{"id":134,"date":"2024-03-22T10:40:42","date_gmt":"2024-03-22T14:40:42","guid":{"rendered":"https:\/\/opentextbc.ca\/psychologymtdi\/chapter\/psychophysics\/"},"modified":"2024-08-22T16:26:07","modified_gmt":"2024-08-22T20:26:07","slug":"psychophysics","status":"publish","type":"chapter","link":"https:\/\/opentextbc.ca\/psychologymtdi\/chapter\/psychophysics\/","title":{"raw":"Psychophysics","rendered":"Psychophysics"},"content":{"raw":"<p style=\"text-align: right;\">[pb_glossary id=\"595\"]Approximate reading time:[\/pb_glossary] 35 minutes<\/p>\nLet\u2019s focus on how we see light and hear sound. Both of these come to us in waves, but they are different kinds of waves. Even though they are different, these waves have some things in common that are important for how we see and hear.\n\nWhen we talk about waves, we look at two main things: amplitude and wavelength. <strong>Amplitude<\/strong> is how high or low the wave goes. Imagine a wave in the ocean: the amplitude is the height from the middle of the wave to the top. <strong>Wavelength<\/strong> is how long the wave is from one peak to the next (Figure SP.3).\n\n[caption id=\"attachment_133\" align=\"aligncenter\" width=\"651\"]<img class=\"wp-image-129 size-full\" src=\"https:\/\/opentextbc.ca\/psychologymtdi\/wp-content\/uploads\/sites\/470\/2024\/03\/Figure-SAP.7-Wave-Amplitude-Diagram.jpeg\" alt=\"A diagram illustrates the basic parts of a wave. Moving from left to right, the wavelength line begins above a straight horizontal line and falls and rises equally above and below that line. One of the areas where the wavelength line reaches its highest point is labelled &quot;Crest.\u201d A horizontal bracket, labelled \u201cWavelength,\u201d extends from this area to the next crest. One of the areas where the wavelength reaches its lowest point is labelled \u201cTrough.\u201d A vertical bracket, labelled \u201cAmplitude,\u201d measures the distance between the &quot;crest&quot; and the middle, horizontal line as well as the &quot;trough&quot; and middle, horizontal line.\" width=\"651\" height=\"230\"> <strong>Figure SP.3. Amplitude and wavelength.<\/strong> The amplitude or height of a wave is measured from the crest to the trough. The wavelength is measured from peak to peak.[\/caption]\n\nThese two things, amplitude and wavelength, help us understand things like how loud a sound is or what colour something is. For example, a loud sound has a high amplitude. The colour red has a long wavelength, while blue has a shorter one (Figure SP.4).\n\n[caption id=\"attachment_133\" align=\"aligncenter\" width=\"510\"]<img class=\"wp-image-130 size-full\" title=\"Stacked vertically are 5 waves of different colours and wavelengths. The top wave is red with a long wavelengths, which indicate a low frequency. Moving downward, the colour of each wave is different: orange, yellow, green, and blue. Also moving downward, the wavelengths become shorter as the frequencies increase.\" src=\"https:\/\/opentextbc.ca\/psychologymtdi\/wp-content\/uploads\/sites\/470\/2024\/08\/Figure-SAP.8-Various-wavelengthsfrequencies-long-short.jpeg\" alt=\"Stacked vertically are 5 waves of different colours and wavelengths. The top wave is red with a long wavelengths, which indicate a low frequency. Moving downward, the colour of each wave is different: orange, yellow, green, and blue. Also moving downward, the wavelengths become shorter as the frequencies increase.\" width=\"510\" height=\"171\" data-popupalt-original-title=\"null\"> <strong>Figure SP.4. Wavelengths and frequencies.<\/strong> This figure illustrates waves of differing wavelengths\/frequencies. At the top of the figure, the red wave has a long wavelength\/short frequency. Moving from top to bottom, the wavelengths decrease and frequencies increase.[\/caption]\n\nIn this section, we're going to learn more about how waves work and how they affect what we see and hear. Remember, even though this might sound complex, it's all about understanding the waves that make up the sights and sounds around us.\n<h1>Sound Waves<\/h1>\nThe physical properties of sound waves are associated with various aspects of our perception of sound. The frequency of a sound wave is associated with our perception of that sound\u2019s\u00a0pitch. We measure sound in hertz (Hz), which tell us how many waves pass a point in a second. High-pitched sounds have a lot of waves in a second (high frequency), and low-pitched sounds have fewer (low frequency). In humans, the audible range of sound frequencies is between 20 and 20,000 Hz, with greatest sensitivity to those frequencies that fall in the middle of this range.\n\nOther species show differences in their audible ranges. For instance, chickens have a very limited audible range, from 125 to 2000 Hz. Mice have an audible range from 1000 to 91,000 Hz, and the beluga whale\u2019s audible range is from 1000 to 123,000 Hz. Our pet dogs and cats have audible ranges of about 70\u201345,000 Hz and 45\u201364,000 Hz, respectively (Strain, 2003).