaviour begins with biology. Our behaviours, as well as our thoughts and feelings, are produced by the actions of our brains, nerves, muscles, and glands. In this chapter we will begin our journey into the world of psychology by considering the biological makeup of the human being, including the most remarkable of human organs\u2014the brain. We\u2019ll consider the structure of the brain and also the methods that psychologists use to study the brain and to understand how it works.<\/p>\n

We will see that the body is controlled by an information highway known as the nervous system<\/strong>, a collection of hundreds of billions of specialized and interconnected cells through which messages are sent between the brain and the rest of the body<\/em>. The nervous system consists of the central nervous system (CNS)<\/strong>, made up of the brain and the spinal cord<\/em>, and the peripheral nervous system (PNS)<\/strong>, the neurons that link the CNS to our skin, muscles, and glands<\/em>. And we will see that our behaviour is also influenced in large part by the endocrine system<\/strong>, the chemical regulator of the body that consists of glands that secrete hormones<\/em>.<\/p>\n

Although this chapter begins at a very low level of explanation, and although the topic of study may seem at first to be far from the everyday behaviours that we all engage in, a full understanding of the biology underlying psychological processes is an important cornerstone of your new understanding of psychology. We will consider throughout the chapter how our biology influences important human behaviours, including our mental and physical health, our reactions to drugs, as well as our aggressive responses and our perceptions of other people. This chapter is particularly important for contemporary psychology because the ability to measure biological aspects of behaviour, including the structure and function of the human brain, is progressing rapidly, and understanding the biological foundations of behaviour is an increasingly important line of psychological study.<\/p>\n

References<\/h2>\n

Aldhous, P. (2008, April 7). \u201cBol\u00e9ro\u201d: Beautiful symptom of a terrible disease.<\/a>\u00a0New Scientist<\/i>. Retrieved from\u00a0http:\/\/www.newscientist.com\/article\/dn13599-bolero-beautiful-symptom-of-a-terrible-disease.html<\/p>\n

Amaducci, L., Grassi, E., & Boller, F. (2002). Maurice Ravel and right-hemisphere musical creativity: Influence of disease on his last musical works?\u00a0European Journal of Neurology, 9<\/i>(1), 75\u201382.<\/p>\n

Miller, B. L., Boone, K., Cummings, J. L., Read, S. L., & Mishkin, F. (2000). Functional correlates of musical and visual ability in frontotemporal dementia.\u00a0British Journal of Psychiatry, 176<\/i>, 458\u2013463.<\/p>\n

Seeley, W. W., Matthews, B. R., Crawford, R. K., Gorno-Tempini, M. L., Foti, D., Mackenzie, I. R., & Miller, B. L. (2008). \u201cUnravelling Bol\u00e9ro\u201d: Progressive aphasia, transmodal creativity, and the right posterior neocortex.\u00a0Brain, 131<\/i>(1), 39\u201349.<\/p>\n","protected":false},"author":1,"menu_order":1,"template":"","meta":{"pb_show_title":"on","pb_short_title":"","pb_subtitle":"","pb_authors":[],"pb_section_license":""},"chapter-type":[],"contributor":[],"license":[],"class_list":["post-65","chapter","type-chapter","status-publish","hentry"],"part":443,"_links":{"self":[{"href":"https:\/\/opentextbc.ca\/introductiontopsychology\/wp-json\/pressbooks\/v2\/chapters\/65","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/opentextbc.ca\/introductiontopsychology\/wp-json\/pressbooks\/v2\/chapters"}],"about":[{"href":"https:\/\/opentextbc.ca\/introductiontopsychology\/wp-json\/wp\/v2\/types\/chapter"}],"author":[{"embeddable":true,"href":"https:\/\/opentextbc.ca\/introductiontopsychology\/wp-json\/wp\/v2\/users\/1"}],"version-history":[{"count":26,"href":"https:\/\/opentextbc.ca\/introductiontopsychology\/wp-json\/pressbooks\/v2\/chapters\/65\/revisions"}],"predecessor-version":[{"id":4841,"href":"https:\/\/opentextbc.ca\/introductiontopsychology\/wp-json\/pressbooks\/v2\/chapters\/65\/revisions\/4841"}],"part":[{"href":"https:\/\/opentextbc.ca\/introductiontopsychology\/wp-json\/pressbooks\/v2\/parts\/443"}],"metadata":[{"href":"https:\/\/opentextbc.ca\/introductiontopsychology\/wp-json\/pressbooks\/v2\/chapters\/65\/metadata\/"}],"wp:attachment":[{"href":"https:\/\/opentextbc.ca\/introductiontopsychology\/wp-json\/wp\/v2\/media?parent=65"}],"wp:term":[{"taxonomy":"chapter-type","embeddable":true,"href":"https:\/\/opentextbc.ca\/introductiontopsychology\/wp-json\/pressbooks\/v2\/chapter-type?post=65"},{"taxonomy":"contributor","embeddable":true,"href":"https:\/\/opentextbc.ca\/introductiontopsychology\/wp-json\/wp\/v2\/contributor?post=65"},{"taxonomy":"license","embeddable":true,"href":"https:\/\/opentextbc.ca\/introductiontopsychology\/wp-json\/wp\/v2\/license?post=65"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}