{"id":223,"date":"2014-05-22T16:06:14","date_gmt":"2014-05-22T16:06:14","guid":{"rendered":"https:\/\/opentextbc.ca\/provincialenglish\/chapter\/major-barbara-study-guide\/"},"modified":"2023-12-07T15:41:33","modified_gmt":"2023-12-07T15:41:33","slug":"major-barbara-study-guide","status":"publish","type":"chapter","link":"https:\/\/opentextbc.ca\/provincialenglish\/chapter\/major-barbara-study-guide\/","title":{"raw":"Major Barbara: Study Guide","rendered":"Major Barbara: Study Guide"},"content":{"raw":"<h1>Study Questions<\/h1>\r\n<ol>\r\n \t<li>Contrast Barbara with her brother Stephen.<\/li>\r\n \t<li>Explain the Andrew Undershaft foundling tradition.<\/li>\r\n \t<li>What challenge does Barbara level at her father in Act I?<\/li>\r\n \t<li>Who is Barbara\u2019s grandfather?<\/li>\r\n \t<li>Why does Bill Walker strike Jenny Hill?<\/li>\r\n \t<li>What financial aid does Undershaft offer his three children?<\/li>\r\n \t<li>What is Stephen\u2019s main criticism of Undershaft\u2019s treatment of his workers?<\/li>\r\n \t<li>Does Nietzsche\u2019s definition of \"Dionysian\" (and \"Apollonian\") in <i>Birth of Tragedy<\/i> apply to Dolly\u2019s understanding of the term? See a good handbook of literary terms such as <i>Penguin Dictionary of Literary Terms<\/i>, ed. J.A. Cuddon; or <i>A Handbook to Literature<\/i>, Holman and Harmon; or <em>A Glossary of Literary Terms<\/em>, M.H. Abrams.<\/li>\r\n \t<li>Why is winning Barbara\u2019s capitulation in the wager so important to Undershaft? Why does Barbara capitulate?<\/li>\r\n \t<li>Discuss how Shaw explores the notion of class in the play.<\/li>\r\n \t<li>Explore Shaw\u2019s presentation of men and women as it challenges or conforms to dramaturgical conventions of gender at the turn of the 20th century as well as today.<\/li>\r\n \t<li>Who is Mrs. Baines, and what key announcement does she make?<\/li>\r\n<\/ol>\r\n<h1>Essay or Discussion Topics<\/h1>\r\n<ol>\r\n \t<li>Look up the term <i>psychomachia<\/i> in a good reference source such as your favourite glossary or handbook of literary terms. Is <i>Major Barbara<\/i> structured as a kind of psychomachia? If so, whose soul is being fought over? Who are the angelic and diabolical characters or tempters?<\/li>\r\n \t<li>In what way is Undershaft a \u201c<a href=\"http:\/\/en.wikipedia.org\/wiki\/The_Grand_Inquisitor\">Grand Inquisitor<\/a>\u201d figure?<\/li>\r\n \t<li>Compare characters and situations from <i>The Importance of Being Earnest<\/i> and <i>Major Barbara<\/i>. How might Lady Bracknell be seen as a source character for Lady Britomart?<\/li>\r\n \t<li>One critic suggests that in addition to the Spenserean allusion, Britomart\u2019s name also suggests \u201cBritish Market.\u201d\u00a0 Refute or support with evidence.<\/li>\r\n \t<li>Why does Shaw name Undershaft\u2019s business partner Lazarus? Be sure to read Chapter 16 from the Gospel of Luke as a starting point.<\/li>\r\n \t<li>Discuss Charles \u201cCholly\u201d Lomax as comic character.<\/li>\r\n \t<li>What typical characteristics of a utopia do you find in the depiction of the community of Perivale St. Andrews in Act III?<\/li>\r\n \t<li>Discuss any particularly useful changes to the play in Gabriel Pascal\u2019s 1941 film version of <i>Major Barbara<\/i>. Note that Shaw helped write the film script and published his screen version in 1946.<\/li>\r\n \t<li>Explore the use of music in the play.