\n\nThe <strong>loudness<\/strong> of a given sound is closely associated with the amplitude of the sound wave. Higher amplitudes are associated with louder sounds. Loudness is measured in terms of\u00a0decibels (dB), a unit of sound intensity. A typical conversation would correlate with 60 dB; a rock concert might check in at 120 dB (Figure SP.9). A whisper 5 feet away or rustling leaves are at the low end of our hearing range; sounds like a window air conditioner, a normal conversation, and even heavy traffic or a vacuum cleaner are within a tolerable range. However, there is the potential for hearing damage from about 80 dB to 130 dB: These are sounds of a food processor, power lawn mower, heavy truck (25 feet away), subway train (20 feet away), live rock music, and a jackhammer. About one-third of all hearing loss is due to noise exposure, and the louder the sound, the shorter the exposure needed to cause hearing damage (Le, Straatman, Lea, &amp; Westerberg, 2017). Listening to music through earbuds at maximum volume (around 100\u2013105 decibels) can cause noise-induced hearing loss after 15 minutes of exposure. Although listening to music at maximum volume may not seem to cause damage, it increases the risk of age-related hearing loss (Kujawa &amp; Liberman, 2006). The threshold for pain is about 130 dB, which can be seen with a jet plane taking off or a revolver firing at close range (Dunkle, 1982).\n\n&nbsp;\n\n[caption id=\"attachment_133\" align=\"aligncenter\" width=\"975\"]<img class=\"wp-image-131 size-full\" src=\"https:\/\/opentextbc.ca\/psychologymtdi\/wp-content\/uploads\/sites\/470\/2024\/08\/Figure-SAP.9-Loudness-in-Decibels-Diagram.jpeg\" alt=\"This illustration has a vertical bar in the middle labeled Decibels (dB) numbered 0 to 150 in intervals from the bottom to the top. To the left of the bar, the \u201csound intensity\u201d of different sounds is labeled: \u201cHearing threshold\u201d is 0; \u201cWhisper\u201d is 30, \u201csoft music\u201d is 40, \u201cRefrigerator\u201d is 45, \u201cSafe\u201d and \u201cnormal conversation\u201d is 60, \u201cHeavy city traffic\u201d with \u201cpermanent damage after 8 hours of exposure\u201d is 85, \u201cMotorcycle\u201d with \u201cpermanent damage after 6 hours exposure\u201d is 95, \u201cEarbuds max volume\u201d with \u201cpermanent damage after 15 miutes exposure\u201d is 105, \u201cRisk of hearing loss\u201d is 110, \u201cpain threshold\u201d is 130, \u201charmful\u201d is 140, and \u201cfirearms\u201d with \u201cimmediate permanent damage\u201d is 150. To the right of the bar are photographs depicting \u201ccommon sound\u201d: At 20 decibels is a picture of rustling leaves; At 60 is two people talking, at 85 is traffic, at 105 is ear buds, at 120 is a music concert, and at 130 are jets.\" width=\"975\" height=\"848\"> <strong>Figure SP.5. Sound and decibels.<\/strong> This figure illustrates the loudness of common sounds.[\/caption]\n\nWatch this video: <a href=\"https:\/\/youtu.be\/TsQL-sXZOLc?si=Zxspv9QSRg5z2hTc\">Sound: Wavelength, Frequency and Amplitude. (6 minutes)<\/a>\n<div id=\"top-row\" class=\"style-scope ytd-watch-metadata\">\n<div id=\"owner\" class=\"item style-scope ytd-watch-metadata\"><\/div>\n<\/div>\nhttps:\/\/youtu.be\/TsQL-sXZOLc?si=Zxspv9QSRg5z2hTc\n\n<span data-sheets-root=\"1\" data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;\u201cName of Video\u201d video by YouTube Channel is licensed under the Standard YouTube licence.&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}\">\u201cSound: Wavelength, Frequency and Amplitude.\u201d video by Science Sauce is licensed under the Standard YouTube licence.<\/span>\n\nOf course, different musical instruments can play the same musical note at the same level of loudness, yet they still sound quite different. This is known as the timbre of a sound.\u00a0Timbre\u00a0refers to a sound\u2019s purity, and it is affected by the complex interplay of frequency, amplitude, and timing of sound waves. Sound, specifically hearing, will be discussed later in this section.\n<h1>Light Waves<\/h1>\nThe\u00a0<strong>visible spectrum<\/strong>\u00a0is the portion of the larger\u00a0electromagnetic spectrum\u00a0that we can see. As\u00a0Figure SP.6 shows, the electromagnetic spectrum encompasses all of the electromagnetic radiation that occurs in our environment and includes gamma rays, x-rays, ultraviolet light, visible light, infrared light, microwaves, and radio waves. The visible spectrum in humans is associated with wavelengths that range from 380 to 740 nm \u2014 a very small distance, since a nanometer (nm) is one billionth of a metre. Other species can detect other portions of the electromagnetic spectrum. For instance, honeybees can see light in the ultraviolet range (Wakakuwa, Stavenga, &amp; Arikawa, 2007), and some snakes can detect infrared radiation in addition to more traditional visual light cues (Chen, Deng, Brauth, Ding, &amp; Tang, 2012; Hartline, Kass, &amp; Loop, 1978).\n\n[caption id=\"attachment_133\" align=\"aligncenter\" width=\"975\"]<img class=\"wp-image-132 size-full\" src=\"https:\/\/opentextbc.ca\/psychologymtdi\/wp-content\/uploads\/sites\/470\/2024\/08\/Figure-SAP.10-Electromagnetic-Specturm-Diagram.jpeg\" alt=\"This illustration shows the wavelength, frequency, and size of objects across the electromagnetic spectrum.. At the top, various wavelengths are given in sequence from small to large, with a parallel illustration of a wave with increasing frequency. These are the provided wavelengths, measured in meters: \u201cGamma ray 10 to the negative twelfth power,\u201d \u201cx-ray 10 to the negative tenth power,\u201d ultraviolet 10 to the negative eighth power,\u201d \u201cvisible .5 times 10 to the negative sixth power,\u201d \u201cinfrared 10 to the negative fifth power,\u201d microwave 10 to the negative second power,\u201d and \u201cradio 10 cubed.\u201dAnother section is labeled \u201cAbout the size of\u201d and lists from left to right: \u201cAtomic nuclei,\u201d \u201cAtoms,\u201d \u201cMolecules,\u201d \u201cProtozoans,\u201d \u201cPinpoints,\u201d \u201cHoneybees,\u201d \u201cHumans,\u201d and \u201cBuildings\u201d with an illustration of each . At the bottom is a line labeled \u201cFrequency\u201d with the following measurements in hertz: 10 to the powers of 20, 18, 16, 15, 12, 8, and 4. From left to right the line changes in colour from purple to red with the remaining colours of the visible spectrum in between.