Short Stories

45 Fay Weldon (1931–2023)

Fay Weldon being interviewed on stage in 2008


Fay Weldon was born Franklin Birkinshaw in Worcestershire, England, in 1931. Her mother was also a novelist, whose nom de plume, Pearl Bellairs, was taken from the name of a character in Aldous Huxley’s story “The Farcical History of Richard Greenow” (1920). Weldon is a prolific author of more than thirty novels, seven short story collections, seven works of non-fiction, and sixteen screenplays (including the prizewinning first episode of the acclaimed British television series Upstairs, Downstairs and a 1985 BBC adaptation of Pride and Prejudice).

Her work often deals with gender politics, and many of her novels treat the “condition of woman” theme, detailing the oppression of women, but she is often critical of some dogmatic feminist responses. Critic Lorena Russell observes that “her satire is marked by an ironic tone that questions social inequalities and their often irrational and unexpected consequences” (“Fay Weldon”, Encyclopedia of Twentieth Century Fiction, (Oxford: 2011), p. 380).

She lived in New Zealand until she was 15, when she returned to England with her mother and sister in 1946. In interviews and her memoir, Auto da Fay (2002), she recalls her early days in a household of women, and her new-found freedom upon entering the University of St Andrews in Scotland, where she studied psychology and economics and completed an M.A. in 1952 before she returned to reside in London. She became pregnant with her first child at age 22 but did not marry the child’s father. However, in 1957, tired of struggling to support herself as a single mother, she married a teacher 25 years her senior. They lived together in London for two years before the marriage dissolved.

She later became a copywriter in an advertising agency, earning enough to support herself and her son. In 1962, she married Ron Weldon and had three more sons. The couple later divorced, and she is currently married to poet Nick Fox.

One of her best-known novels, The Life and Loves of a She-Devil (1983), was made into a television film and a Hollywood movie, and like some of her other novels, it follows the trials of a betrayed wife.

In 2006, she was appointed Professor of Creative Writing at Brunel University in West London, and in 2012, she became Professor of Creative Writing at Bath Spa University.


Published 1978

You can read the full text here: “Weekend” by Fay Weldon [PDF].

Before you begin reading, please consider the following typographical corrections to the PDF:

  • line 197 “ear”, should be “car”
  • line 238 “an” should be “and”
  • line 443 “oil” should be “on”
  • line 570 insert “of” between “appearance” and “martyrdom”



Study Questions

  1. Martha is the name of the story’s protagonist. What is symbolic about the name? See Brewer’s Dictionary of Phrase and Fable, or Luke 10:41–42.
  2. Look up “boot” and “bonnet” (British usage). What do these words mean? Give their North American equivalents.
  3. After you read the details in the first three paragraphs, do you see any irony in Martha’s husband Martin’s saying, “You ought to get Mrs. Hodder to do more. She takes advantage of you”?
  4. Does Martin ever give a direct order to Martha?
  5. Contrast Colin’s first wife, Janet, with his new wife, Katie.
  6. How do her three children treat Martha?
  7. What is Martha’s job in addition to homemaker?
  8. What do Janet, Beryl, and Martha have in common?


Read this scholarly article on Weldon’s “Weekend”, which places the story in a feminist context.

Listen to Fay Weldon reading her story “Weekend”.

Read Luke 10:41–42. In these lines, Christ rebukes Martha for occupying herself with household chores and for neglecting “the one thing needful,” unlike Martha’s sister Mary Magdalene, who sits and listens at Christ’s feet. Is there a character in the story who corresponds to Mary?

Click here for a photo and another biography of Fay Weldon.

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Composition and Literature Copyright © 2019 by James Sexton and Derek Soles is licensed under a Creative Commons Attribution 4.0 International License, except where otherwise noted.

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