<\/li>\r\n \t<li>Discuss Rosalind Howard, Countess of Carlisle (1845-1921) as the source for Lady Britomart.<\/li>\r\n \t<li>Discuss Gilbert Murray as Shaw\u2019s source for Adolphus Cusins.<\/li>\r\n \t<li>Discuss the various comic techniques, especially characterization, that Shaw uses to keep his audience involved in the action of the play.<\/li>\r\n<\/ol>\r\n<h1>Resources<\/h1>\r\n<ul>\r\n \t<li>\"<a href=\"https:\/\/www.shawfest.com\/assets\/guides\/Shaw_Study_Guide_Major_Barbara.pdf\">Major Barbara Study Guide [PDF]<\/a>\" by the Shaw Festival.<\/li>\r\n \t<li>Shaw, Bernard. \"<a href=\"https:\/\/web.archive.org\/web\/20160313041928\/https:\/\/ebooks.adelaide.edu.au\/s\/shaw\/george_bernard\/major_barbara\/preface.html\">Preface to Major Barbara: First Aid to Critics<\/a>.\" <em>Major Barbara<\/em>. Adelaide: University of Adelaide, 2014.<\/li>\r\n \t<li>Dietrich, Richard F. \u201c<a href=\"http:\/\/www.rfd2.net\/britishdrama3.htm#Barbara\">Major Barbara: Dionysius Unbound<\/a>.\u201d <em>British and Irish Drama 1890 to 1950: A Critical History. <\/em>Boston: Twayne Publishers, 2012.<\/li>\r\n<\/ul>","rendered":"<h1>Study Questions<\/h1>\n<ol>\n<li>Contrast Barbara with her brother Stephen.<\/li>\n<li>Explain the Andrew Undershaft foundling tradition.<\/li>\n<li>What challenge does Barbara level at her father in Act I?<\/li>\n<li>Who is Barbara\u2019s grandfather?<\/li>\n<li>Why does Bill Walker strike Jenny Hill?<\/li>\n<li>What financial aid does Undershaft offer his three children?<\/li>\n<li>What is Stephen\u2019s main criticism of Undershaft\u2019s treatment of his workers?<\/li>\n<li>Does Nietzsche\u2019s definition of &#8220;Dionysian&#8221; (and &#8220;Apollonian&#8221;) in <i>Birth of Tragedy<\/i> apply to Dolly\u2019s understanding of the term? See a good handbook of literary terms such as <i>Penguin Dictionary of Literary Terms<\/i>, ed. J.A. Cuddon; or <i>A Handbook to Literature<\/i>, Holman and Harmon; or <em>A Glossary of Literary Terms<\/em>, M.H. Abrams.<\/li>\n<li>Why is winning Barbara\u2019s capitulation in the wager so important to Undershaft? Why does Barbara capitulate?<\/li>\n<li>Discuss how Shaw explores the notion of class in the play.<\/li>\n<li>Explore Shaw\u2019s presentation of men and women as it challenges or conforms to dramaturgical conventions of gender at the turn of the 20th century as well as today.<\/li>\n<li>Who is Mrs. Baines, and what key announcement does she make?<\/li>\n<\/ol>\n<h1>Essay or Discussion Topics<\/h1>\n<ol>\n<li>Look up the term <i>psychomachia<\/i> in a good reference source such as your favourite glossary or handbook of literary terms. Is <i>Major Barbara<\/i> structured as a kind of psychomachia? If so, whose soul is being fought over? Who are the angelic and diabolical characters or tempters?<\/li>\n<li>In what way is Undershaft a \u201c<a href=\"http:\/\/en.wikipedia.org\/wiki\/The_Grand_Inquisitor\">Grand Inquisitor<\/a>\u201d figure?<\/li>\n<li>Compare characters and situations from <i>The Importance of Being Earnest<\/i> and <i>Major Barbara<\/i>. How might Lady Bracknell be seen as a source character for Lady Britomart?<\/li>\n<li>One critic suggests that in addition to the Spenserean allusion, Britomart\u2019s name also suggests \u201cBritish Market.\u201d\u00a0 Refute or support with evidence.<\/li>\n<li>Why does Shaw name Undershaft\u2019s business partner Lazarus? Be sure to read Chapter 16 from the Gospel of Luke as a starting point.