\" width=\"975\" height=\"404\"> <strong>Figure SP.6. Visible spectrum.<\/strong> Light that is visible to humans makes up only a small portion of the electromagnetic spectrum.[\/caption]\n\nIn humans, light wavelength is associated with perception of colour (Figure SAP.11). Within the visible spectrum, our experience of red is associated with longer wavelengths, greens are intermediate, and blues and violets are shorter in wavelength. (An easy way to remember this is the mnemonic ROYGBIV:\u00a0red,\u00a0orange,\u00a0yellow,\u00a0green,\u00a0blue,\u00a0indigo,\u00a0violet.) The amplitude of light waves is associated with our experience of brightness or intensity of colour, with larger amplitudes appearing brighter. Brighter colours have higher amplitudes.\n\n[caption id=\"attachment_133\" align=\"aligncenter\" width=\"975\"]<img class=\"wp-image-133 size-full\" src=\"https:\/\/opentextbc.ca\/psychologymtdi\/wp-content\/uploads\/sites\/470\/2024\/08\/Figure-SAP.11-Wavelengths-and-Associated-COlours-Diagram.jpeg\" alt=\"A line provides Wavelength in nanometers for \u201c400,\u201d \u201c500,\u201d \u201c600,\u201d and \u201c700\u201d nanometers. Within this line are all of the colours of the visible spectrum. Below this line, labelled from left to right are \u201cCosmic radiation,\u201d \u201cGamma rays,\u201d \u201cX-rays,\u201d \u201cUltraviolet,\u201d then a small callout area for the line above containing the colours in the visual spectrum, followed by \u201cInfrared,\u201d \u201cTerahertz radiation,\u201d \u201cRadar,\u201d \u201cTelevision and radio broadcasting,\u201d and \u201cAC circuits.\" width=\"975\" height=\"186\"> <strong>Figure SP.7. Wavelengths and colours.<\/strong> Different wavelengths of light are associated with our perception of different colours.[\/caption]\n\n<div><\/div>\n<div>Watch this video: <a href=\"https:\/\/www.youtube.com\/watch?v=unWnZvXJH2o\">Sensation and Perception: Crash Course Psychology #5 (11 minutes)<\/a><\/div>\nhttps:\/\/youtu.be\/unWnZvXJH2o\n\n\u201cSensation and Perception: Crash Course Psychology #5\u201d video by CrashCourse is licensed under the Standard YouTube licence.\n<h1>Image Attributions<\/h1>\nFigure SP.3. Figure 5.5 as found in <a title=\"https:\/\/openstax.org\/books\/psychology-2e\/pages\/1-introduction\" href=\"https:\/\/openstax.org\/books\/psychology-2e\/pages\/1-introduction\" target=\"_blank\" rel=\"noopener\">Psychology 2e by OpenStax<\/a> is licensed under a <a title=\"https:\/\/creativecommons.org\/licenses\/by\/4.0\/\" href=\"https:\/\/creativecommons.org\/licenses\/by\/4.0\/\" target=\"_blank\" rel=\"noopener\">CC BY 4.0 License<\/a>.\n\nFigure SP.4. Figure 5.6 as found in <a title=\"https:\/\/openstax.org\/books\/psychology-2e\/pages\/1-introduction\" href=\"https:\/\/openstax.org\/books\/psychology-2e\/pages\/1-introduction\" target=\"_blank\" rel=\"noopener\">Psychology 2e by OpenStax<\/a> is licensed under a <a title=\"https:\/\/creativecommons.org\/licenses\/by\/4.0\/\" href=\"https:\/\/creativecommons.org\/licenses\/by\/4.0\/\" target=\"_blank\" rel=\"noopener\">CC BY 4.0 License<\/a>.\n\nFigure SP.5. Figure 5.9 as found in <a title=\"https:\/\/openstax.org\/books\/psychology-2e\/pages\/1-introduction\" href=\"https:\/\/openstax.org\/books\/psychology-2e\/pages\/1-introduction\" target=\"_blank\" rel=\"noopener\">Psychology 2e by OpenStax<\/a> is licensed under a <a title=\"https:\/\/creativecommons.org\/licenses\/by\/4.0\/\" href=\"https:\/\/creativecommons.org\/licenses\/by\/4.0\/\" target=\"_blank\" rel=\"noopener\">CC BY 4.0 License<\/a> and contains modifications of the following works: <a href=\"https:\/\/www.flickr.com\/photos\/maxpfandl\/5897259740\/in\/photolist-9Z56jZ-9Z5794-9Z7ZS5-9Z81xU-9Z56iK-9Z81nw-9Z56Fa-9Z81Bu-9Z57AB-9Z7ZYN-9Z811m-i166Fg-frzS7u-9Z81Pu-9Z81Xw-9Z835W-9Z58oH-9Z57vT-9Z57SH-9Z58rD-9Z58uT-9Z82Gf-9Z586n-9Z81Z3-9Z57ua-9Z57kH-9Z82Hw-9Z56q8-9Z81bQ-9Z7ZKd-9Z81ME-9Z7ZQA-9Z7ZHq-9Z57g2-9Z81uL-9Z58z4-9Z58fH-9Z82R9-9Z82Mu-9Z57yR-9Z57YV-9Z562P-9Z57Fe-9Z57U4-9Z82eN-9Z57sg-9Z817h-9Z82go-9Z57JM-9Z82wJ\">\"planes\"<\/a> by <a href=\"https:\/\/www.flickr.com\/photos\/maxpfandl\/\">Max Pfandl<\/a> is licensed under a <a href=\"https:\/\/creativecommons.org\/licenses\/by\/2.0\/\">CC BY 2.0 licence<\/a>; <a href=\"https:\/\/www.flickr.com\/photos\/crsan\/3697785107\/in\/photolist-7PN6if-8pQyAq-6DjZ8z-8qrdCP-6CL7FD-7PJTGx-7PJTci-8quf7h-7PMZ5o-7PJSPB-7PN66E-7PJSZP-6qwskG-9xoLRL\">\"crowd\"<\/a> by <a href=\"https:\/\/www.flickr.com\/photos\/crsan\/\">Christian Holm\u00e9r<\/a> is licensed under a <a href=\"https:\/\/creativecommons.org\/licenses\/by\/2.0\/\">CC BY 2.0 licence<\/a>; <a href=\"https:\/\/www.flickr.com\/photos\/154082794@N08\/40339863342\/\">\"earbuds\"<\/a> by <a href=\"https:\/\/www.flickr.com\/photos\/154082794@N08\/\">Skinny Guy Lover<\/a> is in the <a href=\"https:\/\/creativecommons.org\/publicdomain\/mark\/1.0\/\">public domain<\/a>; <a href=\"https:\/\/pixabay.com\/photos\/traffic-rush-hour-rush-hour-urban-843309\/\">\"traffic\"<\/a> by <a href=\"https:\/\/pixabay.com\/users\/islandworks-1139623\/\">islandworks<\/a> is licensed under a <a href=\"https:\/\/pixabay.com\/service\/license-summary\/\">Pixabay license<\/a>; <a href=\"https:\/\/www.flickr.com\/photos\/joi\/2081174191\">\"talking\"<\/a> by <a href=\"https:\/\/www.flickr.com\/photos\/joi\/\">Joi Ito<\/a> is licensed under a <a href=\"https:\/\/creativecommons.org\/licenses\/by\/2.0\/\">CC BY 2.0 licence<\/a>; <a href=\"https:\/\/www.flickr.com\/photos\/aurelijus\/2285852050\/in\/photolist-4tVxsg-4tZAbf-4upgrt-4tUM5P-4tVyjV\">\"leaves\"<\/a> by <a id=\"yui_3_16_0_1_1712161056419_1797\" class=\"owner-name truncate\" title=\"Go to Aurelijus Valei\u0161a\u2019s photostream\" href=\"https:\/\/www.flickr.com\/photos\/aurelijus\/\" rel=\"author\" data-track=\"attributionNameClick\">Aurelijus Valei\u0161a<\/a> is licensed under a <a href=\"https:\/\/creativecommons.org\/licenses\/by\/2.0\/\">CC BY 2.0 licence<\/a>.