<\/li>\n<li>Discuss Charles \u201cCholly\u201d Lomax as comic character.<\/li>\n<li>What typical characteristics of a utopia do you find in the depiction of the community of Perivale St. Andrews in Act III?<\/li>\n<li>Discuss any particularly useful changes to the play in Gabriel Pascal\u2019s 1941 film version of <i>Major Barbara<\/i>. Note that Shaw helped write the film script and published his screen version in 1946.<\/li>\n<li>Explore the use of music in the play.<\/li>\n<li>Discuss Rosalind Howard, Countess of Carlisle (1845-1921) as the source for Lady Britomart.<\/li>\n<li>Discuss Gilbert Murray as Shaw\u2019s source for Adolphus Cusins.<\/li>\n<li>Discuss the various comic techniques, especially characterization, that Shaw uses to keep his audience involved in the action of the play.<\/li>\n<\/ol>\n<h1>Resources<\/h1>\n<ul>\n<li>&#8220;<a href=\"https:\/\/www.shawfest.com\/assets\/guides\/Shaw_Study_Guide_Major_Barbara.pdf\">Major Barbara Study Guide [PDF]<\/a>&#8221; by the Shaw Festival.<\/li>\n<li>Shaw, Bernard. &#8220;<a href=\"https:\/\/web.archive.org\/web\/20160313041928\/https:\/\/ebooks.adelaide.edu.au\/s\/shaw\/george_bernard\/major_barbara\/preface.html\">Preface to Major Barbara: First Aid to Critics<\/a>.&#8221; <em>Major Barbara<\/em>. Adelaide: University of Adelaide, 2014.<\/li>\n<li>Dietrich, Richard F. \u201c<a href=\"http:\/\/www.rfd2.net\/britishdrama3.htm#Barbara\">Major Barbara: Dionysius Unbound<\/a>.\u201d <em>British and Irish Drama 1890 to 1950: A Critical History. <\/em>Boston: Twayne Publishers, 2012.<\/li>\n<\/ul>\n","protected":false},"author":90,"menu_order":16,"template":"","meta":{"pb_show_title":"on","pb_short_title":"","pb_subtitle":"","pb_authors":[],"pb_section_license":"cc-by"},"chapter-type":[],"contributor":[],"license":[52],"class_list":["post-223","chapter","type-chapter","status-publish","hentry","license-cc-by"],"part":188,"_links":{"self":[{"href":"https:\/\/opentextbc.ca\/provincialenglish\/wp-json\/pressbooks\/v2\/chapters\/223","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/opentextbc.ca\/provincialenglish\/wp-json\/pressbooks\/v2\/chapters"}],"about":[{"href":"https:\/\/opentextbc.ca\/provincialenglish\/wp-json\/wp\/v2\/types\/chapter"}],"author":[{"embeddable":true,"href":"https:\/\/opentextbc.ca\/provincialenglish\/wp-json\/wp\/v2\/users\/90"}],"version-history":[{"count":2,"href":"https:\/\/opentextbc.ca\/provincialenglish\/wp-json\/pressbooks\/v2\/chapters\/223\/revisions"}],"predecessor-version":[{"id":407,"href":"https:\/\/opentextbc.ca\/provincialenglish\/wp-json\/pressbooks\/v2\/chapters\/223\/revisions\/407"}],"part":[{"href":"https:\/\/opentextbc.ca\/provincialenglish\/wp-json\/pressbooks\/v2\/parts\/188"}],"metadata":[{"href":"https:\/\/opentextbc.ca\/provincialenglish\/wp-json\/pressbooks\/v2\/chapters\/223\/metadata\/"}],"wp:attachment":[{"href":"https:\/\/opentextbc.ca\/provincialenglish\/wp-json\/wp\/v2\/media?parent=223"}],"wp:term":[{"taxonomy":"chapter-type","embeddable":true,"href":"https:\/\/opentextbc.ca\/provincialenglish\/wp-json\/pressbooks\/v2\/chapter-type?post=223"},{"taxonomy":"contributor","embeddable":true,"href":"https:\/\/opentextbc.ca\/provincialenglish\/wp-json\/wp\/v2\/contributor?post=223"},{"taxonomy":"license","embeddable":true,"href":"https:\/\/opentextbc.ca\/provincialenglish\/wp-json\/wp\/v2\/license?post=223"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}