\n\nFigure SP.6. Figure 5.7 as found in <a title=\"https:\/\/openstax.org\/books\/psychology-2e\/pages\/1-introduction\" href=\"https:\/\/openstax.org\/books\/psychology-2e\/pages\/1-introduction\" target=\"_blank\" rel=\"noopener\">Psychology 2e by OpenStax<\/a> is licensed under a <a title=\"https:\/\/creativecommons.org\/licenses\/by\/4.0\/\" href=\"https:\/\/creativecommons.org\/licenses\/by\/4.0\/\" target=\"_blank\" rel=\"noopener\">CC BY 4.0 License<\/a>.\n\nFigure SP.7. Figure 5.8 as found in <a title=\"https:\/\/openstax.org\/books\/psychology-2e\/pages\/1-introduction\" href=\"https:\/\/openstax.org\/books\/psychology-2e\/pages\/1-introduction\" target=\"_blank\" rel=\"noopener\">Psychology 2e by OpenStax<\/a> is licensed under a <a title=\"https:\/\/creativecommons.org\/licenses\/by\/4.0\/\" href=\"https:\/\/creativecommons.org\/licenses\/by\/4.0\/\" target=\"_blank\" rel=\"noopener\">CC BY 4.0 License<\/a> and contains modifications of the following works: \"<a href=\"https:\/\/www.flickr.com\/photos\/entirelysubjective\/6146868258\/\">Humanly Visible Spectrum<\/a>\" by <a href=\"https:\/\/www.flickr.com\/photos\/entirelysubjective\/\">Johannes Ahlmann<\/a> is licensed under a <a href=\"https:\/\/creativecommons.org\/licenses\/by\/2.0\/\">CC BY 2.0 licence<\/a>.","rendered":"<p style=\"text-align: right;\"><a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_134_595\">Approximate reading time:<\/a> 35 minutes<\/p>\n<p>Let\u2019s focus on how we see light and hear sound. Both of these come to us in waves, but they are different kinds of waves. Even though they are different, these waves have some things in common that are important for how we see and hear.<\/p>\n<p>When we talk about waves, we look at two main things: amplitude and wavelength. <strong>Amplitude<\/strong> is how high or low the wave goes. Imagine a wave in the ocean: the amplitude is the height from the middle of the wave to the top. <strong>Wavelength<\/strong> is how long the wave is from one peak to the next (Figure SP.3).<\/p>\n<figure id=\"attachment_133\" aria-describedby=\"caption-attachment-133\" style=\"width: 651px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-129 size-full\" src=\"https:\/\/opentextbc.ca\/psychologymtdi\/wp-content\/uploads\/sites\/470\/2024\/03\/Figure-SAP.7-Wave-Amplitude-Diagram.jpeg\" alt=\"A diagram illustrates the basic parts of a wave. Moving from left to right, the wavelength line begins above a straight horizontal line and falls and rises equally above and below that line. One of the areas where the wavelength line reaches its highest point is labelled &quot;Crest.\u201d A horizontal bracket, labelled \u201cWavelength,\u201d extends from this area to the next crest. One of the areas where the wavelength reaches its lowest point is labelled \u201cTrough.\u201d A vertical bracket, labelled \u201cAmplitude,\u201d measures the distance between the &quot;crest&quot; and the middle, horizontal line as well as the &quot;trough&quot; and middle, horizontal line.\" width=\"651\" height=\"230\" srcset=\"https:\/\/opentextbc.ca\/psychologymtdi\/wp-content\/uploads\/sites\/470\/2024\/03\/Figure-SAP.7-Wave-Amplitude-Diagram.jpeg 651w, https:\/\/opentextbc.ca\/psychologymtdi\/wp-content\/uploads\/sites\/470\/2024\/03\/Figure-SAP.7-Wave-Amplitude-Diagram-300x106.jpeg 300w, https:\/\/opentextbc.ca\/psychologymtdi\/wp-content\/uploads\/sites\/470\/2024\/03\/Figure-SAP.7-Wave-Amplitude-Diagram-65x23.jpeg 65w, https:\/\/opentextbc.ca\/psychologymtdi\/wp-content\/uploads\/sites\/470\/2024\/03\/Figure-SAP.7-Wave-Amplitude-Diagram-225x79.jpeg 225w, https:\/\/opentextbc.ca\/psychologymtdi\/wp-content\/uploads\/sites\/470\/2024\/03\/Figure-SAP.7-Wave-Amplitude-Diagram-350x124.jpeg 350w\" sizes=\"auto, (max-width: 651px) 100vw, 651px\" \/><figcaption id=\"caption-attachment-133\" class=\"wp-caption-text\"><strong>Figure SP.3. Amplitude and wavelength.<\/strong> The amplitude or height of a wave is measured from the crest to the trough. The wavelength is measured from peak to peak.<\/figcaption><\/figure>\n<p>These two things, amplitude and wavelength, help us understand things like how loud a sound is or what colour something is. For example, a loud sound has a high amplitude. The colour red has a long wavelength, while blue has a shorter one (Figure SP.4).<\/p>\n<figure id=\"attachment_133\" aria-describedby=\"caption-attachment-133\" style=\"width: 510px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-130 size-full\" title=\"Stacked vertically are 5 waves of different colours and wavelengths. The top wave is red with a long wavelengths, which indicate a low frequency. Moving downward, the colour of each wave is different: orange, yellow, green, and blue. Also moving downward, the wavelengths become shorter as the frequencies increase.\" src=\"https:\/\/opentextbc.ca\/psychologymtdi\/wp-content\/uploads\/sites\/470\/2024\/08\/Figure-SAP.8-Various-wavelengthsfrequencies-long-short.jpeg\" alt=\"Stacked vertically are 5 waves of different colours and wavelengths. The top wave is red with a long wavelengths, which indicate a low frequency. Moving downward, the colour of each wave is different: orange, yellow, green, and blue. Also moving downward, the wavelengths become shorter as the frequencies increase.\" width=\"510\" height=\"171\" data-popupalt-original-title=\"null\" srcset=\"https:\/\/opentextbc.ca\/psychologymtdi\/wp-content\/uploads\/sites\/470\/2024\/08\/Figure-SAP.8-Various-wavelengthsfrequencies-long-short.jpeg 510w, https:\/\/opentextbc.ca\/psychologymtdi\/wp-content\/uploads\/sites\/470\/2024\/08\/Figure-SAP.8-Various-wavelengthsfrequencies-long-short-300x101.jpeg 300w, https:\/\/opentextbc.ca\/psychologymtdi\/wp-content\/uploads\/sites\/470\/2024\/08\/Figure-SAP.8-Various-wavelengthsfrequencies-long-short-65x22.jpeg 65w, https:\/\/opentextbc.ca\/psychologymtdi\/wp-content\/uploads\/sites\/470\/2024\/08\/Figure-SAP.8-Various-wavelengthsfrequencies-long-short-225x75.jpeg 225w, https:\/\/opentextbc.ca\/psychologymtdi\/wp-content\/uploads\/sites\/470\/2024\/08\/Figure-SAP.8-Various-wavelengthsfrequencies-long-short-350x117.jpeg 350w\" sizes=\"auto, (max-width: 510px) 100vw, 510px\" \/><figcaption id=\"caption-attachment-133\" class=\"wp-caption-text\"><strong>Figure SP.4. Wavelengths and frequencies.<\/strong> This figure illustrates waves of differing wavelengths\/frequencies. At the top of the figure, the red wave has a long wavelength\/short frequency. Moving from top to bottom, the wavelengths decrease and frequencies increase.<\/figcaption><\/figure>\n<p>In this section, we&#8217;re going to learn more about how waves work and how they affect what we see and hear. Remember, even though this might sound complex, it&#8217;s all about understanding the waves that make up the sights and sounds around us.<\/p>\n<h1>Sound Waves<\/h1>\n<p>The physical properties of sound waves are associated with various aspects of our perception of sound. The frequency of a sound wave is associated with our perception of that sound\u2019s\u00a0pitch. We measure sound in hertz (Hz), which tell us how many waves pass a point in a second. High-pitched sounds have a lot of waves in a second (high frequency), and low-pitched sounds have fewer (low frequency). In humans, the audible range of sound frequencies is between 20 and 20,000 Hz, with greatest sensitivity to those frequencies that fall in the middle of this range.<\/p>\n<p>Other species show differences in their audible ranges. For instance, chickens have a very limited audible range, from 125 to 2000 Hz. Mice have an audible range from 1000 to 91,000 Hz, and the beluga whale\u2019s audible range is from 1000 to 123,000 Hz. Our pet dogs and cats have audible ranges of about 70\u201345,000 Hz and 45\u201364,000 Hz, respectively (Strain, 2003).<\/p>\n<p>The <strong>loudness<\/strong> of a given sound is closely associated with the amplitude of the sound wave. Higher amplitudes are associated with louder sounds. Loudness is measured in terms of\u00a0decibels (dB), a unit of sound intensity. A typical conversation would correlate with 60 dB; a rock concert might check in at 120 dB (Figure SP.9). A whisper 5 feet away or rustling leaves are at the low end of our hearing range; sounds like a window air conditioner, a normal conversation, and even heavy traffic or a vacuum cleaner are within a tolerable range. However, there is the potential for hearing damage from about 80 dB to 130 dB: These are sounds of a food processor, power lawn mower, heavy truck (25 feet away), subway train (20 feet away), live rock music, and a jackhammer. About one-third of all hearing loss is due to noise exposure, and the louder the sound, the shorter the exposure needed to cause hearing damage (Le, Straatman, Lea, &amp; Westerberg, 2017). Listening to music through earbuds at maximum volume (around 100\u2013105 decibels) can cause noise-induced hearing loss after 15 minutes of exposure. Although listening to music at maximum volume may not seem to cause damage, it increases the risk of age-related hearing loss (Kujawa &amp; Liberman, 2006). The threshold for pain is about 130 dB, which can be seen with a jet plane taking off or a revolver firing at close range (Dunkle, 1982).<\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_133\" aria-describedby=\"caption-attachment-133\" style=\"width: 975px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-131 size-full\" src=\"https:\/\/opentextbc.ca\/psychologymtdi\/wp-content\/uploads\/sites\/470\/2024\/08\/Figure-SAP.9-Loudness-in-Decibels-Diagram.jpeg\" alt=\"This illustration has a vertical bar in the middle labeled Decibels (dB) numbered 0 to 150 in intervals from the bottom to the top. To the left of the bar, the \u201csound intensity\u201d of different sounds is labeled: \u201cHearing threshold\u201d is 0; \u201cWhisper\u201d is 30, \u201csoft music\u201d is 40, \u201cRefrigerator\u201d is 45, \u201cSafe\u201d and \u201cnormal conversation\u201d is 60, \u201cHeavy city traffic\u201d with \u201cpermanent damage after 8 hours of exposure\u201d is 85, \u201cMotorcycle\u201d with \u201cpermanent damage after 6 hours exposure\u201d is 95, \u201cEarbuds max volume\u201d with \u201cpermanent damage after 15 miutes exposure\u201d is 105, \u201cRisk of hearing loss\u201d is 110, \u201cpain threshold\u201d is 130, \u201charmful\u201d is 140, and \u201cfirearms\u201d with \u201cimmediate permanent damage\u201d is 150. To the right of the bar are photographs depicting \u201ccommon sound\u201d: At 20 decibels is a picture of rustling leaves; At 60 is two people talking, at 85 is traffic, at 105 is ear buds, at 120 is a music concert, and at 130 are jets.\" width=\"975\" height=\"848\" srcset=\"https:\/\/opentextbc.ca\/psychologymtdi\/wp-content\/uploads\/sites\/470\/2024\/08\/Figure-SAP.9-Loudness-in-Decibels-Diagram.jpeg 975w, https:\/\/opentextbc.ca\/psychologymtdi\/wp-content\/uploads\/sites\/470\/2024\/08\/Figure-SAP.9-Loudness-in-Decibels-Diagram-300x261.jpeg 300w, https:\/\/opentextbc.ca\/psychologymtdi\/wp-content\/uploads\/sites\/470\/2024\/08\/Figure-SAP.9-Loudness-in-Decibels-Diagram-768x668.jpeg 768w, https:\/\/opentextbc.ca\/psychologymtdi\/wp-content\/uploads\/sites\/470\/2024\/08\/Figure-SAP.9-Loudness-in-Decibels-Diagram-65x57.jpeg 65w, https:\/\/opentextbc.ca\/psychologymtdi\/wp-content\/uploads\/sites\/470\/2024\/08\/Figure-SAP.9-Loudness-in-Decibels-Diagram-225x196.jpeg 225w, https:\/\/opentextbc.ca\/psychologymtdi\/wp-content\/uploads\/sites\/470\/2024\/08\/Figure-SAP.9-Loudness-in-Decibels-Diagram-350x304.jpeg 350w\" sizes=\"auto, (max-width: 975px) 100vw, 975px\" \/><figcaption id=\"caption-attachment-133\" class=\"wp-caption-text\"><strong>Figure SP.5. Sound and decibels.<\/strong> This figure illustrates the loudness of common sounds.<\/figcaption><\/figure>\n<p>Watch this video: <a href=\"https:\/\/youtu.be\/TsQL-sXZOLc?si=Zxspv9QSRg5z2hTc\">Sound: Wavelength, Frequency and Amplitude. (6 minutes)<\/a><\/p>\n<div id=\"top-row\" class=\"style-scope ytd-watch-metadata\">\n<div id=\"owner\" class=\"item style-scope ytd-watch-metadata\"><\/div>\n<\/div>\n<p><iframe loading=\"lazy\" id=\"oembed-1\" title=\"Sound: Wavelength, Frequency and Amplitude.\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/TsQL-sXZOLc?feature=oembed&#38;rel=0\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><span data-sheets-root=\"1\" data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;\u201cName of Video\u201d video by YouTube Channel is licensed under the Standard YouTube licence.&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}\">\u201cSound: Wavelength, Frequency and Amplitude.\u201d video by Science Sauce is licensed under the Standard YouTube licence.<\/span><\/p>\n<p>Of course, different musical instruments can play the same musical note at the same level of loudness, yet they still sound quite different. This is known as the timbre of a sound.\u00a0Timbre\u00a0refers to a sound\u2019s purity, and it is affected by the complex interplay of frequency, amplitude, and timing of sound waves. Sound, specifically hearing, will be discussed later in this section.<\/p>\n<h1>Light Waves<\/h1>\n<p>The\u00a0<strong>visible spectrum<\/strong>\u00a0is the portion of the larger\u00a0electromagnetic spectrum\u00a0that we can see. As\u00a0Figure SP.6 shows, the electromagnetic spectrum encompasses all of the electromagnetic radiation that occurs in our environment and includes gamma rays, x-rays, ultraviolet light, visible light, infrared light, microwaves, and radio waves. The visible spectrum in humans is associated with wavelengths that range from 380 to 740 nm \u2014 a very small distance, since a nanometer (nm) is one billionth of a metre. Other species can detect other portions of the electromagnetic spectrum. For instance, honeybees can see light in the ultraviolet range (Wakakuwa, Stavenga, &amp; Arikawa, 2007), and some snakes can detect infrared radiation in addition to more traditional visual light cues (Chen, Deng, Brauth, Ding, &amp; Tang, 2012; Hartline, Kass, &amp; Loop, 1978).<\/p>\n<figure id=\"attachment_133\" aria-describedby=\"caption-attachment-133\" style=\"width: 975px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-132 size-full\" src=\"https:\/\/opentextbc.ca\/psychologymtdi\/wp-content\/uploads\/sites\/470\/2024\/08\/Figure-SAP.10-Electromagnetic-Specturm-Diagram.jpeg\" alt=\"This illustration shows the wavelength, frequency, and size of objects across the electromagnetic spectrum.. At the top, various wavelengths are given in sequence from small to large, with a parallel illustration of a wave with increasing frequency. These are the provided wavelengths, measured in meters: \u201cGamma ray 10 to the negative twelfth power,\u201d \u201cx-ray 10 to the negative tenth power,\u201d ultraviolet 10 to the negative eighth power,\u201d \u201cvisible .5 times 10 to the negative sixth power,\u201d \u201cinfrared 10 to the negative fifth power,\u201d microwave 10 to the negative second power,\u201d and \u201cradio 10 cubed.\u201dAnother section is labeled \u201cAbout the size of\u201d and lists from left to right: \u201cAtomic nuclei,\u201d \u201cAtoms,\u201d \u201cMolecules,\u201d \u201cProtozoans,\u201d \u201cPinpoints,\u201d \u201cHoneybees,\u201d \u201cHumans,\u201d and \u201cBuildings\u201d with an illustration of each . At the bottom is a line labeled \u201cFrequency\u201d with the following measurements in hertz: 10 to the powers of 20, 18, 16, 15, 12, 8, and 4. From left to right the line changes in colour from purple to red with the remaining colours of the visible spectrum in between.\" width=\"975\" height=\"404\" srcset=\"https:\/\/opentextbc.ca\/psychologymtdi\/wp-content\/uploads\/sites\/470\/2024\/08\/Figure-SAP.10-Electromagnetic-Specturm-Diagram.jpeg 975w, https:\/\/opentextbc.ca\/psychologymtdi\/wp-content\/uploads\/sites\/470\/2024\/08\/Figure-SAP.10-Electromagnetic-Specturm-Diagram-300x124.jpeg 300w, https:\/\/opentextbc.ca\/psychologymtdi\/wp-content\/uploads\/sites\/470\/2024\/08\/Figure-SAP.10-Electromagnetic-Specturm-Diagram-768x318.jpeg 768w, https:\/\/opentextbc.ca\/psychologymtdi\/wp-content\/uploads\/sites\/470\/2024\/08\/Figure-SAP.10-Electromagnetic-Specturm-Diagram-65x27.jpeg 65w, https:\/\/opentextbc.ca\/psychologymtdi\/wp-content\/uploads\/sites\/470\/2024\/08\/Figure-SAP.10-Electromagnetic-Specturm-Diagram-225x93.jpeg 225w, https:\/\/opentextbc.ca\/psychologymtdi\/wp-content\/uploads\/sites\/470\/2024\/08\/Figure-SAP.10-Electromagnetic-Specturm-Diagram-350x145.jpeg 350w\" sizes=\"auto, (max-width: 975px) 100vw, 975px\" \/><figcaption id=\"caption-attachment-133\" class=\"wp-caption-text\"><strong>Figure SP.6. Visible spectrum.<\/strong> Light that is visible to humans makes up only a small portion of the electromagnetic spectrum.<\/figcaption><\/figure>\n<p>In humans, light wavelength is associated with perception of colour (Figure SAP.11). Within the visible spectrum, our experience of red is associated with longer wavelengths, greens are intermediate, and blues and violets are shorter in wavelength. (An easy way to remember this is the mnemonic ROYGBIV:\u00a0red,\u00a0orange,\u00a0yellow,\u00a0green,\u00a0blue,\u00a0indigo,\u00a0violet.) The amplitude of light waves is associated with our experience of brightness or intensity of colour, with larger amplitudes appearing brighter. Brighter colours have higher amplitudes.<\/p>\n<figure id=\"attachment_133\" aria-describedby=\"caption-attachment-133\" style=\"width: 975px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-133 size-full\" src=\"https:\/\/opentextbc.ca\/psychologymtdi\/wp-content\/uploads\/sites\/470\/2024\/08\/Figure-SAP.11-Wavelengths-and-Associated-COlours-Diagram.jpeg\" alt=\"A line provides Wavelength in nanometers for \u201c400,\u201d \u201c500,\u201d \u201c600,\u201d and \u201c700\u201d nanometers. Within this line are all of the colours of the visible spectrum. Below this line, labelled from left to right are \u201cCosmic radiation,\u201d \u201cGamma rays,\u201d \u201cX-rays,\u201d \u201cUltraviolet,\u201d then a small callout area for the line above containing the colours in the visual spectrum, followed by \u201cInfrared,\u201d \u201cTerahertz radiation,\u201d \u201cRadar,\u201d \u201cTelevision and radio broadcasting,\u201d and \u201cAC circuits.\" width=\"975\" height=\"186\" srcset=\"https:\/\/opentextbc.ca\/psychologymtdi\/wp-content\/uploads\/sites\/470\/2024\/08\/Figure-SAP.11-Wavelengths-and-Associated-COlours-Diagram.jpeg 975w, https:\/\/opentextbc.ca\/psychologymtdi\/wp-content\/uploads\/sites\/470\/2024\/08\/Figure-SAP.11-Wavelengths-and-Associated-COlours-Diagram-300x57.jpeg 300w, https:\/\/opentextbc.ca\/psychologymtdi\/wp-content\/uploads\/sites\/470\/2024\/08\/Figure-SAP.11-Wavelengths-and-Associated-COlours-Diagram-768x147.jpeg 768w, https:\/\/opentextbc.ca\/psychologymtdi\/wp-content\/uploads\/sites\/470\/2024\/08\/Figure-SAP.11-Wavelengths-and-Associated-COlours-Diagram-65x12.jpeg 65w, https:\/\/opentextbc.ca\/psychologymtdi\/wp-content\/uploads\/sites\/470\/2024\/08\/Figure-SAP.11-Wavelengths-and-Associated-COlours-Diagram-225x43.jpeg 225w, https:\/\/opentextbc.ca\/psychologymtdi\/wp-content\/uploads\/sites\/470\/2024\/08\/Figure-SAP.11-Wavelengths-and-Associated-COlours-Diagram-350x67.jpeg 350w\" sizes=\"auto, (max-width: 975px) 100vw, 975px\" \/><figcaption id=\"caption-attachment-133\" class=\"wp-caption-text\"><strong>Figure SP.7. Wavelengths and colours.<\/strong> Different wavelengths of light are associated with our perception of different colours.<\/figcaption><\/figure>\n<div><\/div>\n<div>Watch this video: <a href=\"https:\/\/www.youtube.com\/watch?v=unWnZvXJH2o\">Sensation and Perception: Crash Course Psychology #5 (11 minutes)<\/a><\/div>\n<p><iframe loading=\"lazy\" id=\"oembed-2\" title=\"Sensation and Perception: Crash Course Psychology #5\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/unWnZvXJH2o?feature=oembed&#38;rel=0\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>\u201cSensation and Perception: Crash Course Psychology #5\u201d video by CrashCourse is licensed under the Standard YouTube licence.<\/p>\n<h1>Image Attributions<\/h1>\n<p>Figure SP.3. Figure 5.5 as found in <a title=\"https:\/\/openstax.org\/books\/psychology-2e\/pages\/1-introduction\" href=\"https:\/\/openstax.org\/books\/psychology-2e\/pages\/1-introduction\" target=\"_blank\" rel=\"noopener\">Psychology 2e by OpenStax<\/a> is licensed under a <a title=\"https:\/\/creativecommons.org\/licenses\/by\/4.0\/\" href=\"https:\/\/creativecommons.org\/licenses\/by\/4.0\/\" target=\"_blank\" rel=\"noopener\">CC BY 4.0 License<\/a>.<\/p>\n<p>Figure SP.4. Figure 5.6 as found in <a title=\"https:\/\/openstax.org\/books\/psychology-2e\/pages\/1-introduction\" href=\"https:\/\/openstax.org\/books\/psychology-2e\/pages\/1-introduction\" target=\"_blank\" rel=\"noopener\">Psychology 2e by OpenStax<\/a> is licensed under a <a title=\"https:\/\/creativecommons.org\/licenses\/by\/4.0\/\" href=\"https:\/\/creativecommons.org\/licenses\/by\/4.0\/\" target=\"_blank\" rel=\"noopener\">CC BY 4.0 License<\/a>.<\/p>\n<p>Figure SP.5. Figure 5.9 as found in <a title=\"https:\/\/openstax.org\/books\/psychology-2e\/pages\/1-introduction\" href=\"https:\/\/openstax.org\/books\/psychology-2e\/pages\/1-introduction\" target=\"_blank\" rel=\"noopener\">Psychology 2e by OpenStax<\/a> is licensed under a <a title=\"https:\/\/creativecommons.org\/licenses\/by\/4.0\/\" href=\"https:\/\/creativecommons.org\/licenses\/by\/4.0\/\" target=\"_blank\" rel=\"noopener\">CC BY 4.0 License<\/a> and contains modifications of the following works: <a href=\"https:\/\/www.flickr.com\/photos\/maxpfandl\/5897259740\/in\/photolist-9Z56jZ-9Z5794-9Z7ZS5-9Z81xU-9Z56iK-9Z81nw-9Z56Fa-9Z81Bu-9Z57AB-9Z7ZYN-9Z811m-i166Fg-frzS7u-9Z81Pu-9Z81Xw-9Z835W-9Z58oH-9Z57vT-9Z57SH-9Z58rD-9Z58uT-9Z82Gf-9Z586n-9Z81Z3-9Z57ua-9Z57kH-9Z82Hw-9Z56q8-9Z81bQ-9Z7ZKd-9Z81ME-9Z7ZQA-9Z7ZHq-9Z57g2-9Z81uL-9Z58z4-9Z58fH-9Z82R9-9Z82Mu-9Z57yR-9Z57YV-9Z562P-9Z57Fe-9Z57U4-9Z82eN-9Z57sg-9Z817h-9Z82go-9Z57JM-9Z82wJ\">&#8220;planes&#8221;<\/a> by <a href=\"https:\/\/www.flickr.com\/photos\/maxpfandl\/\">Max Pfandl<\/a> is licensed under a <a href=\"https:\/\/creativecommons.org\/licenses\/by\/2.0\/\">CC BY 2.0 licence<\/a>; <a href=\"https:\/\/www.flickr.com\/photos\/crsan\/3697785107\/in\/photolist-7PN6if-8pQyAq-6DjZ8z-8qrdCP-6CL7FD-7PJTGx-7PJTci-8quf7h-7PMZ5o-7PJSPB-7PN66E-7PJSZP-6qwskG-9xoLRL\">&#8220;crowd&#8221;<\/a> by <a href=\"https:\/\/www.flickr.com\/photos\/crsan\/\">Christian Holm\u00e9r<\/a> is licensed under a <a href=\"https:\/\/creativecommons.org\/licenses\/by\/2.0\/\">CC BY 2.0 licence<\/a>; <a href=\"https:\/\/www.flickr.com\/photos\/154082794@N08\/40339863342\/\">&#8220;earbuds&#8221;<\/a> by <a href=\"https:\/\/www.flickr.com\/photos\/154082794@N08\/\">Skinny Guy Lover<\/a> is in the <a href=\"https:\/\/creativecommons.org\/publicdomain\/mark\/1.0\/\">public domain<\/a>; <a href=\"https:\/\/pixabay.com\/photos\/traffic-rush-hour-rush-hour-urban-843309\/\">&#8220;traffic&#8221;<\/a> by <a href=\"https:\/\/pixabay.com\/users\/islandworks-1139623\/\">islandworks<\/a> is licensed under a <a href=\"https:\/\/pixabay.com\/service\/license-summary\/\">Pixabay license<\/a>; <a href=\"https:\/\/www.flickr.com\/photos\/joi\/2081174191\">&#8220;talking&#8221;<\/a> by <a href=\"https:\/\/www.flickr.com\/photos\/joi\/\">Joi Ito<\/a> is licensed under a <a href=\"https:\/\/creativecommons.org\/licenses\/by\/2.0\/\">CC BY 2.0 licence<\/a>; <a href=\"https:\/\/www.flickr.com\/photos\/aurelijus\/2285852050\/in\/photolist-4tVxsg-4tZAbf-4upgrt-4tUM5P-4tVyjV\">&#8220;leaves&#8221;<\/a> by <a id=\"yui_3_16_0_1_1712161056419_1797\" class=\"owner-name truncate\" title=\"Go to Aurelijus Valei\u0161a\u2019s photostream\" href=\"https:\/\/www.flickr.com\/photos\/aurelijus\/\" rel=\"author\" data-track=\"attributionNameClick\">Aurelijus Valei\u0161a<\/a> is licensed under a <a href=\"https:\/\/creativecommons.org\/licenses\/by\/2.0\/\">CC BY 2.0 licence<\/a>.<\/p>\n<p>Figure SP.6. Figure 5.7 as found in <a title=\"https:\/\/openstax.org\/books\/psychology-2e\/pages\/1-introduction\" href=\"https:\/\/openstax.org\/books\/psychology-2e\/pages\/1-introduction\" target=\"_blank\" rel=\"noopener\">Psychology 2e by OpenStax<\/a> is licensed under a <a title=\"https:\/\/creativecommons.org\/licenses\/by\/4.0\/\" href=\"https:\/\/creativecommons.org\/licenses\/by\/4.0\/\" target=\"_blank\" rel=\"noopener\">CC BY 4.0 License<\/a>.<\/p>\n<p>Figure SP.7. Figure 5.8 as found in <a title=\"https:\/\/openstax.org\/books\/psychology-2e\/pages\/1-introduction\" href=\"https:\/\/openstax.org\/books\/psychology-2e\/pages\/1-introduction\" target=\"_blank\" rel=\"noopener\">Psychology 2e by OpenStax<\/a> is licensed under a <a title=\"https:\/\/creativecommons.org\/licenses\/by\/4.0\/\" href=\"https:\/\/creativecommons.org\/licenses\/by\/4.0\/\" target=\"_blank\" rel=\"noopener\">CC BY 4.0 License<\/a> and contains modifications of the following works: &#8220;<a href=\"https:\/\/www.flickr.com\/photos\/entirelysubjective\/6146868258\/\">Humanly Visible Spectrum<\/a>&#8221; by <a href=\"https:\/\/www.flickr.com\/photos\/entirelysubjective\/\">Johannes Ahlmann<\/a> is licensed under a <a href=\"https:\/\/creativecommons.org\/licenses\/by\/2.0\/\">CC BY 2.0 licence<\/a>.<\/p>\n<div class=\"glossary\"><span class=\"screen-reader-text\" id=\"definition\">definition<\/span><template id=\"term_134_595\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_134_595\"><div tabindex=\"-1\"><p>To calculate this time, we used a reading speed of 150 words per minute and then added extra time to account for images and videos. This is just to give you a rough idea of the length of the chapter section. How long it will take you to engage with this chapter will vary greatly depending on all sorts of things (the complexity of the content, your ability to focus, etc).<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><\/div>","protected":false},"author":127,"menu_order":3,"template":"","meta":{"pb_show_title":"on","pb_short_title":"","pb_subtitle":"","pb_authors":["jessica-motherwell-mcfarlane"],"pb_section_license":"cc-by-nc-sa"},"chapter-type":[],"contributor":[61],"license":[57],"class_list":["post-134","chapter","type-chapter","status-publish","hentry","contributor-jessica-motherwell-mcfarlane","license-cc-by-nc-sa"],"part":121,"_links":{"self":[{"href":"https:\/\/opentextbc.ca\/psychologymtdi\/wp-json\/pressbooks\/v2\/chapters\/134","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/opentextbc.ca\/psychologymtdi\/wp-json\/pressbooks\/v2\/chapters"}],"about":[{"href":"https:\/\/opentextbc.ca\/psychologymtdi\/wp-json\/wp\/v2\/types\/chapter"}],"author":[{"embeddable":true,"href":"https:\/\/opentextbc.ca\/psychologymtdi\/wp-json\/wp\/v2\/users\/127"}],"version-history":[{"count":2,"href":"https:\/\/opentextbc.ca\/psychologymtdi\/wp-json\/pressbooks\/v2\/chapters\/134\/revisions"}],"predecessor-version":[{"id":815,"href":"https:\/\/opentextbc.ca\/psychologymtdi\/wp-json\/pressbooks\/v2\/chapters\/134\/revisions\/815"}],"part":[{"href":"https:\/\/opentextbc.ca\/psychologymtdi\/wp-json\/pressbooks\/v2\/parts\/121"}],"metadata":[{"href":"https:\/\/opentextbc.ca\/psychologymtdi\/wp-json\/pressbooks\/v2\/chapters\/134\/metadata\/"}],"wp:attachment":[{"href":"https:\/\/opentextbc.ca\/psychologymtdi\/wp-json\/wp\/v2\/media?parent=134"}],"wp:term":[{"taxonomy":"chapter-type","embeddable":true,"href":"https:\/\/opentextbc.ca\/psychologymtdi\/wp-json\/pressbooks\/v2\/chapter-type?post=134"},{"taxonomy":"contributor","embeddable":true,"href":"https:\/\/opentextbc.ca\/psychologymtdi\/wp-json\/wp\/v2\/contributor?post=134"},{"taxonomy":"license","embeddable":true,"href":"https:\/\/opentextbc.ca\/psychologymtdi\/wp-json\/wp\/v2\/license?post=134"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}